Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
Barry Goudreau’s Engine Room perform at Hill’s Tavern
Saturday, September 24, 2022 Tickets: Call (401) 349-5512
Barry Goudreau’s Engine Room
As a former member of the multi-platinum selling band Boston, Barry played on their first two albums, Boston, and Don’t Look Back. When released, Boston, was the fastest selling debut album of all time. Both albums landed on the top of the, Billboard POP Charts, with Boston, reaching #3 and Don’t Look Back, reaching #1. Barry’s musical career continued after BOSTON, going on to form Orion the Hunter, RTZ, and releasing two records with Brad Delp.
Goudreau recently announced the release of his new CD, “The Road,” from his band Barry Goudreau’s Engine Room. Barry’s blues/rock ensemble includes his former RTZ bandmates Brian Maes on lead vocals and keyboards and Tim Archibald on bass. Both Maes and Archibald were members of Peter Wolf’s House Party Five, playing on two of his records and touring the world extensively. Also in the band is “Old” Tony DePietro on drums and Mary Beth Maes, Terri O’Soro, and Joanie Cicatelli on background vocals. Expect some favorites like “Smokin” and “Long Time” in their live set, alongside songs from the new CD as well as tracks from “Full Steam Ahead,” the 2017 release from Barry Goudreau’s Engine Room.
Saturday, September 24, 2022 Tickets: Call (401) 349-5512
For more concerts by Last Dance Productions, click here.
See you at a show soon.
Live Music Is Better!
Barry Goudreau’s Engine Room perform a concert to help raise funds for Healing Gardens!
Saturday, October 1, 2022 at the Regent Theatre in Arlington, MA
The Healing Gardens, an organization building healing gardens at hospital treatment centers throughout North America.
Also on the bill The Gravel Project and Sara Jean Kelly.
Barry Goudreau’s Engine Room
As a former member of the multi-platinum selling band Boston, Barry played on their first two albums, Boston, and Don’t Look Back. When released, Boston, was the fastest selling debut album of all time. Both albums landed on the top of the, Billboard POP Charts, with Boston, reaching #3 and Don’t Look Back, reaching #1. Barry’s musical career continued after BOSTON, going on to form Orion the Hunter, RTZ, and releasing two records with Brad Delp.
Goudreau recently announced the release of his new CD, “The Road,” from his band Barry Goudreau’s Engine Room. Barry’s blues/rock ensemble includes his former RTZ bandmates Brian Maes on lead vocals and keyboards and Tim Archibald on bass. Both Maes and Archibald were members of Peter Wolf’s House Party Five, playing on two of his records and touring the world extensively. Also in the band is “Old” Tony DePietro on drums and Mary Beth Maes, Terri O’Soro, and Joanie Cicatelli on background vocals. Expect some favorites like “Smokin” and “Long Time” in their live set, alongside songs from the new CD as well as tracks from “Full Steam Ahead,” the 2017 release from Barry Goudreau’s Engine Room.
Patio Records is dedicated to the mission of building healing gardens at hospital treatment centers.
Here are the projects we’ve been involved with to date.
What a great show for a great cause.
For more concerts by Last Dance Productions, click here.
See you at a show soon.
Live Music Is Better!
