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Hayley Reardon: A Solo Performance
Coming off two sold out performances at the legendary Club Passim this is a show not to be missed.
A portion of the proceeds from this concert will benefit the New England Folk Music Archives. Produced by Last Dance Productions.
Only 40 seats will be sold for this very intimate concert!
Since her showcase at the International Folk Alliance in February 2010, Hayley Reardon has exploded onto the stage of folk music. In addition to being featured in the recently released “For the Love of the Music” Club 47 documentary and producing her first full length LP, she has developed an in-school performance program, “Find Your Voice,” to encourage peer empowerment through self-expression. Hayley’s new release, “Where the Artists Go,” is, in her own words, the product of the “focus on what I wanted to say with my arts sense of freedom that folk empowers me to say it the way I want to.”
“Reardon is taking the folk scene by storm.” WBUR
“She is certainly a bright star on the horizon, a glorious addition to the future of acoustic music.” Performer Mag
“Reardon definitely has an old soul, and her dedication to her art shows in Where the Artists Go, an impressive debut.” Candor News
“Where the Artists Go can be cast as coming of age thoughts riding on a sea of song. There is a unique world view and an everyman way of describing the scene that makes these songs sing.” The Alternate Root
Recently naming her a 2012 “Bostonian Of The Year”, The Boston Globe characterized her as…”a confident, radiant teenage singer/songwriter who is helping to pen the next chapter of the Boston folk scene…while Reardon is rapidly making a name for herself under the stage lights, it could be said that she’s having a bigger impact on her peers across the country as a leading spokesperson for bullying prevention. By pairing her music with a message of collective responsibility, she has become an effective teen-to-teen ambassador, sought after by schools nationwide.”
“When you listen to 17-year-old folk singer Hayley Reardon, it’s hard to identify what’s more impressive: the fact that she’s already considered a seasoned folk artist or that she’s a national spokesperson for PACER’s National Bullying Prevention Center. In any event, both are laudable facts that dovetail nicely on her debut album Where The Artists Go.
Archie Fisher
An avid horseman and master guitarist, singer and songwriter Archie Fisher is Scotland’s foremost Folk music troubadour. He is known in his homeland for a 27-year tenure as the host of BBC Radio Scotland’s award-winning “Traveling Folk” show. Recognized for his contributions to Scottish folk music, he was inducted into the Scots Traditional Music Hall of Fame and in 2006 was awarded an MBE (Member of the British Empire), a prestigious honor nominated by his peers and bestowed by Queen Elizabeth.
James Keelaghan
Called Canada’s finest singer-songwriter by one of the most respected and lauded music journalists of the last 50 years, James Keelaghan is an artist who has proven to be a man for all seasons. As the calendar pages have turned, for almost a quarter of a century now, this poet laureate of the folk and roots music world has gone about his work with a combination of passion, intent and intensity, and curiosity.
Fusing his insatiable appetite for finding the next unique storyline Keelaghan also forges his pieces with brilliantly defined craftsmanship and a monogrammed artistic vision, making him one of the most distinctive and readily identifiable voices of not only the Canadian scene, but as a member of the international singer-songwriter community.
Armed with a songbook that has enlightened and enthralled, and been embraced, by audiences around the world, Keelaghan’s life as an artist is one that is a perpetual journey on so many levels.
Jez Lowe
Jez Lowe has built an enviable reputation as a songwriter and performer in the world of acoustic music, and as a recognised musical ambassador for his native North East England, with more than a dozen albums and countless live performances around the world over the last twenty years.
Among those who have recorded their own versions of Lowe’s songs, are Fairport Convention, The Dubliners, The Tannahill Weavers, Cherish The Ladies, Gordon Bok, The Black Brothers, Liam Clancy and literally hundreds of others. Songs like BACK IN DURHAM GAOL, THE BERGEN, GREEK LIGHTNING and THESE COAL TOWN DAYS have generated scores of cover versions around the globe, and are now classics of their kind.
He has performed at some of the most prestigious venues in the world, both solo and with the Bad Pennies, including the main stages at Edmonton Festival (Canada), Tonder Festival (Denmark), The Kennedy Center and the Smithsonian (US), Port Fairy and Byron Bay Festivals (Australia) and at concerts and festivals in New Zealand, Hong Kong, Ireland, Holland, Germany and Spain.
The Working Waterfront Festival presents performances of music, dance and poetry. Experience demonstrations and contests of industry skills; tours of workboats; documentary films and footage at sea. There will be cooking demonstrations; author readings; children’s activities; tug boat muster; whaleboat races, and more!
The largest fishing port in the US!
Join us in New Bedford, America’s largest commercial fishing port, to learn about the men and women who harvest the North Atlantic. Walk the decks of a fishing vessel, dine on fresh seafood, see fishermen’s contests, and watch a cooking demonstrations. Experience the workings of the industry which brings seafood from the ocean to your plate.
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
Barry Goudreau’s Engine Room perform at Hill’s Tavern
Saturday, September 24, 2022 Tickets: Call (401) 349-5512
Barry Goudreau’s Engine Room
As a former member of the multi-platinum selling band Boston, Barry played on their first two albums, Boston, and Don’t Look Back. When released, Boston, was the fastest selling debut album of all time. Both albums landed on the top of the, Billboard POP Charts, with Boston, reaching #3 and Don’t Look Back, reaching #1. Barry’s musical career continued after BOSTON, going on to form Orion the Hunter, RTZ, and releasing two records with Brad Delp.
Goudreau recently announced the release of his new CD, “The Road,” from his band Barry Goudreau’s Engine Room. Barry’s blues/rock ensemble includes his former RTZ bandmates Brian Maes on lead vocals and keyboards and Tim Archibald on bass. Both Maes and Archibald were members of Peter Wolf’s House Party Five, playing on two of his records and touring the world extensively. Also in the band is “Old” Tony DePietro on drums and Mary Beth Maes, Terri O’Soro, and Joanie Cicatelli on background vocals. Expect some favorites like “Smokin” and “Long Time” in their live set, alongside songs from the new CD as well as tracks from “Full Steam Ahead,” the 2017 release from Barry Goudreau’s Engine Room.
Saturday, September 24, 2022 Tickets: Call (401) 349-5512
For more concerts by Last Dance Productions, click here.
See you at a show soon.
Live Music Is Better!
Barry Goudreau’s Engine Room perform a concert to help raise funds for Healing Gardens!
Saturday, October 1, 2022 at the Regent Theatre in Arlington, MA
The Healing Gardens, an organization building healing gardens at hospital treatment centers throughout North America.
Also on the bill The Gravel Project and Sara Jean Kelly.
Barry Goudreau’s Engine Room
As a former member of the multi-platinum selling band Boston, Barry played on their first two albums, Boston, and Don’t Look Back. When released, Boston, was the fastest selling debut album of all time. Both albums landed on the top of the, Billboard POP Charts, with Boston, reaching #3 and Don’t Look Back, reaching #1. Barry’s musical career continued after BOSTON, going on to form Orion the Hunter, RTZ, and releasing two records with Brad Delp.
Goudreau recently announced the release of his new CD, “The Road,” from his band Barry Goudreau’s Engine Room. Barry’s blues/rock ensemble includes his former RTZ bandmates Brian Maes on lead vocals and keyboards and Tim Archibald on bass. Both Maes and Archibald were members of Peter Wolf’s House Party Five, playing on two of his records and touring the world extensively. Also in the band is “Old” Tony DePietro on drums and Mary Beth Maes, Terri O’Soro, and Joanie Cicatelli on background vocals. Expect some favorites like “Smokin” and “Long Time” in their live set, alongside songs from the new CD as well as tracks from “Full Steam Ahead,” the 2017 release from Barry Goudreau’s Engine Room.
Patio Records is dedicated to the mission of building healing gardens at hospital treatment centers.
Here are the projects we’ve been involved with to date.
What a great show for a great cause.
For more concerts by Last Dance Productions, click here.
See you at a show soon.
Live Music Is Better!
Danielle Miraglia comes armed with a strong steady thumb on an old Gibson and an infectious stomp-box rhythm with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest “Bright Shining Stars” debuted at #15 on the Billboard Blues Charts. Cascade Blues Association calls it “… tough as rawhide, but smooth as blended whiskey.” Released Oct 2020 with Vizztone Label Group, it’s a solo acoustic folk/blues record that highlights the one-woman-band live sound she’s honed over the years, featuring guest appearances by talented friends Laurence Scudder, Peter Parcek and Richard “Rosy” Rosenblatt. It includes originals as well as a collection of songs she covers at live shows, paying homage to influences like Big Bill Broonzy, Bob Dylan, Janis Joplin and more, plus the title track “Bright Shining Stars,” written by her husband, Tom Bianchi.
For More Last Dance Productions events, click here.