Anyone not familiar with the music of Bill Staines  is in for a special treat.

Last Dance Productions is pleased to welcome Bill Staines to one of the great listening rooms in town, the New England Folk Music Archives.  The event takes place on on Wednesday, July 17th at 7pm.  We’ll have a conversation with Bill recording his thoughts about the Folk Scene in New England over the past years that will be deposited into our growing oral history collection.

After the conversation we’ll be treated to a performance by Bill Staines.

For more than forty years, Bill Staines has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960′s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.

Singer-Songwriter and folk icon Tom Rush will return to Symphony Hall with the next of his series of Club 47® concerts on Saturday, Dec 28th at 8:00pm. As is traditional with these shows, Tom will bring together different generations of musicians to share the music. This Holiday Season show will feature the Jim Kweskin Jug Band, with Bill Keith, Geoff Muldaur and Maria Muldaur; Massachusetts favorite Patty Larkin; and (relative) newcomers Sarah Lee Guthrie and Johnny Irion.

In 1981 Tom Rush assembled the first of a series of concerts named for the fabled Cambridge coffee house where many of the legendary artists of his generation got their start. His Club 47 shows played at venues across the country, including New York’s Carnegie Hall and the Kennedy Center in Washington D.C. Last year, Tom renewed the tradition with a sold-out show at Symphony Hall marking his 50th year on stage.

“These shows are fantastic musical events,” said Tom Rush. “Having a mix of fabulous performers from different generations, sharing the stage, collaborating , exploring each other’s music — it’s a recipe for magic. ‘Honoring the past, celebrating the future,” is the Club 47 slogan, and we try to live up to it.”

The Jim Kweskin Jug Band got their start at the Club 47 in Cambridge and were the original “Americana” band, playing everything from classic blues to hillbilly country, ragtime, jazz, and rock ‘n’ roll. Their imitators were legion, including a San Francisco jug band that became the Grateful Dead and a New York jug band that became the Lovin’ Spoonful, but their loose, exuberant style was uniquely theirs.

“Boston was the home of our Jug band, and our first gig as the Jim Kweskin Jug Band was at Club 47,” Kweskin remembered. “It is fitting that the last performance of our 50th anniversary be performed in Boston. We thank Tom Rush (who started in Boston about the same time we did) for inviting us to join him at Symphony Hall.”

The individual members of the original Jug Band also have made indelible marks on American music. Maria Muldaur is perhaps best known for her 1974 mega-hit Midnight at the Oasis, but her career can best be described as a long, adventurous odyssey through American roots music, including 40 solo albums and multiple Grammy nominations. Geoff Muldaur is one of the great voices and musical forces to emerge from the Cambridge scene. He composes scores for film and television, and his definitive recording of Brazil provided the seed for – and was featured in – Terry Gilliam’s film of the same title. Bill Keith introduced his own melodic approach to the banjo, now called the “Keith-style,” and as member of Bill Monroe’s Bluegrass Boys and later collaborations, revolutionized the way the banjo is played.

Patty Larkin redefines the boundaries of urban-folk music with her inventive guitar wizardry and uncompromising vocals and lyrics. She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and “drop dead brilliant” (Performing Songwriter). Patty has called Boston home since her studies at Berklee College of Music where she holds an Honorary Doctorate of Music and is currently an Artist in Residence. Patty and Tom’s friendship was kindled nearly 28 years ago when she was on his Maple Hill Artists’ booking roster, and occupied the “Newcomer” slot at several of Tom’s Symphony Hall Club 47 shows.

“Tom Rush has an iconic connection to the singer songwriter movement of which I am a part. His performances continue to be fresh, full of humor and heart, Larkin said. “I’m pleased to be returning to the Symphony Hall stage to join Tom and his esteemed musical guests.” Her 13th album, Still Green, has just been released.

Sarah Lee Guthrie and Johnny Irion embody the spirit of the Club 47 tradition. Guthrie— the daughter of Arlo and the granddaughter of Woody— grew up in a musical family rich in the American folk tradition. She and her husband Johnny Irion have been playing together as a musical duo for over thirteen years. They just released their fourth album, Wassaic Way, produced by Wilco’s Jeff Tweedy and Pat Sansone.

“It’s the kind of night I love,” Tom Rush concludes. “To be on stage with some of my favorite players and favorite people, mixing it up, having fun … it doesn’t get much better than that!”

A Benefit for FOLK New England.

Peter Yarrow. “We all know the music of Peter, Paul and Mary—folk classics that remain the soundtrack for generations. But our patrons were thrilled to experience the relevancy of that music, and how it resonates through today’s headlines, when Peter Yarrow brought his solo show to the Tower Theatre. It was so much more than a nostalgia show. Peter connected with the sold-out audience in ways that went well beyond a normal concert: he encouraged sing-alongs and audience participation; he signed autographs at intermission; he personally greeted each and every one of our VIPs and members; he even auctioned two personalized guitars to raise money for our educational outreach programs. Peter turned our theatre into his living room. He created an inclusive atmosphere, encouraging each of us to change our part of the world. It was a memorable evening rooted in the historic milestones of his past, yet focused on the current issues that continue to call him to activism. We all know how all the songs of Peter, Paul and Mary sound; what a rare treat to hear what Peter thinks of them. “

–Ray Solley, Executive Director, Tower Theatre Foundation, Bend, Oregon
Peter Yarrow’s talents as a creative artist—both with the legendary trio Peter, Paul & Mary and as a solo performer—are frequently directed at using music to convey a message of humanity and caring. His gift for songwriting has produced some of the most moving songs from Peter, Paul & Mary, including “Puff, the Magic Dragon,” “Day is Done”, “Light One Candle” and “The Great Mandala.” As a member of the renowned musical trio, Yarrow has earned multiple gold and platinum albums, as well as numerous GRAMMYs.

Over the years, many issues have moved Peter to commit his time and talent: equal rights, peace, the environment, gender equality, homelessness, hospice care, and education. All have utilized his skills as both a performer and an organizer. Peter Yarrow’s life and work – culminating in the founding and leadership of Operation Respect with its “Don’t Laugh At Me” initiative – is based on his passionate belief that music, with its power to build community and catalyze change, can be a particularly powerful organizing tool.

“Yes, it will be nostalgic for many. But on another level, it will bring them a sense of what is still possible. Yes, they will sing ‘Leaving on a Jet Plane,’ and I will give them a sense of the current history of what this music is doing, and why it’s important. So it will be a history lesson, it will be a singalong that inspires, but it will also assert the importance of the continuation of this kind of music in people’s lives today. And where we’re going from here in those terms. It’s not necessarily a big lecture — it’s inherent in the music. They’ll get it. I know it, ’cause that’s what I do.” – Peter Yarrow

Very special guest Michaela Anne will open the show.

Information and Tickets: Click Here

The Jim Kweskin Extravaganza is a live concert that will honor and celebrate Jim’s legacy and his contributions to the music industry over the past 60-plus years.

Jim Kweskin is the founder of the legendary 1960s Jim Kweskin Jug Band with Fritz Richmond, Geoff Muldaur, Maria Muldaur, Mel Lyman, and Bruno Wolfe. During the five years they were together, they successfully transformed the sounds of pre-World War II rural music into a springboard for their good-humored performances. Their imitators were legion, including a San Francisco jug band that became the Grateful Dead, a Los Angeles jug band that became the Nitty Gritty Dirt Band, and a New York jug band that became the Lovin’ Spoonful. No other group attained their unique blend of youthful energy and antiquarian expertise, tight musicianship, loose camaraderie, and infectious swing.

The concert will feature songs from Jim’s soon-to-be-released recording on StorySound Records, Never Too Late:  Jim Kweskin, Duets with My Friends, which will be released on Friday, January 26, 2024.  The show will also feature artists and songs from Jim’s storied career, including the renowned and influential Jim Kweskin Jug Band.

Scheduled to appear along with Jim Kweskin, are Maria Muldaur, Geoff Muldaur, Samoa Wilson, Annie Raines, Paul Rishell, Juli Crockett, Suzy Thompson, and Matthew Berlin.  Additional artists appearing will be announced soon.

More Last Dance Productions events here.