Amy Speace and The Sea The Sea will perform this special event to benefit The New England Folk Music Archives.
Produced by Last Dance Productions
The New England Folk Music Archives is pleased to welcome Amy Speace and The Sea,The Sea to one of the great listening rooms in town.
AMY SPEACE
Amy Speace has been quietly but steadily making waves in the Americana/folk world for a few years now, and in the journey, gaining support from the likes of Judy Collins, Nanci Griffith, Guy Clark and other icons in the songwriting community. A self-described ‘late bloomer’ to songwriting, Speace landed in New York City after college to pursue a life in theater. She studied acting at The National Shakespeare Conservatory, toured the US with the National Shakespeare Company, started her own theater company to direct and produce the plays she had written, and in the midst of her early 20’s, picked up a pawn shop guitar, wrote her first songs, and found herself with steady gigs at such storied venues as The Bitter End and The Living Room.
On April 16, Wind Bone Records/Tone Tree will release “How to Sleep In A Stormy Boat” an 11 song album, produced by Neilson Hubbard, with collaborations with John Fullbright, Mary Gauthier and Ben Sollee.
THE SEA, THE SEA
The Sea The Sea weave their many voices into one. Since the Fall of 2011, Chuck e. Costa and Mira Stanley have been touring the country, making new friends and evolving their sound. Now a playful mix of old and new, acoustic and electric, raw and graceful, TSTS has created an inspired trove of harmony-rich, lyric driven songs. Dynamic and sincere, simple and true, their live shows will leave you stirring.
No Depression Says:
Last night, inside a cold Dobbs Ferry church with the snow falling outside, I sat and listened to a young couple who just this week recorded their first album together. If their performance is any indication, the April release will bring a welcome relief to a cold winter. To say I was taken with Chuck E. Costa and Mira Stanley who perform as The Sea The Sea would be an understatement. On top of well-crafted songs, commanding stage presence and instrumental abilities, their voices in close harmony evoked for me a sound landing somewhere between Bowling Green and Bakersfield.
AfterFab is America’s only tribute to the solo years of all four Beatles – and their unique concept has fans buzzing. The genius of The Beatles didn’t stop with “Abbey Road,” and AfterFab brings the brilliant solo careers of Lennon, McCartney, Harrison, and Starr to life with high energy and high fidelity to the original recordings. Over 70 hit singles and numerous iconic tracks compose one of the best-loved classic-rock canons ever, from “Band on the Run” and “It Don’t Come Easy” to “Imagine,” “What Is Life” and dozens more.
AfterFab has attracted praise from noted Beatles experts and authors such as Robert Rodriguez and Ricardo Pugialli. “They did the solo stuff and *rocked* it!” declared promoter Charles Rosenay following AfterFab’s 2014 performance at his Danbury Fields Forever Fab Four Music Festival. Beatles radio show host Ken Michaels remarked, “Passion. You could see it in their faces. They’ve really studied the music. And the lead singer, he was outrageous!”
What can you expect from an AfterFab show? A high-energy, passionate tribute to the mega-classic canon of The Beatles’ solo years, the only one in America, played with high fidelity to the original studio recordings. Beatles fans are absolutely everywhere and this unique concept and focus draws them in droves. It’s something new and different for Beatles and classic-rock fans, and general audiences, thanks to 70 US Top-40 hits and 325 million records collectively sold by John, Paul, George, and Ringo, post-Beatles. The genius didn’t stop with Abbey Road. This is the classic Beatles music that fans have been missing.
AfterFab is a formidable six-member powerhouse of long-experienced Beatles-expert musicians with a dynamic, entertaining front man and a talent for getting the music right. Not impersonators, but a music-first tribute along the lines of Brit Floyd, Get The Led Out, or The Fab Faux. Based in New England, the band began in 2012, designed from the start as a concert attraction for top music clubs, performing-arts spaces, theatres, and venues that desire to present something special for guests. Misson-driven to convey the brilliance of the solo Beatles’ legacy, AfterFab adds extra dimensions of entertainment with back-stories of the songs, fascinating trivia, and video of images of solo Beatles LPs, singles, adverts, and quotations.
Denny Laine celebrates the 40th anniversary of the “Wings Over America” tour with a live on stage performance of their greatest album, “Band on the Run”—complete and unabridged! Within a year of its release, “Band On the Run” had sold over six-million copies worldwide, having spawned three U.S. Top Ten hits-”Helen Wheels”, “Jet”, and the title track. The singles alone occupied the U.S. chart for forty-five (45) weeks, while the album stayed on the charts for over two (2) years. “Band On The Run” was in the Top-30 of the Billboard 200 as recently as 2010, when a remastered version of the album was released.
This special evening celebrates the 40th anniversary of the Wings Over America tour. The sold out U.S. leg of the “Wings Over the World” tour helped carry the’ “Silly Love Songs” single and “Wings at the Speed of Sound” album to number one on their respective charts. From the tour came the film “Rock Show” and the number one triple album set “Wings over America”.
By far the most successful album involving any of the Beatles following their breakup, “Band on the Run” was created by Paul McCartney, Denny Laine and Linda McCartney. The other members of Wings quit the group just prior to the departure to Lagos, Nigeria to begin sessions for the album, but out of adversity came advantage. With Paul McCartney on vocals, piano, drums, guitar, bass, and keys, and Denny Laine contributing vocals, keys, acoustic, electric and bass guitars, and Linda McCartney on keys and vocals, Band On the Run transcended the era to become an album whose deep cuts such as “Let Me Roll It”, “Picasso’s Last Words”, and “Mrs. Vanderbilt” and “Bluebird” are better remembered-and played more often on classic rock radio-than most hits of the era.
Expect other Wings hits such as “Live and Let Die”, and “Time to Hide” as well as Denny’s legendary lead vocal on the Moody Blues classic “Go Now” to round out this special anniversary show.
Tickets: Click Here
It’s the 45th Anniversary of the Greatest Album by Badfinger, 1972’s Straight Up, and the band’s legendary guitarist, songwriter, and vocalist Joey Molland—along with his dynamic band—brings the album to the stage in a bracing live show.
Featuring 5 tracks written by Joey, Q Magazine described Straight Up as ”…brimming with mature melodies and bracing verse/chorus interplay…”, while NME deemed it ”…a stone cold beauty of an album…” and advised, “Love it like your mother …”
George Harrison produced four tracks on the album, Name of the Game, Suitcase,I’d Die Babe, the latter two written by Molland, and Pete Ham’s Day After Day, which gave the group a Top 5 U.S. Single. AllMusic says, ”…there’s absolutely no filler and everybody is in top form…” The album, which also featured Baby Blue, stayed on the Billboard Top Pop Albums chart for 32 weeks.
From their legendary lineup, Joey Molland continues the unforgettable legacy of BADFINGER. One of the original signings to the Beatles’ Apple Records label, they had their first hit single with a Paul McCartney penned song, Come and Get It, which went to #7 in the U.S. charts.
Badfinger followed this with their own compositions No Matter What, Day After Day (produced by George Harrison), and Baby Blue, which went to #8, #4 and #14 respectively.
https://youtu.be/C53QAuOoSgc
Presenting the Reunion Tour of “On A Winter’s Night” from veteran singer-songwriters that remain among the brightest stars of the singer/songwriter movement for the past three decades. In 1994 Christine Lavin gathered them together, along with folk and Americana artists to showcase music of the Winter Season on the now-classic On A Winter’s Night CD, followed by several years of touring collaborations. These artists have released dozens of recordings and toured steadily through the decades, with fond memories of their touring days together. The winter season is again celebrated by these unique and popular performers, back together by popular demand.
One of the most original songsmiths currently on tour, Eberhardt is a highly intelligent, articulate artist whose penetrating and profound lyrics are sometimes overshadowed by his extraordinary guitar playing. Upon close listening, the Philadelphia-born singer’s gift for the English language is abundantly clear. The words that tumble from his mouth are framed by a raspy yet deeply elegant voice. Like John Hammond and Richie Havens, Eberhardt continues to carry the torch for traditional and contemporary folk music through his strong live shows. Whether he’s out on tour solo or with a small band, Eberhardt’s guitar playing, singing, and original folk songs and blues make for a compelling, thought-filled, emotional roller coaster of a concert.
Hailed by Rolling Stone as “the leading singer/songwriter of the New Folk movement,” John Gorka is perhaps the quintessential singer-songwriter of the 90’s folk scene. Originally from New Jersey, John served an apprenticeship at Godfrey Daniels coffeehouse in Bethlehem, PA, then the Greenwich Village Fast Folk scene. Winning the prestigious New Folk award at the Kerrville Folk Festival, in 1984, he was then signed to Red House Records on which he released his landmark first of 17 recordings, I Know. Boston Globe penned Gorka “for the sophisticated intelligence and the provocative originality of his songs.” Recent accolades include 2016’s Indie Acoustic Project’s Best Singer/Songwriter CD of the Year for Before Beginning (Red House Records). 2018 brought his latest release, and 14th of his career, True In Time (Compass Records). True In Time (Compass Records).
On A Winter’s Night
“A truly gifted performer…full of enchanting songs” (New York Times). Blending country, folk and pop styles, Lucy has the unique ability to make every song sound fresh, whether singing her own sweet originals, covering country classics by June Carter Cash and Gram Parsons, or singing pop favorites by Lennon/McCartney and Nick Lowe. Lucy’s iconic voice has been featured in film and on television, including commercials like Chevrolet’s iconic “Heartbeat of America” jingle. A Billboard-charting singer and one of the top-selling artists on Red House Records, she has topped the folk and Americana radio charts and has been featured on shows throughout the world from NPR’s Weekend and Morning Editions to BBC Radio to CBS Sunday Morning. One of the most in-demand harmony singers, Lucy has sung on countless records, performing with Suzanne Vega, Bryan Ferry, Nanci Griffith, and Shawn Colvin.
She redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising lyrics and vocals. Acoustic Guitar Magazine hails her, “soundscape experiments” while Rolling Stone praises her, “evocative and sonic shading.” She has been described as, “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly), and a “drop-dead brilliant” performer (Performing Songwriter). Recently an Artist-in-Residence at Berklee College of Music – and now on the faculty at Fine Arts Work Center – Larkin reflects, “I have been energized by the poets, writers, and artists I have met while teaching, and find myself on a journey to break down some of the predictable pathways that songs can travel.” Bird in a Cage, her 14th CD now available, puts poems from ten notable poets to song, including US Poet Laureates William Carlos Williams, Stanley Kunitz, Kay Ryan, Robert Pinsky, and Billy Collins, for a new and haunting collection that pulses with the magic of lyricism. Poems are made to be shared aloud, and with Bird, Patty takes up that tradition and sets it aglow.
You’ll undoubtedly be warm On This Winter’s Night.
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