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Hayley Reardon: A Solo Performance
Coming off two sold out performances at the legendary Club Passim this is a show not to be missed.
A portion of the proceeds from this concert will benefit the New England Folk Music Archives. Produced by Last Dance Productions.
Only 40 seats will be sold for this very intimate concert!
Since her showcase at the International Folk Alliance in February 2010, Hayley Reardon has exploded onto the stage of folk music. In addition to being featured in the recently released “For the Love of the Music” Club 47 documentary and producing her first full length LP, she has developed an in-school performance program, “Find Your Voice,” to encourage peer empowerment through self-expression. Hayley’s new release, “Where the Artists Go,” is, in her own words, the product of the “focus on what I wanted to say with my arts sense of freedom that folk empowers me to say it the way I want to.”
“Reardon is taking the folk scene by storm.” WBUR
“She is certainly a bright star on the horizon, a glorious addition to the future of acoustic music.” Performer Mag
“Reardon definitely has an old soul, and her dedication to her art shows in Where the Artists Go, an impressive debut.” Candor News
“Where the Artists Go can be cast as coming of age thoughts riding on a sea of song. There is a unique world view and an everyman way of describing the scene that makes these songs sing.” The Alternate Root
Hayley Reardon in concert, A co-bill with Kayla Ringelheim
Anyone not familiar with the music of Bill Staines is in for a special treat.
Last Dance Productions is pleased to welcome Bill Staines to one of the great listening rooms in town, the New England Folk Music Archives. The event takes place on on Wednesday, July 17th at 7pm. We’ll have a conversation with Bill recording his thoughts about the Folk Scene in New England over the past years that will be deposited into our growing oral history collection.
After the conversation we’ll be treated to a performance by Bill Staines.
For more than forty years, Bill Staines has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960′s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.
The New England Folk Music Archives is thrilled to have Deborah Holland and Cidny Bullens perform this special benefit concert.
Produced by Last Dance Productions, only 40 tickets will be sold for this performance.
DEBORAH HOLLAND was introduced to the world as the lead singer and songwriter of Animal Logic, (with Stewart Copeland of The Police and jazz bassist Stanley Clarke). She went on to record 4 solo albums, 2 with the folk-Americana “super-group” The Refugees, scored 5 films, and wrote and performed dozens of songs for film and TV. Her new solo album, VANCOUVER, was released on June 4th, 2013 and is already getting airplay on over 75 US and Canadian radio stations.
CIDNY BULLENS began a music career touring with Elton John and in the studio with mega-hit songwriter/producer Bob Crewe. A 30+ career includes the breakthrough hit “Survivor”, (Grammy nomination for Best Rock Vocal Performance), three lead vocals as part of the Grease movie soundtrack album (also Grammy-nominated), and 6 critically acclaimed albums featuring a who’s who of Americana artists including Bonnie Raitt, Lucinda Williams, Rodney Crowell, Bryan Adams, Beth Nielsen Chapman, John Hiatt, Steve Earle, and Emmylou Harris, and Delbert McClinton. In 2007, Cidny formed the super-trio The Refugees.
Recently naming her a 2012 “Bostonian Of The Year”, The Boston Globe characterized her as…”a confident, radiant teenage singer/songwriter who is helping to pen the next chapter of the Boston folk scene…while Reardon is rapidly making a name for herself under the stage lights, it could be said that she’s having a bigger impact on her peers across the country as a leading spokesperson for bullying prevention. By pairing her music with a message of collective responsibility, she has become an effective teen-to-teen ambassador, sought after by schools nationwide.”
The Cambridge Historical Society and the New England Folk Music Archives announce an evening of conversation and music at the Cambridge Historical Society, November 21, 2013.
At 6:00pm, a lively conversation between former WUMB program director Brian Quinn and Lorraine and Bennett Hammond will discuss and explore the rich history of folk music around the greater Boston area. This conversation will be recorded and deposited into The New England Folk Music Archives’ growing oral history collection.
Following the conversation, Lorraine and Bennett will perform traditional and original compositions on guitar, dulcimer, and harp, drawing on a long folk tradition.
Suggested donation for this event is $10 at the door, however additional support would be greatly appreciated to help the Cambridge Historical Society and The New England Folk Music Archives continue their important work in the community.
Lorraine and Bennett Hammond play and sing in perfect complement: blending their instruments with consummate skill, they create a new voice for music that ranges in style from classical through Celtic, blues and contemporary. The joy they take in their music is contagious, and their flair for tailoring their selection of songs and tunes for individual audiences lends a lively freshness to each performance.
Brian Quinn spent over 20 years managing all aspects of public radio station WUMB in Boston, recognized as the nation’s premiere station for folk and acoustic music. For most of these years he served as the station’s program director. Brian also was instrumental in planning and overseeing the annual Boston Folk Festival, which annually drew thousands of participants to the University of Massachusetts. He has several years of experience producing events on The Boston Common, Copley Square, Sanders Theater and The Somerville Theater.
•The Cambridge Historical Society
Venue Address: 159 Brattle St, Cambridge, MA 02138
Venue Web Site: http://www.cambridgehistory.org/
Cambridge Historical Society Phone: (617) 547-4252
The New England Folk Music Archives
Promoter Address: 319 Hurley St. #3, Cambridge, MA 02141
Promoter Website: http://www.newenglandfolkmusic.org
Info Phone: 508-789-7611 (Brian Quinn)
Time Line
5:30 pm Doors open
6:00 Oral History with Lorraine and Bennett Hammond
7:00 Concert
Lorraine and Bennett Hammond
“When you listen to 17-year-old folk singer Hayley Reardon, it’s hard to identify what’s more impressive: the fact that she’s already considered a seasoned folk artist or that she’s a national spokesperson for PACER’s National Bullying Prevention Center. In any event, both are laudable facts that dovetail nicely on her debut album Where The Artists Go.
Antje Duvekot has solidified her reputation as one of Boston’s top singer songwriters with “Big Dream Boulevard” her debut studio release and “the Near Demise of the Highwire Dancer” her follow-up CD. The debut CD was produced by Seamus Egan, founder of the Irish super group, SOLAS. The project was released on acclaimed songwriter Ellis Paul’s label, Black Wolf Records and quickly attracted international attention for Antje. It was voted “#1 Folk Release of 2006” by the Boston Globe and was named to the “Top10 Releases of the Year” by National Public Radio’s, Folk Alley. Her follow up album “the Near Demise of the Highwire Dancer” was produced by Richard Shindell and along side with Richard features other “folk royalty” such as John Gorka, Lucy Kaplancky and Mark Erelli. It was voted #1 album of the year 2009 by WUMB 91.9 fm in Boston.
“What a blessing to have worked with someone as talented as Antje. With a voice like hers, and songs as good as these, a producer (especially a first-time producer!) just tries to get out of the way, to do no harm, and to let the artist speak for herself.” – Richard Shindell
“Duvekot has gotten hotter, faster than any local songwriter in recent memory. Her songs feel at once fresh faced and firmly rooted, driven by the whispery sensuality of her voice. She believes in the redemptive power of the shared secret; and is utterly unafraid to mine the darkest corners of her life for songs that turn fear into resilience and isolation into community”. The Boston Globe
Antje has won some of the top songwriting awards including the Grand Prize in the John Lennon Songwriting Competition, the prestigious, Kerrville (TX) “Best New Folk Award” and in one of the nation’s top music markets, she won the Boston Music Award for “Outstanding Folk Act”, three of the top prizes in the singer songwriter world.
Archie Fisher
An avid horseman and master guitarist, singer and songwriter Archie Fisher is Scotland’s foremost Folk music troubadour. He is known in his homeland for a 27-year tenure as the host of BBC Radio Scotland’s award-winning “Traveling Folk” show. Recognized for his contributions to Scottish folk music, he was inducted into the Scots Traditional Music Hall of Fame and in 2006 was awarded an MBE (Member of the British Empire), a prestigious honor nominated by his peers and bestowed by Queen Elizabeth.
James Keelaghan
Called Canada’s finest singer-songwriter by one of the most respected and lauded music journalists of the last 50 years, James Keelaghan is an artist who has proven to be a man for all seasons. As the calendar pages have turned, for almost a quarter of a century now, this poet laureate of the folk and roots music world has gone about his work with a combination of passion, intent and intensity, and curiosity.
Fusing his insatiable appetite for finding the next unique storyline Keelaghan also forges his pieces with brilliantly defined craftsmanship and a monogrammed artistic vision, making him one of the most distinctive and readily identifiable voices of not only the Canadian scene, but as a member of the international singer-songwriter community.
Armed with a songbook that has enlightened and enthralled, and been embraced, by audiences around the world, Keelaghan’s life as an artist is one that is a perpetual journey on so many levels.
Jez Lowe
Jez Lowe has built an enviable reputation as a songwriter and performer in the world of acoustic music, and as a recognised musical ambassador for his native North East England, with more than a dozen albums and countless live performances around the world over the last twenty years.
Among those who have recorded their own versions of Lowe’s songs, are Fairport Convention, The Dubliners, The Tannahill Weavers, Cherish The Ladies, Gordon Bok, The Black Brothers, Liam Clancy and literally hundreds of others. Songs like BACK IN DURHAM GAOL, THE BERGEN, GREEK LIGHTNING and THESE COAL TOWN DAYS have generated scores of cover versions around the globe, and are now classics of their kind.
He has performed at some of the most prestigious venues in the world, both solo and with the Bad Pennies, including the main stages at Edmonton Festival (Canada), Tonder Festival (Denmark), The Kennedy Center and the Smithsonian (US), Port Fairy and Byron Bay Festivals (Australia) and at concerts and festivals in New Zealand, Hong Kong, Ireland, Holland, Germany and Spain.
Dar Williams with Special Guest Catie Curtis
A benefit concert for Americans United for Separation of Church and State
Friday, February 5th at 7:30pm
Tickets and More Info: Click Here
“Dar Williams is a songwriter of immense talent” – Telegraph UK
Williams growth as an individual over her almost two-decade-long career has gone hand-in-hand with her evolution as an artist. Raised in Chappaqua, N.Y., and educated at Wesleyan University, Williams spent 10 years living in the thriving artistic community of Northampton, Mass., where she began to make the rounds on the coffeehouse circuit. Joan Baez, an early fan of her music, took Williams out on the road and recorded several of her songs.
Every new album from Dar Williams represents her thoughts and feelings about both her own life and larger forces in the world. But her ninth studio record, Emerald, marks a particularly dramatic confluence between her experiences and broader contemporary culture—and what it means to be a songwriter at this moment in history.
“I’m now experiencing the fruits of the alternative culture I was part of in the ‘90s,” she says. “I think I’ve made choices about how I lived my life, outside of the world that was going to fit me among the mainstream norms, and I chose to stay with my friends, to stay with my culture. That turns out to have been the sturdiest structure I could have built for myself. And that’s in my songs, it’s in my teaching. I’m a believer in what can happen when we make music together.” – Dar Williams
Special Guest Catie Curtis
Catie Curtis is a veteran on the singer/songwriter folk scene. She’s performed at the White House, two Presidential Inaugural Balls, with Lilith Fair, and at Carnegie Hall. Winner of several Boston Music Awards, she also took the Grand Prize in the 2006 International Songwriting Competition (out of 15,000 entries). The New Yorker called Catie a “folk-rock goddess.”
Americans United for Separation of Church and State is a nonpartisan organization that lobbies, educates and litigates in order to preserve the constitutional principle of church-state separation as the only way to ensure religious freedom for all Americans.
Tickets and More Info: Click Here