- Categories
-
Tags
60's British 80's Acoustic Amy Speace Antje archie fisher Barry Goudreau Beatles Bill Staines Bluegrass blues Bob Dylan Carolyn Waters Catie Curtis Chad and Jeremy Classic Rock Club 47 coffeehouse country Country Music Dan Fogelberg Dance Danielle Dar Williams Denny Laine festival fiddle Fishing Folk folk alliance folk new england Folk Rock garden Gary Backstrom gloucester guthrie Hayley Reardon hayley Reardon concert dedham healing jez lowe Karla Bonoff keelaghan Kerri Powers Brendan Hogan last waltz Les Sampou les sampou rock folk Live Music lorraine hammond Lowell maine Marina Evans music in common Neil Young new bedford New england folk music archives Passim Patty Larkin Paul Simon Peter and Gordon Peter Yarrow Peter. Paul and Mary Piano Puff Regent Theatre rev tor Richmond rock Rock Music singer Singer Songwriter songwriter Steely Dan the band The Last Waltz Live The Sea The Sea Todd Rundgren Tom Rush waltham waterfront Wings Winter
It’s the 45th Anniversary of the Greatest Album by Badfinger, 1972’s Straight Up, and the band’s legendary guitarist, songwriter, and vocalist Joey Molland—along with his dynamic band—brings the album to the stage in a bracing live show.
Featuring 5 tracks written by Joey, Q Magazine described Straight Up as ”…brimming with mature melodies and bracing verse/chorus interplay…”, while NME deemed it ”…a stone cold beauty of an album…” and advised, “Love it like your mother …”
George Harrison produced four tracks on the album, Name of the Game, Suitcase,I’d Die Babe, the latter two written by Molland, and Pete Ham’s Day After Day, which gave the group a Top 5 U.S. Single. AllMusic says, ”…there’s absolutely no filler and everybody is in top form…” The album, which also featured Baby Blue, stayed on the Billboard Top Pop Albums chart for 32 weeks.
From their legendary lineup, Joey Molland continues the unforgettable legacy of BADFINGER. One of the original signings to the Beatles’ Apple Records label, they had their first hit single with a Paul McCartney penned song, Come and Get It, which went to #7 in the U.S. charts.
Badfinger followed this with their own compositions No Matter What, Day After Day (produced by George Harrison), and Baby Blue, which went to #8, #4 and #14 respectively.
https://youtu.be/C53QAuOoSgc
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
A Tribute to Todd Rundgren, Gary Backstrom’s Road to Utopia, comes to the Regent Theatre, 7 Medford Street, Arlington, MA on Friday, June 7, at 8 pm. Tickets here.
Todd Rundgren
Considered by many to be the “Ultimate Rock Cult Hero” Todd Rundgren has maintained a legion of fans through four decades. Todd’s searing guitar work reached a nationwide audience in his role as lead guitarist for the blues-psychedelic band Nazz. He wrote and arranged almost all of the work that went into the three albums the group produced.
His first big solo success was in 1971 with “We Gotta Get You a Woman” and in 1973 from the double album “Something/Anything?” He scored big on the charts with “I Saw the Light” and a revision of a Nazz song, “Hello, It’s Me.”
Rundgren has scored huge as a music producer, most notably on Meat Loaf’s “Bat Out of Hell” opus. In the late 1970s and through the 1980s Todd formed the group Utopia, each member an accomplished musician and vocalist. He has also been called on by films and TV for his musical scores and sometimes tours with Ringo Starr as a member of his All-Star Band.
Gary Backstrom
Gary is the founder and frontman of the acclaimed Jam Band “Jiggle The Handle.” The Gary Backstrom Band is a Boston-based Band that mixes Soul, R&B, Funk, Rock and Latin grooves blended into a unique sound. Their sound features exciting, unpredictable improvisation that can only be heard in the best live acts on the scene today. Gary is considered “one of the most underrated, fluid, and melodic players in the Northeast.”
Some of the proceeds from this concert will go to
The project brings personalized iPods to people living with Alzheimer’s and other forms of dementia, helping them reconnect with the world through the music they love.
This will be a quite the night for a great cause.
33rd Lowell Folk Festival
The Lowell Folk Festival continues to provide the finest in traditional music, craft, foodways and more in downtown Lowell. This annual celebration is the best in traditional folk music, artisan crafts and ethnic foods, and will be returning to downtown Lowell with a full lineup beginning with the traditional parade of nations from Lowell’s City Hall Plaza to Boarding House Park. The free festival offers something for people of all ages all within the heart of Lowell National Historical Park.
This will be a special Fundraiser for The Council for Children. The Council is a local all-volunteer non-profit with programs benefiting nearly 2000 local children every year. The programs include Christmas is for Kids, a gift drive filling Christmas wishes of new toys and clothes to 1000 local children; Nicky O Foundation which gives scholarships to students interested in the arts; day care scholarships; 100 backpacks given to local park and rec departments each summer for children who need towels, sunscreen and water bottles; 75 back-to-school backpacks with supplies; a summer lunch food drive which collects 10,000 servings of food plus cash to help feed children on local playgrounds all summer who would otherwise go without a healthy meal.
Timmy Brown is a singer/songwriter/Nashville recording artist that grew up in Norton, Massachusetts, and in October 2018, he moved to Nashville, Tennessee to pursue his dreams full time. In 2018, Brown was voted New England Country Music’s Local Male Artist of the Year for the third consecutive year. His infectious energy and talent have made him a local favorite, around the New England and Rhode Island area. In the fall of 2017, he auditioned for “American Idol,” for Season 1 of the re-boot on their new network ABC, where he finished in the top 60!
Timmy started playing the piano at the age of five and ever since then, music became his life. Once he graduated from high school, he began playing solo shows at local events and restaurants. Throughout that time, he had auditioned for television shows such as “The Voice,” “America’s Got Talent” and “American Idol.” It was at his third audition when he was selected to be on Season 14 of American Idol. Shortly after his audition, he was approached by members of a local country band Black Diamond and was asked to become the lead singer. Since then Black Diamond has now changed to the Timmy Brown Band. His love of music is most evident when on that stage performing. Timmy’s natural ability to connect with the audience and draw them in with his enthusiasm has earned him a loyal fan base.
“Piano Men – The Music of Elton and Billy” is a tribute featuring the amazing songs of Billy Joel and Elton John. This concert experience features Joe Boucher on piano and vocals, combined with a four-piece band and a stringed quartet section. With spectacular arrangements by Chris Eastburn, these songs have rarely been performed live in this way!
The music of “Piano Men” concentrates heavily on recordings by Elton and Billy during their 70s heyday when their many hit albums featured lush orchestrations. The concert works its way through #1 hits including Tiny Dancer, Scenes From an Italian Restaurant, Your Song, Goodbye Yellow Brick Road, Piano Man, and MANY more!
About Joe Boucher
Joe grew up in the quaint seaside village of Biddeford Maine on the New England coast. He is a singer and songwriter who, for eight years, fronted the power pop band Frotus Caper. They recorded and released four critically acclaimed albums while performing constantly. Throughout that time he worked regularly as a studio session musician, playing piano and arranging pop, rock and folk songs for many artists. For fifteen seasons Joe has acted as the Concert Manager for The Portland Symphony Orchestra.
What They Are Saying:
“This show masterfully blends the hits of Billy Joel and Elton John with the sophistication and energy of a full orchestra. You must not miss the opportunity to experience Piano Men!!!!”
Suzanne Nance, WFMT – Chicago
“Piano Men is a wonderful, surefire hit. Joe Boucher’s first rate singing and playing of these classic and ever-popular songs is brilliant. Backed up by Chris Eastburn’s masterful lush orchestrations, Billy and Elton’s classic songs sounded better than ever. This show really connects and resonates with the audience.”
Robert Lehmann, Conductor, North Shore Philharmonic Orchestra
For More Last Dance Productions events, click here.
Presented by Patio Records
Laurie Young (vocals, trumpet) brings the role of the goddess to the forefront and co-fronts the band
Joe Donnelly (drums) of the Del Fuegos, Swinging Steaks, and Wall of Grass
Pat Dreier (Keyboards, vocals) of the Lines and the Drive
Dave Weden (guitar/banjo) and Clayton Young (bass, vocals) of John Cate and the Van Gough Brothers
Dennis Semprebon (drums and percussion) of Craig Carter and the Hurricanes
Brad Kohl (saxophone) of Hot Acoustics and Group Therapy
Danielle Miraglia comes armed with a strong steady thumb on an old Gibson and an infectious stomp-box rhythm with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest “Bright Shining Stars” debuted at #15 on the Billboard Blues Charts. Cascade Blues Association calls it “… tough as rawhide, but smooth as blended whiskey.” Released Oct 2020 with Vizztone Label Group, it’s a solo acoustic folk/blues record that highlights the one-woman-band live sound she’s honed over the years, featuring guest appearances by talented friends Laurence Scudder, Peter Parcek and Richard “Rosy” Rosenblatt. It includes originals as well as a collection of songs she covers at live shows, paying homage to influences like Big Bill Broonzy, Bob Dylan, Janis Joplin and more, plus the title track “Bright Shining Stars,” written by her husband, Tom Bianchi.
For More Last Dance Productions events, click here.
Kathy Mattea. Hailed by The Washington Post as “one of Nashville’s finest song interpreters,” Kathy Mattea has enjoyed much success and acclaim during her 35-year career in Country, Bluegrass, and Folk music, including 2 Grammy wins, 4 CMA Awards, four #1 country singles, and five gold albums (plus a platinum Greatest Hits collection). Her latest album is “Pretty Bird,” produced by her old friend, roots music wizard Tim O’Brien. The wide-ranging collection of songs chronicles a period of rededication to singing, digging back in with a vocal coach and emerging with a poignant and eclectic CD. In addition to creating and recording music and performing live on tour, Kathy is increasingly involved with public broadcasting, consulting and contributing on screen in Ken Burns’ 2019 documentary for PBS “Country Music,” and recently replacing founder Larry Groce as the host of the long-running NPR show “Mountain Stage.” For more Last Dance Productions events, click here.
Singer/songwriter Robin Lane will open the show. She began her musical career singing with Neil Young on the Everybody Knows This is Nowhere album. In 1979, she formed the renowned band Robin Lane & The Chartbusters, whose hit single “When Things Go Wrong” was the eleventh video broadcast on MTV’s debut day.