In late 2024, Laurie MacAllister embarked on an exciting new chapter, launching a solo career with a sold-out performance at the legendary Club Passim.

Two decades earlier, she co-founded the beloved Americana trio Red Molly, which released seven acclaimed albums and toured both the U.S. and internationally, including appearances at MerleFest, Cayamo, and Boston Symphony Hall.

Along the way, ad executives heard Laurie’s voice on the Red Molly album “Never Been to Vegas” and invited her to sing the iconic Folgers Coffee jingle for a national TV commercial.

Her 2018 self-produced solo album “The Lies the Poets Tell” is a heartfelt tribute to the contemporary folk music scene, celebrating a handful of its best songs and songwriters. It features duets with six male artists, including the late Americana master Jimmy LaFave. SiriusXM praised the album as “Defining. A curated collection packed with emotional vibrancy.”

Laurie’s earlier solo album “The Things I Choose To Do” was produced by folk luminary Cliff Eberhardt and was first released independently. Hearing it, Barnes & Noble re-released it as an exclusive on their label, saying, “MacAllister wholly inhabits these songs as subtly as a chameleon, convincingly taking on the persona’s skin, quite simply singing her heart out.”

From a young girl with a quiet dream of becoming a singer, Laurie’s journey has unfolded one song at a time. Over more than two decades, she’s made her dream into a reality.

Laurie has announced her Solo Debut Tour, headlining shows in 2025 across the Northeast, bringing her soulful, loving voice and presence to fans old and new.

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By Barry Alfonso

When Craig Bickhardt steps onto a concert stage, he comes equipped with his trusty acoustic guitar. A side musician or two will frequently join him. He’s also accompanied by something invisible, yet ever-present: the stories of a lifetime, vividly translated into words and melody.

From the boisterous club scene of Philadelphia to the country-rock milieu of Los Angeles to the picking parlors of Nashville, Craig has immersed himself in the sights and sounds of American music. His music reflects a life lived as a rock band lead singer, a solo troubadour, a dedicated songwriter, a husband and father. Dreams, heartaches and hard-earned lessons have fed his creativity. There is no other way he could’ve written the eloquent, often bittersweet songs that have become his trademark.

“I start a lot of songs because I feel conflicted,” he explains. “I may begin from a point of darkness, but I usually end up writing towards the light because, for me, hope is the thing worth singing about. The characters in the stories I sing aren’t heroic; they’re very ordinary. But they’re reaching for something beyond themselves, and I find nobility in that.”

Craig is a singer/songwriter of the old school – you can hear echoes of such ‘60s folk revival artists as Tom Rush, Gordon Lightfoot and Eric Andersen in his work. Added to this is the melodic sophistication of a Jimmy Webb or a Paul Simon, as well as a spare but telling lyric approach. “I admire songwriters like Woody Guthrie and poets like Robert Frost because they created functional art,” he says. “Too much music today is just for the singer, not for Everyman. I think of my work as a ‘Please Touch’ museum – I want my songs to be sung until they’re worn out.”

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