Hayley Reardon
Anyone not familiar with the music of Bill Staines is in for a special treat.
Last Dance Productions is pleased to welcome Bill Staines to one of the great listening rooms in town, the New England Folk Music Archives. The event takes place on on Wednesday, July 17th at 7pm. We’ll have a conversation with Bill recording his thoughts about the Folk Scene in New England over the past years that will be deposited into our growing oral history collection.
After the conversation we’ll be treated to a performance by Bill Staines.
For more than forty years, Bill Staines has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960′s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.
Singer-Songwriter and folk icon Tom Rush will return to Symphony Hall with the next of his series of Club 47® concerts on Saturday, Dec 28th at 8:00pm. As is traditional with these shows, Tom will bring together different generations of musicians to share the music. This Holiday Season show will feature the Jim Kweskin Jug Band, with Bill Keith, Geoff Muldaur and Maria Muldaur; Massachusetts favorite Patty Larkin; and (relative) newcomers Sarah Lee Guthrie and Johnny Irion.
In 1981 Tom Rush assembled the first of a series of concerts named for the fabled Cambridge coffee house where many of the legendary artists of his generation got their start. His Club 47 shows played at venues across the country, including New York’s Carnegie Hall and the Kennedy Center in Washington D.C. Last year, Tom renewed the tradition with a sold-out show at Symphony Hall marking his 50th year on stage.
“These shows are fantastic musical events,” said Tom Rush. “Having a mix of fabulous performers from different generations, sharing the stage, collaborating , exploring each other’s music — it’s a recipe for magic. ‘Honoring the past, celebrating the future,” is the Club 47 slogan, and we try to live up to it.”
The Jim Kweskin Jug Band got their start at the Club 47 in Cambridge and were the original “Americana” band, playing everything from classic blues to hillbilly country, ragtime, jazz, and rock ‘n’ roll. Their imitators were legion, including a San Francisco jug band that became the Grateful Dead and a New York jug band that became the Lovin’ Spoonful, but their loose, exuberant style was uniquely theirs.
“Boston was the home of our Jug band, and our first gig as the Jim Kweskin Jug Band was at Club 47,” Kweskin remembered. “It is fitting that the last performance of our 50th anniversary be performed in Boston. We thank Tom Rush (who started in Boston about the same time we did) for inviting us to join him at Symphony Hall.”
The individual members of the original Jug Band also have made indelible marks on American music. Maria Muldaur is perhaps best known for her 1974 mega-hit Midnight at the Oasis, but her career can best be described as a long, adventurous odyssey through American roots music, including 40 solo albums and multiple Grammy nominations. Geoff Muldaur is one of the great voices and musical forces to emerge from the Cambridge scene. He composes scores for film and television, and his definitive recording of Brazil provided the seed for – and was featured in – Terry Gilliam’s film of the same title. Bill Keith introduced his own melodic approach to the banjo, now called the “Keith-style,” and as member of Bill Monroe’s Bluegrass Boys and later collaborations, revolutionized the way the banjo is played.
Patty Larkin redefines the boundaries of urban-folk music with her inventive guitar wizardry and uncompromising vocals and lyrics. She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and “drop dead brilliant” (Performing Songwriter). Patty has called Boston home since her studies at Berklee College of Music where she holds an Honorary Doctorate of Music and is currently an Artist in Residence. Patty and Tom’s friendship was kindled nearly 28 years ago when she was on his Maple Hill Artists’ booking roster, and occupied the “Newcomer” slot at several of Tom’s Symphony Hall Club 47 shows.
“Tom Rush has an iconic connection to the singer songwriter movement of which I am a part. His performances continue to be fresh, full of humor and heart, Larkin said. “I’m pleased to be returning to the Symphony Hall stage to join Tom and his esteemed musical guests.” Her 13th album, Still Green, has just been released.
Sarah Lee Guthrie and Johnny Irion embody the spirit of the Club 47 tradition. Guthrie— the daughter of Arlo and the granddaughter of Woody— grew up in a musical family rich in the American folk tradition. She and her husband Johnny Irion have been playing together as a musical duo for over thirteen years. They just released their fourth album, Wassaic Way, produced by Wilco’s Jeff Tweedy and Pat Sansone.
“It’s the kind of night I love,” Tom Rush concludes. “To be on stage with some of my favorite players and favorite people, mixing it up, having fun … it doesn’t get much better than that!”
Presenting the Reunion Tour of “On A Winter’s Night” from veteran singer-songwriters that remain among the brightest stars of the singer/songwriter movement for the past three decades. In 1994 Christine Lavin gathered them together, along with folk and Americana artists to showcase music of the Winter Season on the now-classic On A Winter’s Night CD, followed by several years of touring collaborations. These artists have released dozens of recordings and toured steadily through the decades, with fond memories of their touring days together. The winter season is again celebrated by these unique and popular performers, back together by popular demand.
One of the most original songsmiths currently on tour, Eberhardt is a highly intelligent, articulate artist whose penetrating and profound lyrics are sometimes overshadowed by his extraordinary guitar playing. Upon close listening, the Philadelphia-born singer’s gift for the English language is abundantly clear. The words that tumble from his mouth are framed by a raspy yet deeply elegant voice. Like John Hammond and Richie Havens, Eberhardt continues to carry the torch for traditional and contemporary folk music through his strong live shows. Whether he’s out on tour solo or with a small band, Eberhardt’s guitar playing, singing, and original folk songs and blues make for a compelling, thought-filled, emotional roller coaster of a concert.
Hailed by Rolling Stone as “the leading singer/songwriter of the New Folk movement,” John Gorka is perhaps the quintessential singer-songwriter of the 90’s folk scene. Originally from New Jersey, John served an apprenticeship at Godfrey Daniels coffeehouse in Bethlehem, PA, then the Greenwich Village Fast Folk scene. Winning the prestigious New Folk award at the Kerrville Folk Festival, in 1984, he was then signed to Red House Records on which he released his landmark first of 17 recordings, I Know. Boston Globe penned Gorka “for the sophisticated intelligence and the provocative originality of his songs.” Recent accolades include 2016’s Indie Acoustic Project’s Best Singer/Songwriter CD of the Year for Before Beginning (Red House Records). 2018 brought his latest release, and 14th of his career, True In Time (Compass Records). True In Time (Compass Records).
On A Winter’s Night
“A truly gifted performer…full of enchanting songs” (New York Times). Blending country, folk and pop styles, Lucy has the unique ability to make every song sound fresh, whether singing her own sweet originals, covering country classics by June Carter Cash and Gram Parsons, or singing pop favorites by Lennon/McCartney and Nick Lowe. Lucy’s iconic voice has been featured in film and on television, including commercials like Chevrolet’s iconic “Heartbeat of America” jingle. A Billboard-charting singer and one of the top-selling artists on Red House Records, she has topped the folk and Americana radio charts and has been featured on shows throughout the world from NPR’s Weekend and Morning Editions to BBC Radio to CBS Sunday Morning. One of the most in-demand harmony singers, Lucy has sung on countless records, performing with Suzanne Vega, Bryan Ferry, Nanci Griffith, and Shawn Colvin.
She redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising lyrics and vocals. Acoustic Guitar Magazine hails her, “soundscape experiments” while Rolling Stone praises her, “evocative and sonic shading.” She has been described as, “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly), and a “drop-dead brilliant” performer (Performing Songwriter). Recently an Artist-in-Residence at Berklee College of Music – and now on the faculty at Fine Arts Work Center – Larkin reflects, “I have been energized by the poets, writers, and artists I have met while teaching, and find myself on a journey to break down some of the predictable pathways that songs can travel.” Bird in a Cage, her 14th CD now available, puts poems from ten notable poets to song, including US Poet Laureates William Carlos Williams, Stanley Kunitz, Kay Ryan, Robert Pinsky, and Billy Collins, for a new and haunting collection that pulses with the magic of lyricism. Poems are made to be shared aloud, and with Bird, Patty takes up that tradition and sets it aglow.
You’ll undoubtedly be warm On This Winter’s Night.
More Last Dance Productions events here.
The Jim Kweskin Extravaganza is a live concert that will honor and celebrate Jim’s legacy and his contributions to the music industry over the past 60-plus years.
Jim Kweskin is the founder of the legendary 1960s Jim Kweskin Jug Band with Fritz Richmond, Geoff Muldaur, Maria Muldaur, Mel Lyman, and Bruno Wolfe. During the five years they were together, they successfully transformed the sounds of pre-World War II rural music into a springboard for their good-humored performances. Their imitators were legion, including a San Francisco jug band that became the Grateful Dead, a Los Angeles jug band that became the Nitty Gritty Dirt Band, and a New York jug band that became the Lovin’ Spoonful. No other group attained their unique blend of youthful energy and antiquarian expertise, tight musicianship, loose camaraderie, and infectious swing.
The concert will feature songs from Jim’s soon-to-be-released recording on StorySound Records, Never Too Late: Jim Kweskin, Duets with My Friends, which will be released on Friday, January 26, 2024. The show will also feature artists and songs from Jim’s storied career, including the renowned and influential Jim Kweskin Jug Band.
Scheduled to appear along with Jim Kweskin, are Maria Muldaur, Geoff Muldaur, Samoa Wilson, Annie Raines, Paul Rishell, Juli Crockett, Suzy Thompson, and Matthew Berlin. Additional artists appearing will be announced soon.
More Last Dance Productions events here.
