Anyone not familiar with the music of Bill Staines is in for a special treat.
Last Dance Productions is pleased to welcome Bill Staines to one of the great listening rooms in town, the New England Folk Music Archives. The event takes place on on Wednesday, July 17th at 7pm. We’ll have a conversation with Bill recording his thoughts about the Folk Scene in New England over the past years that will be deposited into our growing oral history collection.
After the conversation we’ll be treated to a performance by Bill Staines.
For more than forty years, Bill Staines has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960′s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.
Dar Williams with Special Guest Catie Curtis
A benefit concert for Americans United for Separation of Church and State
Friday, February 5th at 7:30pm
Tickets and More Info: Click Here
“Dar Williams is a songwriter of immense talent” – Telegraph UK
Williams growth as an individual over her almost two-decade-long career has gone hand-in-hand with her evolution as an artist. Raised in Chappaqua, N.Y., and educated at Wesleyan University, Williams spent 10 years living in the thriving artistic community of Northampton, Mass., where she began to make the rounds on the coffeehouse circuit. Joan Baez, an early fan of her music, took Williams out on the road and recorded several of her songs.
Every new album from Dar Williams represents her thoughts and feelings about both her own life and larger forces in the world. But her ninth studio record, Emerald, marks a particularly dramatic confluence between her experiences and broader contemporary culture—and what it means to be a songwriter at this moment in history.
“I’m now experiencing the fruits of the alternative culture I was part of in the ‘90s,” she says. “I think I’ve made choices about how I lived my life, outside of the world that was going to fit me among the mainstream norms, and I chose to stay with my friends, to stay with my culture. That turns out to have been the sturdiest structure I could have built for myself. And that’s in my songs, it’s in my teaching. I’m a believer in what can happen when we make music together.” – Dar Williams
Special Guest Catie Curtis
Catie Curtis is a veteran on the singer/songwriter folk scene. She’s performed at the White House, two Presidential Inaugural Balls, with Lilith Fair, and at Carnegie Hall. Winner of several Boston Music Awards, she also took the Grand Prize in the 2006 International Songwriting Competition (out of 15,000 entries). The New Yorker called Catie a “folk-rock goddess.”
Americans United for Separation of Church and State is a nonpartisan organization that lobbies, educates and litigates in order to preserve the constitutional principle of church-state separation as the only way to ensure religious freedom for all Americans.
Tickets and More Info: Click Here
This will be THE folk singer/songwriter event of the year. Tickets Here
For over forty years, Dick Pleasants was a mainstay on Boston radio, as well as part of the Boston and New England music community.
Proceeds from this concert will go to “The Richard E. Pleasants Supplemental Needs Trust.”
We have some of the most respected musicians lending their talents for this show. Lori McKenna, Patty Larkin, Garnet Rogers, Cliff Eberhardt and Mark Erelli.
Lori McKenna
Lori McKenna puts a magnifying glass on un-championed lives. She doesn’t just notice the quiet and ordinary, she delights in it – effortlessly transforming the average to extraordinary. Lori is one of the most sought after songwriters in the industry with her songs recorded by top artists including Reba, Alison Krauss, Faith Hill, Tim McGraw and Keith Urban. McKenna’s songwriting credits include the 2x Platinum Billboard No. 1 hit, I Want Crazy, by Hunter Hayes. She penned the 2015 massive Little Big Town hit, Girl Crush, which reached 11 weeks on the Billboard’s Hot Country Songs and netted McKenna a CMA Award, NSAI Songwriters and her first Grammy. She wrote Tim McGraw’s hit, Humble & Kind. The song hit No. 1 on the Billboard Hot Country Songs chart marking the first time in more than four years a song written by one writer topped the chart.
Patty Larkin
Patty Larkin redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising vocals and lyrics. Acoustic Guitar hails her “soundscape experiments” while Rolling Stone praises her “evocative and sonic shading.” She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and a “drop-dead brilliant” performer (Performing Songwriter )
Cliff Eberhardt
Cliff Eberhardt knew by age seven that he was going to be a singer and songwriter. Growing up in Berwyn, Pennsylvania, he and his brothers sang together and their parents played instruments. His dad introduced him to the guitar and he quickly taught himself to play. Fortunate enough to live close to the Main Point (one of the best folk clubs on the East Coast), he cut his teeth listening to the likes of James Taylor, Joni Mitchell, Bruce Springsteen, Howlin’ Wolf, Muddy Waters, Bonnie Raitt, and Mississippi John Hurt — receiving an early and impressive tutorial in acoustic music. At the same time, he was also listening to great pop songwriters like Cole Porter, the Gershwins, and Rodgers and Hart, which explain his penchant for great melodies and clever lyrical twists.
Garnet Rogers Photo -Steve Ide
Garnet Rogers has established himself as “One of the major talents of our time”. Hailed by the Boston Globe as a “charismatic performer and singer”, Garnet is a man with a powerful physical presence – close to six and a half feet tall – with a voice to match. With his “smooth, dark baritone” (Washington Post) his incredible range, and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere.
Mark Erelli
Mark Erelli has won several prestigious awards, including the Kerrville New Folk Contest and the International Song Contest, where a song he co-wrote with Catie Curtis (“People Look Around”) bested 15,000 entries to win the grand prize. He has maintained a rigorous touring schedule, appearing onstage everywhere from coffeehouses and major folk festival stages (Newport, Philadelphia) to Fenway Park, where he once sang the national anthem before a Red Sox game. In recent years, Mark has gained notoriety as a multi-instrumentalist sideman and producer, accompanying GRAMMY-winning artists such as Lori McKenna, Paula Cole and Josh Ritter everywhere from Nashville’s Grand Ole Opry to London’s Royal Albert Hall.
More information and tickets here.
Presented by Barnes Newberry of My Back Pages Radio & Brian Quinn of Last Dance Productions
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
“On A Winter’s Night” from veteran singer-songwriters Christine Lavin, John Gorka, Patty Larkin, Cheryl Wheeler and, Cliff Eberhardt. These are among the brightest stars of the singer/songwriter movement for the past three decades.
CHRISTINE LAVIN
The New Yorker calls her, “wildly entertaining.” The Orlando Sentinel calls her, “a folkZinger.” She’s working on her 24th solo album. ASCAP awarded her book, Cold Pizza For Breakfast, the 43rd Annual Deems Taylor Award. Broadway stars Betty Buckley and Sutton Foster sing her songs. In April 2019 she’s inducted into the Rochester NY Music Hall Of Fame. When not making music, she makes videos. When not making videos, she bakes bread. But most of all she loves touring with musicians whose work she adores.
JOHN GORKA
Hailed by Rolling Stone as “the leading singer/songwriter of the New Folk movement,” John Gorka is perhaps the quintessential singer-songwriter of the 90’s folk scene. Originally from New Jersey, John served an apprenticeship at Godfrey Daniels coffeehouse in Bethlehem, PA, then the Greenwich Village Fast Folk scene. Winning the prestigious New Folk award at the Kerrville Folk Festival, in 1984, he was then signed to Red House Records on which he released his landmark first of 17 recordings, I Know. Boston Globe penned Gorka “for the sophisticated intelligence and the provocative originality of his songs.” Recent accolades include 2016’s Indie Acoustic Project’s Best Singer/Songwriter CD of the Year for Before Beginning (Red House Records). 2018 brought his latest release, and 14th of his career, True In Time (Compass Records).
CHERYL WHEELER
Brilliant, hysterical performances and beautifully crafted songs, Cheryl Wheeler truly needs to be seen to be appreciated. Nothing you read in print, nor nothing you hear on her albums prepares you for how good a performer she is. You may not be familiar with Cheryl, but you have probably heard her music. Highly respected as a songwriter by her peers, Wheeler’s songs have been covered by artists like Dan Seals, Peter Paul and Mary, Kenny Loggins, Garth Brooks, Suzy Boggus, Melanie, Bette Midler, Maura O’Connell, Sylvia, Kathy Mattea, and Holly Near. “Strong poetry, complex melodies, clever wit.” (Singout!)
PATTY LARKIN
She redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising lyrics and vocals. Acoustic Guitar Magazine hails her, “soundscape experiments” while Rolling Stone praises her, “evocative and sonic shading.” She has been described as, “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly), and a “drop-dead brilliant” performer (Performing Songwriter). Recently an Artist-in-Residence at Berklee College of Music – and now on the faculty at Fine Arts Work Center – Larkin reflects, “I have been energized by the poets, writers and artists I have met while teaching, and find myself on a journey to break down some of the predictable pathways that songs can travel.” Her 14th CD, Bird In A Cage, is currently in production.
CLIFF EBERHARDT
One of the most original songsmiths currently on tour, Eberhardt is a highly intelligent, articulate artist whose penetrating and profound lyrics are sometimes overshadowed by his extraordinary guitar playing. Upon close listening, the Philadelphia-born singer’s gift for the English language is abundantly clear. The words that tumble from his mouth are framed by a raspy yet deeply elegant voice. Like John Hammond and Richie Havens, Eberhardt continues to carry the torch for traditional and contemporary folk music through his strong live shows. Whether he’s out on tour solo or with a small band, Eberhardt’s guitar playing, singing, and original folk songs and blues make for a compelling, thought-filled, emotional roller coaster of a concert.
Presenting the Reunion Tour of “On A Winter’s Night” from veteran singer-songwriters that remain among the brightest stars of the singer/songwriter movement for the past three decades. In 1994 Christine Lavin gathered them together, along with folk and Americana artists to showcase music of the Winter Season on the now-classic On A Winter’s Night CD, followed by several years of touring collaborations. These artists have released dozens of recordings and toured steadily through the decades, with fond memories of their touring days together. The winter season is again celebrated by these unique and popular performers, back together by popular demand.
One of the most original songsmiths currently on tour, Eberhardt is a highly intelligent, articulate artist whose penetrating and profound lyrics are sometimes overshadowed by his extraordinary guitar playing. Upon close listening, the Philadelphia-born singer’s gift for the English language is abundantly clear. The words that tumble from his mouth are framed by a raspy yet deeply elegant voice. Like John Hammond and Richie Havens, Eberhardt continues to carry the torch for traditional and contemporary folk music through his strong live shows. Whether he’s out on tour solo or with a small band, Eberhardt’s guitar playing, singing, and original folk songs and blues make for a compelling, thought-filled, emotional roller coaster of a concert.
Hailed by Rolling Stone as “the leading singer/songwriter of the New Folk movement,” John Gorka is perhaps the quintessential singer-songwriter of the 90’s folk scene. Originally from New Jersey, John served an apprenticeship at Godfrey Daniels coffeehouse in Bethlehem, PA, then the Greenwich Village Fast Folk scene. Winning the prestigious New Folk award at the Kerrville Folk Festival, in 1984, he was then signed to Red House Records on which he released his landmark first of 17 recordings, I Know. Boston Globe penned Gorka “for the sophisticated intelligence and the provocative originality of his songs.” Recent accolades include 2016’s Indie Acoustic Project’s Best Singer/Songwriter CD of the Year for Before Beginning (Red House Records). 2018 brought his latest release, and 14th of his career, True In Time (Compass Records). True In Time (Compass Records).
On A Winter’s Night
“A truly gifted performer…full of enchanting songs” (New York Times). Blending country, folk and pop styles, Lucy has the unique ability to make every song sound fresh, whether singing her own sweet originals, covering country classics by June Carter Cash and Gram Parsons, or singing pop favorites by Lennon/McCartney and Nick Lowe. Lucy’s iconic voice has been featured in film and on television, including commercials like Chevrolet’s iconic “Heartbeat of America” jingle. A Billboard-charting singer and one of the top-selling artists on Red House Records, she has topped the folk and Americana radio charts and has been featured on shows throughout the world from NPR’s Weekend and Morning Editions to BBC Radio to CBS Sunday Morning. One of the most in-demand harmony singers, Lucy has sung on countless records, performing with Suzanne Vega, Bryan Ferry, Nanci Griffith, and Shawn Colvin.
She redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising lyrics and vocals. Acoustic Guitar Magazine hails her, “soundscape experiments” while Rolling Stone praises her, “evocative and sonic shading.” She has been described as, “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly), and a “drop-dead brilliant” performer (Performing Songwriter). Recently an Artist-in-Residence at Berklee College of Music – and now on the faculty at Fine Arts Work Center – Larkin reflects, “I have been energized by the poets, writers, and artists I have met while teaching, and find myself on a journey to break down some of the predictable pathways that songs can travel.” Bird in a Cage, her 14th CD now available, puts poems from ten notable poets to song, including US Poet Laureates William Carlos Williams, Stanley Kunitz, Kay Ryan, Robert Pinsky, and Billy Collins, for a new and haunting collection that pulses with the magic of lyricism. Poems are made to be shared aloud, and with Bird, Patty takes up that tradition and sets it aglow.
You’ll undoubtedly be warm On This Winter’s Night.
More Last Dance Productions events here.
