Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
The New Bedford Folk Festival
New Bedford Folk Festival brings together over 70 renowned and emerging performers and 90 plus juried arts and crafts vendors in New Bedford’s authentic historic district in July. In 2018, we celebrated the 23rd New Bedford Folk Festival on July 7 & 8. In 2019 the festival will be held on July 6 & 7.
The two-day family-oriented festival offers continuous folk music from 11 AM to 9 PM on seven sound stages in and around the New Bedford Whaling National Historical Park ranging from the majestic 1200 seat Zeiterion Performing Arts Theater to the intimacy of the National Park Garden Stage.
The Artisans’ Marketplace showcases the handcrafted work of many local artists, as well as artisans from Maine to California and the International Bazaar, offers high-quality, imported handcrafts, many of them Fair Trade, from around the globe.
Food is also a great part of the festival. From street carts to the food court to the restaurants in and around the festival you can sample some of the tasty cuisines the area has to offer.
Presented by the Zeiterion Performing Arts Theater and hosted by the City of New Bedford, the New Bedford Whaling National Historical Park and the New Bedford Whaling Museum the New Bedford Folk Festival offers an exciting atmosphere with great music, beautiful arts and crafts and fun activities for the whole family.
Check out the crafts and commercial vendors
New Bedford Folk Festival – Vendors
33rd Lowell Folk Festival
The Lowell Folk Festival continues to provide the finest in traditional music, craft, foodways and more in downtown Lowell. This annual celebration is the best in traditional folk music, artisan crafts and ethnic foods, and will be returning to downtown Lowell with a full lineup beginning with the traditional parade of nations from Lowell’s City Hall Plaza to Boarding House Park. The free festival offers something for people of all ages all within the heart of Lowell National Historical Park.
The National Folk Festival.
Make your plans now to join us in Salisbury, Maryland, for the National Folk Festival—one of America’s largest, most prestigious and longest-running celebrations of arts, culture, and heritage.
A free, large-scale three-day outdoor event, the National Folk Festival celebrates the roots, richness and variety of American culture. It features over 350 of the nation’s finest traditional musicians, dancers, craftspeople and other keepers of culture in performances, workshops, and demonstrations, plus children’s activities, savory regional and ethnic cuisines and craft brews, non-stop participatory dancing, storytelling, parades, and more.
Best of all, it’s FREE!
With 35+ groups on seven performance stages—the Maryland Traditions Folklife Area, the Family Activities Area, the Festival Markeplace and the Festival Food Courts—the National Folk Festival offers a jubilant array of experiences for all ages.
The festival embraces the heritage and traditions of all Americans, from those whose families have been here for centuries or millennia, to those who have more recently arrived on our shores. Legendary masters, as well as the next generation of dynamic young artists, celebrate the musical soul and cultural roots of America.
Martin Swinger is an atypical 60-something who can’t stop exploring music, songwriting and singing. Socially conscious, thought provoking and surprisingly entertaining, Martin is celebrated for his fluid voice and engaging delivery. He’s recorded 6 CD’s, won local and national songwriting awards, is a repeat performer at Kerrville Folk Festival and counts among his fans Pete Seeger, Peter Yarrow, Paul Stookey, Billy Jonas, Ezra Idlet, Vance Gilbert and John Waters.
Martin Swinger composes songs about Alzheimer’s, Autism, oysters, dyslexic theology and the adventures of Betty Boop and Buddha – lyrically and melodically illustrating the variety of human emotions with sensitivity, creatively thoughtful stories, a deep appreciation for a good belly laugh, and by igniting wonder in the powerful metamorphosis music inspires in the heart, mind, body and soul. Surprising, humorous, intimate, outrageous, courageous and universal – each unforgettable song is sung with delicacy, skill and the panache of a seasoned, professional performer!
His first ever solo, wrapped in a sheet and standing on a table he’s singing ‘Away In a Manger’ in Mrs. Folendore’s First Grade Christmas play, and Martin felt oddly at home. Martin Swinger continues singing, and that audience of children, mothers, teachers and janitors, administrators, school board chairs and the secretary continues to grow. Listen to Martin live and you’ll know why.
Martin performs 80+ gigs a year sharing award-winning original songs and a surprisingly eclectic mix of covers. Americana, swing & jazz, traditional, show tunes, klezmer, improvisational music… He’s known for his sterling performance and vocal range, brilliant songs delivered well with an engaging stage presence for adult and family audiences.
Mrs. Folendore was pleased with Martin’s performance. You will be, too.
Martin’s new CD, Living Things is finally available! Contact Martin directly [email protected] or visit CDBaby for hard copy or download!
The Richmond Folk Festival is one of Virginia’s largest events, drawing visitors from all over the country to downtown Richmond’s historic riverfront. The Festival is a FREE three-day event that got its start as the National Council for the Traditional Arts’ National Folk Festival, held in Richmond from 2005-2007. The Richmond Folk Festival features performing groups representing a diverse array of cultural traditions on seven stages.
Danielle Miraglia, Jenee Halstead and Lisa Bastoni bring their amazing vocal and instrumental talents and will share our stage!
Danielle Miraglia comes armed with a strong steady thumb on an old Gibson, an infectious stomp-box rhythm and harmonica with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest “All My Heroes Are Ghosts,” released with her band, Danielle M and The Glory Junkies, touches on a lot of what might be on your mind these days – from the loss of so many musical heroes to our collective anxieties on “All On Fire,” and more. The music itself blends influences of some of Miraglia’s own musical heroes – The Rolling Stones, Prince, Janis Joplin along with Danielle’s lyrical ability to explore human nature at its best and worst. Danielle M and The Glory Junkies are nominated for a 2018 Boston Music Award for “Blues Artist of the Year” and Danielle was nominated for a 2015 Boston Music Award for Singer-Songwriter of the Year.
“Straddling the line where folk/roots meets rock/blues, Miraglia has a voice that can go from a raspy come-hither purr to an Etta James-esque powerhouse belt, although she may be best known for her lead thumb — a heavy, thumping strike on her Gibson that’s backdrop percussion in itself.” – Lauren Daley, The Boston Globe
If you detect something expansive and mysterious in the music of Jenee Halstead, a freedom that owes no debt to place and time — or even genre — you understand where she’s coming from. And where she’s headed … deeper into the essence of song. Her evolution from folk singer to ethereal rocker mirrors her journey from the West Coast to the East. As a youngster in Spokane, Washington, Jenee followed the lead of hippie parents and explored music freely. She heard something in it all — from medieval choral works, to Led Zeppelin to Dolly Parton — and it tugged at her, even as she earned her degree at Gonzaga. To build on her personal, almost-secret songwriting, Jenee moved to Boston, where the seeds for many of her influences were planted. While Berklee College of Music was part of the allure, the academic approach turned her off, and away. “They make everybody use a laptop,” Jenee says, lamenting that mechanical method. “I thought, ‘Bob Dylan didn’t write “Blowin’ in the Wind” on a laptop! I don’t need this.’” Her latest release, “Edge of the World,” adds to the indefinable soundscape in which her soft and supple voice floats so exquisitely that the Boston Herald felt it “like sorceress music, rings of smoke through the trees and the bells of Rhymney,” while comparing Jenee’s working relationship with new producer Sean McLaughlin to that of Emmylou Harris and Daniel Lanois for the way it “embedded a tremendous voice in an otherworldly, shadowy soundscape.”
Lisa Bastoni is a Northampton, Massachusetts-based singer-songwriter. Following a 10-year break from music, her album “The Wishing Hour” (2017), recorded in the kids’ playroom in the wee hours of the night, debuted as #1 most-played on Boston’s WUMB and led to a number of songwriting awards and an active performance schedule. Lisa is a 2019 Kerrville New Folk Finalist. Her upcoming album “How We Want to Live” will be released in Sept. 2019. The album was produced by Sean Staples, and features guest performances by Mark Erelli, Rose Cousins, Lula Wiles and more.
“Americana of the highest order…along the lines of Gretchen Peters or Patty Griffin.” (Maverick-UK)
Susan Cattaneo – Live-Stream
This show will be performed live at MMAS’s Black Box Theater in Mansfield, Mass., streamed to ShowTix4U. No Audience allowed in the theater.
Susan Cattaneo is one of Boston’s most respected songwriters. A powerful singer and sophisticated writer, Susan blends rock, folk and blues with a healthy dose of country. Call it New England Americana with a twang. She is a three-time nominee for Best Americana Artist at the Boston Music Awards.
Her latest album The Hammer and The Heart charted #1 on the Billboard Heatseekers chart and yielded a #1 song on folk radio and a top 10 album of 2017. She is a three-time Kerrville Folk Finalist and a winner of the Connecticut Folk Festival. She’s been a Falcon Ridge Emerging Artist and a finalist in The Independent Music Awards, The International Acoustic Music Awards, the Philadelphia Songwriters Project and the Mid-Atlantic Song Contest. Susan has been teaching Songwriting at the Berklee College of Music for twenty years.
She has opened for or shared the stage with Bill Kirchen, Mark Erelli, Jon Cleary, David Wilcox, Rose Cousins, The Nitty Gritty Dirt Band, Ellis Paul, Paula Cole, Huey Lewis and The News, Amy Grant, Melissa Ferrick, and The Pousette-Dart Band.
Click Here for More Info and Tickets.
Danielle Miraglia comes armed with a strong steady thumb on an old Gibson and an infectious stomp-box rhythm with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest “Bright Shining Stars” debuted at #15 on the Billboard Blues Charts. Cascade Blues Association calls it “… tough as rawhide, but smooth as blended whiskey.” Released Oct 2020 with Vizztone Label Group, it’s a solo acoustic folk/blues record that highlights the one-woman-band live sound she’s honed over the years, featuring guest appearances by talented friends Laurence Scudder, Peter Parcek and Richard “Rosy” Rosenblatt. It includes originals as well as a collection of songs she covers at live shows, paying homage to influences like Big Bill Broonzy, Bob Dylan, Janis Joplin and more, plus the title track “Bright Shining Stars,” written by her husband, Tom Bianchi.
“Americana and blues practitioner Danielle Miraglia wisely avoids fuss and clutter on her latest album, Bright Shining Stars. Fingerpicking and strumming on acoustic guitar are central to her sound, with percussion frequently provided by the infectious stomp of her foot. Three of the 11 tracks here are solo recordings, reinforcing a truism that the artist frequently has proven on Boston-area stages: A charming voice and fluid guitar prowess are all an artist needs to keep a listener rapt.”
– Bobby Reed, Downbeat Magazine
“Straddling the line where folk/roots meets rock/blues, Miraglia has a voice that can go from a raspy come-hither purr to an Etta James-esque powerhouse belt, although she may be best known for her lead thumb — a heavy, thumping strike on her Gibson that’s backdrop percussion in itself.”
– Lauren Daley, The Boston Globe
This event will be held outside at 888 South Main Street, Mansfield
Beer and wine and limited “cookout food” available
“On A Winter’s Night” from veteran singer-songwriters Christine Lavin, John Gorka, Patty Larkin, Cheryl Wheeler and, Cliff Eberhardt. These are among the brightest stars of the singer/songwriter movement for the past three decades.
CHRISTINE LAVIN
The New Yorker calls her, “wildly entertaining.” The Orlando Sentinel calls her, “a folkZinger.” She’s working on her 24th solo album. ASCAP awarded her book, Cold Pizza For Breakfast, the 43rd Annual Deems Taylor Award. Broadway stars Betty Buckley and Sutton Foster sing her songs. In April 2019 she’s inducted into the Rochester NY Music Hall Of Fame. When not making music, she makes videos. When not making videos, she bakes bread. But most of all she loves touring with musicians whose work she adores.
JOHN GORKA
Hailed by Rolling Stone as “the leading singer/songwriter of the New Folk movement,” John Gorka is perhaps the quintessential singer-songwriter of the 90’s folk scene. Originally from New Jersey, John served an apprenticeship at Godfrey Daniels coffeehouse in Bethlehem, PA, then the Greenwich Village Fast Folk scene. Winning the prestigious New Folk award at the Kerrville Folk Festival, in 1984, he was then signed to Red House Records on which he released his landmark first of 17 recordings, I Know. Boston Globe penned Gorka “for the sophisticated intelligence and the provocative originality of his songs.” Recent accolades include 2016’s Indie Acoustic Project’s Best Singer/Songwriter CD of the Year for Before Beginning (Red House Records). 2018 brought his latest release, and 14th of his career, True In Time (Compass Records).
CHERYL WHEELER
Brilliant, hysterical performances and beautifully crafted songs, Cheryl Wheeler truly needs to be seen to be appreciated. Nothing you read in print, nor nothing you hear on her albums prepares you for how good a performer she is. You may not be familiar with Cheryl, but you have probably heard her music. Highly respected as a songwriter by her peers, Wheeler’s songs have been covered by artists like Dan Seals, Peter Paul and Mary, Kenny Loggins, Garth Brooks, Suzy Boggus, Melanie, Bette Midler, Maura O’Connell, Sylvia, Kathy Mattea, and Holly Near. “Strong poetry, complex melodies, clever wit.” (Singout!)
PATTY LARKIN
She redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising lyrics and vocals. Acoustic Guitar Magazine hails her, “soundscape experiments” while Rolling Stone praises her, “evocative and sonic shading.” She has been described as, “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly), and a “drop-dead brilliant” performer (Performing Songwriter). Recently an Artist-in-Residence at Berklee College of Music – and now on the faculty at Fine Arts Work Center – Larkin reflects, “I have been energized by the poets, writers and artists I have met while teaching, and find myself on a journey to break down some of the predictable pathways that songs can travel.” Her 14th CD, Bird In A Cage, is currently in production.
CLIFF EBERHARDT
One of the most original songsmiths currently on tour, Eberhardt is a highly intelligent, articulate artist whose penetrating and profound lyrics are sometimes overshadowed by his extraordinary guitar playing. Upon close listening, the Philadelphia-born singer’s gift for the English language is abundantly clear. The words that tumble from his mouth are framed by a raspy yet deeply elegant voice. Like John Hammond and Richie Havens, Eberhardt continues to carry the torch for traditional and contemporary folk music through his strong live shows. Whether he’s out on tour solo or with a small band, Eberhardt’s guitar playing, singing, and original folk songs and blues make for a compelling, thought-filled, emotional roller coaster of a concert.
