Only 40 tickets will be sold for this special event to benefit The New England Folk Music Archives.
Produced by Last Dance Productions
The New England Folk Music Archives is pleased to welcome Brendan Hogan and Kerri Powers to one of the great listening rooms in town, Kerri and Brendan will perform solo sets and if we’re lucky play a few tunes together.
Tickets and more info here
Amy Speace and The Sea The Sea will perform this special event to benefit The New England Folk Music Archives.
Produced by Last Dance Productions
The New England Folk Music Archives is pleased to welcome Amy Speace and The Sea,The Sea to one of the great listening rooms in town.
AMY SPEACE
Amy Speace has been quietly but steadily making waves in the Americana/folk world for a few years now, and in the journey, gaining support from the likes of Judy Collins, Nanci Griffith, Guy Clark and other icons in the songwriting community. A self-described ‘late bloomer’ to songwriting, Speace landed in New York City after college to pursue a life in theater. She studied acting at The National Shakespeare Conservatory, toured the US with the National Shakespeare Company, started her own theater company to direct and produce the plays she had written, and in the midst of her early 20’s, picked up a pawn shop guitar, wrote her first songs, and found herself with steady gigs at such storied venues as The Bitter End and The Living Room.
On April 16, Wind Bone Records/Tone Tree will release “How to Sleep In A Stormy Boat” an 11 song album, produced by Neilson Hubbard, with collaborations with John Fullbright, Mary Gauthier and Ben Sollee.
THE SEA, THE SEA
The Sea The Sea weave their many voices into one. Since the Fall of 2011, Chuck e. Costa and Mira Stanley have been touring the country, making new friends and evolving their sound. Now a playful mix of old and new, acoustic and electric, raw and graceful, TSTS has created an inspired trove of harmony-rich, lyric driven songs. Dynamic and sincere, simple and true, their live shows will leave you stirring.
No Depression Says:
Last night, inside a cold Dobbs Ferry church with the snow falling outside, I sat and listened to a young couple who just this week recorded their first album together. If their performance is any indication, the April release will bring a welcome relief to a cold winter. To say I was taken with Chuck E. Costa and Mira Stanley who perform as The Sea The Sea would be an understatement. On top of well-crafted songs, commanding stage presence and instrumental abilities, their voices in close harmony evoked for me a sound landing somewhere between Bowling Green and Bakersfield.
Carolyn Waters…Socially Conscious Soul…
“Carolyn’s music is hypnotic, in a deeply soulful groove. You’ve heard it said that pure music seems to “flow” through a great singer? Go hear Carolyn to experience the real thing” – Pete and Maura Kennedy, The Kennedys.
Carolyn Waters is a performing singing/songwriter who fuses blues/roots/folk and other musical genres into a unique unforgettable blend of songs and sounds.
As a young girl growing up in Philadelphia, Carolyn Waters sang alone in her bedroom or out loud in the house when she was sure it was empty. It wasn’t by choice, but as the result of thoughtless teasing she got from her family. Even in her church choir, a place where many singers first get noticed and make early names for themselves, she mouthed the words to avoid embarrassment. She, however, never lost her love and passion for music and spent endless hours moving up and down the radio dial, and listening to albums from her parent’s collection.
A life changing event about a decade ago pushed Carolyn to take a voice lesson. This time she wasn’t teased. She was taken notice of, supported, and given a start in folk music, which highlights included opening for Judy Collins, Tom Rush, and Kate Campbell among others.
Oh, and have we mentioned the blues?
“Carolyn Waters is a force of nature. Some people are simply created to sing and bless those who listen, Carolyn is one of those people”. Rev. Robert Jones, Sr. Acclaimed Blues/Roots Musician/Blues Historian – September 2013
Carolyn can belt out barrelhouse and juke joint blues, or fuse them with a pinch of Gospel and roots. She has been featured in the Boston Blues Society’s Ladies Sing the Blues Events where she shared the stage with the late great Shirley Lewis “Regal Queen of the Blues”, Lydia Warren, Lisa Marie and the wonderful Diane Blue to name a few.
Recently Carolyn joined forces with Satoru Nakagawa, a Japanese-born blues singer, songwriter, guitarist and member of the Tokyo Tramps to record her first all blues ep. This powerful duo merged the Delta slide with soulful singing and produced a deep blues experience.
“Carolyn’s voice is amazing, captivating, compelling—any superlative will fit. I don’t believe I have heard such a rich, velvety, and yes—bluesy—voice locally in years” – Karen Nugent, Boston Blues Society – May 2010
Performing solo, and with various accompanying musicians ranging from an incredible single guitarist to fronting her new dynamic Carolyn Waters Band, she can and has performed at all sizes and types of venues including clubs, festivals, galas, coffeehouses, vigils, and intimate-private functions in New England, New York, Maryland and Virginia.
“Carolyn’s songs are personal and have an emotional quality that moves the soul. Her easy natural style communicates immediately with your heart. Her performance is calm but powerful, putting you at ease and making you feel that all is right with the world. I look forward to hearing Carolyn perform her wonderful creations in the future. The best is yet to come”. Charles Williams, Principal, Phillip Glass’ Einstein On The Beach (2012-13 World Tour)
A benefit for Folk New England.
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
