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Hayley Reardon: A Solo Performance
Coming off two sold out performances at the legendary Club Passim this is a show not to be missed.
A portion of the proceeds from this concert will benefit the New England Folk Music Archives. Produced by Last Dance Productions.
Only 40 seats will be sold for this very intimate concert!
Since her showcase at the International Folk Alliance in February 2010, Hayley Reardon has exploded onto the stage of folk music. In addition to being featured in the recently released “For the Love of the Music” Club 47 documentary and producing her first full length LP, she has developed an in-school performance program, “Find Your Voice,” to encourage peer empowerment through self-expression. Hayley’s new release, “Where the Artists Go,” is, in her own words, the product of the “focus on what I wanted to say with my arts sense of freedom that folk empowers me to say it the way I want to.”
“Reardon is taking the folk scene by storm.” WBUR
“She is certainly a bright star on the horizon, a glorious addition to the future of acoustic music.” Performer Mag
“Reardon definitely has an old soul, and her dedication to her art shows in Where the Artists Go, an impressive debut.” Candor News
“Where the Artists Go can be cast as coming of age thoughts riding on a sea of song. There is a unique world view and an everyman way of describing the scene that makes these songs sing.” The Alternate Root
Amy Speace and The Sea The Sea will perform this special event to benefit The New England Folk Music Archives.
Produced by Last Dance Productions
The New England Folk Music Archives is pleased to welcome Amy Speace and The Sea,The Sea to one of the great listening rooms in town.
AMY SPEACE
Amy Speace has been quietly but steadily making waves in the Americana/folk world for a few years now, and in the journey, gaining support from the likes of Judy Collins, Nanci Griffith, Guy Clark and other icons in the songwriting community. A self-described ‘late bloomer’ to songwriting, Speace landed in New York City after college to pursue a life in theater. She studied acting at The National Shakespeare Conservatory, toured the US with the National Shakespeare Company, started her own theater company to direct and produce the plays she had written, and in the midst of her early 20’s, picked up a pawn shop guitar, wrote her first songs, and found herself with steady gigs at such storied venues as The Bitter End and The Living Room.
On April 16, Wind Bone Records/Tone Tree will release “How to Sleep In A Stormy Boat” an 11 song album, produced by Neilson Hubbard, with collaborations with John Fullbright, Mary Gauthier and Ben Sollee.
THE SEA, THE SEA
The Sea The Sea weave their many voices into one. Since the Fall of 2011, Chuck e. Costa and Mira Stanley have been touring the country, making new friends and evolving their sound. Now a playful mix of old and new, acoustic and electric, raw and graceful, TSTS has created an inspired trove of harmony-rich, lyric driven songs. Dynamic and sincere, simple and true, their live shows will leave you stirring.
No Depression Says:
Last night, inside a cold Dobbs Ferry church with the snow falling outside, I sat and listened to a young couple who just this week recorded their first album together. If their performance is any indication, the April release will bring a welcome relief to a cold winter. To say I was taken with Chuck E. Costa and Mira Stanley who perform as The Sea The Sea would be an understatement. On top of well-crafted songs, commanding stage presence and instrumental abilities, their voices in close harmony evoked for me a sound landing somewhere between Bowling Green and Bakersfield.
Recently naming her a 2012 “Bostonian Of The Year”, The Boston Globe characterized her as…”a confident, radiant teenage singer/songwriter who is helping to pen the next chapter of the Boston folk scene…while Reardon is rapidly making a name for herself under the stage lights, it could be said that she’s having a bigger impact on her peers across the country as a leading spokesperson for bullying prevention. By pairing her music with a message of collective responsibility, she has become an effective teen-to-teen ambassador, sought after by schools nationwide.”
“When you listen to 17-year-old folk singer Hayley Reardon, it’s hard to identify what’s more impressive: the fact that she’s already considered a seasoned folk artist or that she’s a national spokesperson for PACER’s National Bullying Prevention Center. In any event, both are laudable facts that dovetail nicely on her debut album Where The Artists Go.
Les Sampou is a blues/rock musician, who got her start n the Boston folk scene and now has moved on to national prominence and acclaim. She has just released her new record “Lonesomeville”.
ur previous efforts.
Antje Duvekot has solidified her reputation as one of Boston’s top singer songwriters with “Big Dream Boulevard” her debut studio release and “the Near Demise of the Highwire Dancer” her follow-up CD. The debut CD was produced by Seamus Egan, founder of the Irish super group, SOLAS. The project was released on acclaimed songwriter Ellis Paul’s label, Black Wolf Records and quickly attracted international attention for Antje. It was voted “#1 Folk Release of 2006” by the Boston Globe and was named to the “Top10 Releases of the Year” by National Public Radio’s, Folk Alley. Her follow up album “the Near Demise of the Highwire Dancer” was produced by Richard Shindell and along side with Richard features other “folk royalty” such as John Gorka, Lucy Kaplancky and Mark Erelli. It was voted #1 album of the year 2009 by WUMB 91.9 fm in Boston.
“What a blessing to have worked with someone as talented as Antje. With a voice like hers, and songs as good as these, a producer (especially a first-time producer!) just tries to get out of the way, to do no harm, and to let the artist speak for herself.” – Richard Shindell
“Duvekot has gotten hotter, faster than any local songwriter in recent memory. Her songs feel at once fresh faced and firmly rooted, driven by the whispery sensuality of her voice. She believes in the redemptive power of the shared secret; and is utterly unafraid to mine the darkest corners of her life for songs that turn fear into resilience and isolation into community”. The Boston Globe
Antje has won some of the top songwriting awards including the Grand Prize in the John Lennon Songwriting Competition, the prestigious, Kerrville (TX) “Best New Folk Award” and in one of the nation’s top music markets, she won the Boston Music Award for “Outstanding Folk Act”, three of the top prizes in the singer songwriter world.
More on Hayley here:
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Kathy Mattea and Suzy Bogguss Ticket Info Here.
Friends since their early days in Nashville, they had only found a few opportunities to collaborate musically along the way, most notably with Teach Your Children, their Grammy-nominated track from 1994’s Red, Hot + Country compilation. They have “threatened” for years, and the fans have clamored for this pairing. Now, the wait is over. Longtime friends Kathy Mattea and Suzy Bogguss have individually carved out careers in popular music with a multitude of hits spanning over two decades. Suzy’s Outbound Plane, Aces, and Someday Soon are among the many songs beloved by music fans around the world, as are Where’ve You Been?, 455 Rocket, and Eighteen Wheels and a Dozen Roses from Kathy’s deep well of material.
Kathy Mattea
Hailed by The Washington Post as “one of Nashville’s finest song interpreters,” Kathy Mattea has enjoyed much success and acclaim during her 35-year career in Country, Bluegrass and Folk music, including 2 Grammy wins, 4 CMA Awards, 4 #1 country singles, and five gold albums (plus a platinum Greatest Hits collection)
Suzy Bogguss
Suzy began her career in the 1980s as a solo singer. In the 1990s, six of her songs were Top 10 hits, three albums were certified gold, and one album received a platinum certification. She won Top New Female Vocalist from the Academy of Country Music and the Horizon Award from the Country Music Association.