Dar Williams with Special Guest Catie Curtis
A benefit concert for Americans United for Separation of Church and State
Friday, February 5th at 7:30pm
Tickets and More Info: Click Here
“Dar Williams is a songwriter of immense talent” – Telegraph UK
Williams growth as an individual over her almost two-decade-long career has gone hand-in-hand with her evolution as an artist. Raised in Chappaqua, N.Y., and educated at Wesleyan University, Williams spent 10 years living in the thriving artistic community of Northampton, Mass., where she began to make the rounds on the coffeehouse circuit. Joan Baez, an early fan of her music, took Williams out on the road and recorded several of her songs.
Every new album from Dar Williams represents her thoughts and feelings about both her own life and larger forces in the world. But her ninth studio record, Emerald, marks a particularly dramatic confluence between her experiences and broader contemporary culture—and what it means to be a songwriter at this moment in history.
“I’m now experiencing the fruits of the alternative culture I was part of in the ‘90s,” she says. “I think I’ve made choices about how I lived my life, outside of the world that was going to fit me among the mainstream norms, and I chose to stay with my friends, to stay with my culture. That turns out to have been the sturdiest structure I could have built for myself. And that’s in my songs, it’s in my teaching. I’m a believer in what can happen when we make music together.” – Dar Williams
Special Guest Catie Curtis
Catie Curtis is a veteran on the singer/songwriter folk scene. She’s performed at the White House, two Presidential Inaugural Balls, with Lilith Fair, and at Carnegie Hall. Winner of several Boston Music Awards, she also took the Grand Prize in the 2006 International Songwriting Competition (out of 15,000 entries). The New Yorker called Catie a “folk-rock goddess.”
Americans United for Separation of Church and State is a nonpartisan organization that lobbies, educates and litigates in order to preserve the constitutional principle of church-state separation as the only way to ensure religious freedom for all Americans.
Tickets and More Info: Click Here
Peter Asher of Peter & Gordon joins forces with Jeremy Clyde of Chad & Jeremy to star together in an unforgettable evening of music and memories. This “storytellers” style evening features songs and stories from their sixties heyday as recording artists to Jeremy’s success on stage, television (Downton Abbey) and film (The Iron Lady) and Peter’s Grammy-Winning career as Producer and manager of the likes of James Taylor, Linda Ronstadt and more.
Their respective British Invasion duos were collectively responsible for 30 Billboard chart hits. From the Chad & Jeremy catalog, they bring you “Distant Shores”, “Yesterday’s Gone” “Willow Weep For Me”, “Before and After”, “A Summer Song” and more. From the Peter & Gordon songbook comes “Woman”, “I Go To Pieces”, “I Don’t Want To See You Again”, “Lady Godiva”, “A World Without Love” and more.
Don’t miss this special opportunity to hear the stories behind the lives and music of these two legendary duos from the era that wiped clean and drew again the face of popular culture.
Presented by Last Dance Productions
Susan Cattaneo – Live-Stream
This show will be performed live at MMAS’s Black Box Theater in Mansfield, Mass., streamed to ShowTix4U. No Audience allowed in the theater.
Susan Cattaneo is one of Boston’s most respected songwriters. A powerful singer and sophisticated writer, Susan blends rock, folk and blues with a healthy dose of country. Call it New England Americana with a twang. She is a three-time nominee for Best Americana Artist at the Boston Music Awards.
Her latest album The Hammer and The Heart charted #1 on the Billboard Heatseekers chart and yielded a #1 song on folk radio and a top 10 album of 2017. She is a three-time Kerrville Folk Finalist and a winner of the Connecticut Folk Festival. She’s been a Falcon Ridge Emerging Artist and a finalist in The Independent Music Awards, The International Acoustic Music Awards, the Philadelphia Songwriters Project and the Mid-Atlantic Song Contest. Susan has been teaching Songwriting at the Berklee College of Music for twenty years.
She has opened for or shared the stage with Bill Kirchen, Mark Erelli, Jon Cleary, David Wilcox, Rose Cousins, The Nitty Gritty Dirt Band, Ellis Paul, Paula Cole, Huey Lewis and The News, Amy Grant, Melissa Ferrick, and The Pousette-Dart Band.
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Danielle Miraglia comes armed with a strong steady thumb on an old Gibson and an infectious stomp-box rhythm with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest “Bright Shining Stars” debuted at #15 on the Billboard Blues Charts. Cascade Blues Association calls it “… tough as rawhide, but smooth as blended whiskey.” Released Oct 2020 with Vizztone Label Group, it’s a solo acoustic folk/blues record that highlights the one-woman-band live sound she’s honed over the years, featuring guest appearances by talented friends Laurence Scudder, Peter Parcek and Richard “Rosy” Rosenblatt. It includes originals as well as a collection of songs she covers at live shows, paying homage to influences like Big Bill Broonzy, Bob Dylan, Janis Joplin and more, plus the title track “Bright Shining Stars,” written by her husband, Tom Bianchi.
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Karla Bonoff has been described as one of the finest singer/songwriters of her generation. That description is not hyperbole. Bonoff has enjoyed critical acclaim, commercial success, enduring popularity, and the unwavering respect of her peers. Karla has seen her songs become hits for Bonnie Raitt, Wynonna Judd, and Linda Ronstadt. Many of Bonoff’s ballads are classics. Karla has continued to record and tour extensively, playing sold-out shows worldwide.
Hearing Karla’s moving vocals on her rich, expressive songs is like standing beneath a sparkling waterfall–refreshing, exhilarating, and restorative. Experiencing them live can be transformative. Fans and critics agree that Bonoff’s songs, as are her recordings, are timeless. Many prefer her versions, live with instrumentation that is clean and spare, giving Bonoff’s voice room to work its emotional magic.
“Long before Alanis and Jewel, there was a breed of singer/songwriters whose earthly anthems of soul-searching, heartache and joy touched souls in a way few can muster today. Billboard Magazine.
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