The Meadows Brothers’ gut-bucket, dirt-road, twangy spirit takes hold in a new road-tested collection of original songs. When The Meadows Brothers decided it was time to start recording, they discovered a tangle of rich imagery, atmospheric states and narratives, both real and imagined – that together create a fine tapestry of listening. These songs culminate in “TRUTH,” a diverse compilation on of modern folk-rock-infused Americana. Some of you might recognize Ian Meadows, who was a finalist in our Performing Songwriter Competition in 2016.

Their distinct brand of roots music draws inspiration from a huge list of influences, combining folk, blues, country and rock ‘n’’ roll genres into what The Boston Globe calls “”An engagingly twangy sibling sound all their own.”” The brothers’ original songs, which they typically write together, have been lauded for their emotive, relatable lyrics and memorable hooks. They have performed hundreds of shows around their native New England, the Midwest, Great Lakes Regions and the Southeast, continuing to hone their craft and enjoying new audiences along the way.

The Kennedys! Two of our favorites make a return to the Garden, helping us to celebrate our 30th season! Pete and Maura Kennedy, both East Coast natives, met in Austin, Texas, joined forces with Nanci Griffith’s Blue Moon Orchestra for a couple of years, and set out on a road that, for two decades, has led them not only west but all over the US and the UK many times. This year, they celebrate their twentieth anniversary both as a band and a married couple. Rather than indulge in a nostalgic look backward, they’ve taken Dylan’s dictum “don’t look back” to heart; writing and recording forty new songs.

2015 sees a Maura solo CD, a Pete solo CD, and the release of “West,” an instant classic Kennedys duo set that seamlessly weaves their influences over the last two decades; Buddy Holly style roots, the tuneful cadences of the Everly Brothers, and the ringing 12-string jangle of the early Byrds, interspersed with darker moments that recall British folk rock a la Fairport Convention.

Ultimately, Pete and Maura knit these disparate threads into a coat of many colors that sounds like a “best of The Kennedys,” but is in reality an all-new collection of songs. The road west is central to the American mythos; it’s the search for musical roots and the fulfillment of a personal American dream that takes shape in songs. Two decades on, The Kennedys are hitting a songwriting high point, and from that point they follow the well-worn American path West.

Another of our favorites, April Verch, comes home.

The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.

April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.

She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.

The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.

Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.

While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.

Verch began her full time touring career in 2000 and has performed around the world.

including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.

Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.

Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”

“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”

Welcome home to Mansfield, April!

A Tribute to Todd Rundgren, Gary Backstrom’s Road to Utopia, comes to the Regent Theatre,  7 Medford Street, Arlington, MA on Friday, June 7, at 8 pm. Tickets here.

Todd Rundgren

Considered by many to be the “Ultimate Rock Cult Hero” Todd Rundgren has maintained a legion of fans through four decades.  Todd’s searing guitar work reached a nationwide audience in his role as lead guitarist for the blues-psychedelic band Nazz. He wrote and arranged almost all of the work that went into the three albums the group produced.

His first big solo success was in 1971 with “We Gotta Get You a Woman” and in 1973 from the double album “Something/Anything?”  He scored big on the charts with “I Saw the Light” and a revision of a Nazz song, “Hello, It’s Me.”

Rundgren has scored huge as a music producer, most notably on Meat Loaf’s “Bat Out of Hell” opus. In the late 1970s and through the 1980s Todd formed the group Utopia, each member an accomplished musician and vocalist. He has also been called on by films and TV for his musical scores and sometimes tours with Ringo Starr as a member of his All-Star Band.

Gary Backstrom

Gary is the founder and frontman of the acclaimed Jam Band “Jiggle The Handle.” The Gary Backstrom Band is a Boston-based Band that mixes Soul, R&B, Funk, Rock and Latin grooves blended into a unique sound. Their sound features exciting, unpredictable improvisation that can only be heard in the best live acts on the scene today. Gary is considered “one of the most underrated, fluid, and melodic players in the Northeast.”

Some of the proceeds from this concert will go to

The Alzheimer’s Music Project

The project brings personalized iPods to people living with Alzheimer’s and other forms of dementia, helping them reconnect with the world through the music they love.

This will be a quite the night for a great cause.

Tickets Here.

The New Bedford Folk Festival

New Bedford Folk Festival brings together over 70 renowned and emerging performers and 90 plus juried arts and crafts vendors in New Bedford’s authentic historic district in July. In 2018, we celebrated the 23rd New Bedford Folk Festival on July 7 & 8. In 2019 the festival will be held on July 6 & 7.

The two-day family-oriented festival offers continuous folk music from 11 AM to 9 PM on seven sound stages in and around the New Bedford Whaling National Historical Park ranging from the majestic 1200 seat Zeiterion Performing Arts Theater to the intimacy of the National Park Garden Stage.

The Artisans’ Marketplace showcases the handcrafted work of many local artists, as well as artisans from Maine to California and the International Bazaar, offers high-quality, imported handcrafts, many of them Fair Trade,  from around the globe.

Food is also a great part of the festival. From street carts to the food court to the restaurants in and around the festival you can sample some of the tasty cuisines the area has to offer.

Presented by the Zeiterion Performing Arts Theater and hosted by the City of New Bedford, the New Bedford Whaling National Historical Park and the New Bedford Whaling Museum the New Bedford Folk Festival offers an exciting atmosphere with great music, beautiful arts and crafts and fun activities for the whole family.

Check out the crafts and commercial vendors

New Bedford Folk Festival – Vendors

33rd Lowell Folk Festival

The Lowell Folk Festival continues to provide the finest in traditional music, craft, foodways and more in downtown Lowell. This annual celebration is the best in traditional folk music, artisan crafts and ethnic foods, and will be returning to downtown Lowell with a full lineup beginning with the traditional parade of nations from Lowell’s City Hall Plaza to Boarding House Park. The free festival offers something for people of all ages all within the heart of Lowell National Historical Park.

Timmy Brown

Tickets Here.

This will be a special Fundraiser for The Council for Children. The Council is a local all-volunteer non-profit with programs benefiting nearly 2000 local children every year.  The programs include Christmas is for Kids, a gift drive filling Christmas wishes of new toys and clothes to 1000 local children; Nicky O Foundation which gives scholarships to students interested in the arts; day care scholarships; 100 backpacks given to local park and rec departments each summer for children who need towels, sunscreen and water bottles; 75 back-to-school backpacks with supplies; a summer lunch food drive which collects 10,000 servings of food plus cash to help feed children on local playgrounds all summer who would otherwise go without a healthy meal.

Timmy Brown is a singer/songwriter/Nashville recording artist that grew up in  Norton, Massachusetts, and in October 2018, he moved to Nashville, Tennessee to pursue his dreams full time.  In 2018, Brown was voted New England Country Music’s Local Male Artist of the Year for the third  consecutive year.  His infectious energy and talent have made him a local favorite, around the New England and Rhode Island area.  In the fall of 2017, he auditioned for “American Idol,” for Season 1 of the re-boot on their new network ABC, where he finished in the top 60!

Timmy started playing the piano at the age of five and ever since then, music became his life.  Once he graduated from high school, he began playing solo shows at local events and restaurants.  Throughout that time, he had auditioned for television shows such as “The Voice,” “America’s Got Talent” and “American Idol.”  It was at his third audition when he was selected to be on Season 14 of American Idol. Shortly after his audition, he was approached by members of a local country band Black Diamond and was asked to become the lead singer.  Since then Black Diamond has now changed to the Timmy Brown Band. His love of music is most evident when on that stage performing. Timmy’s natural ability to connect with the audience and draw them in with his enthusiasm has earned him a loyal fan base.

Tickets here.

More on Timmy Brown here.

Martin Swinger is an atypical 60-something who can’t stop exploring music, songwriting and singing. Socially conscious, thought provoking and surprisingly entertaining, Martin is celebrated for his fluid voice and engaging delivery. He’s recorded 6 CD’s, won local and national songwriting awards, is a repeat performer at Kerrville Folk Festival and counts among his fans Pete Seeger, Peter Yarrow, Paul Stookey, Billy Jonas, Ezra Idlet, Vance Gilbert and John Waters.

Martin Swinger composes songs about Alzheimer’s, Autism, oysters, dyslexic theology and the adventures of Betty Boop and Buddha – lyrically and melodically illustrating the variety of human emotions with sensitivity, creatively thoughtful stories, a deep appreciation for a good belly laugh, and by igniting wonder in the powerful metamorphosis music inspires in the heart, mind, body and soul. Surprising, humorous, intimate, outrageous, courageous and universal – each unforgettable song is sung with delicacy, skill and the panache of a seasoned, professional performer!

His first ever solo, wrapped in a sheet and standing on a table he’s singing ‘Away In a Manger’ in Mrs. Folendore’s First Grade Christmas play, and Martin felt oddly at home. Martin Swinger continues singing, and that audience of children, mothers, teachers and janitors, administrators, school board chairs and the secretary continues to grow. Listen to Martin live and you’ll know why.

Martin performs 80+ gigs a year sharing award-winning original songs and a surprisingly eclectic mix of covers. Americana, swing & jazz, traditional, show tunes, klezmer, improvisational music… He’s known for his sterling performance and vocal range, brilliant songs delivered well with an engaging stage presence for adult and family audiences.

Mrs. Folendore was pleased with Martin’s performance. You will be, too.

Martin’s new CD, Living Things is finally available! Contact Martin directly [email protected] or visit CDBaby for hard copy or download!

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