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Recently naming her a 2012 “Bostonian Of The Year”, The Boston Globe characterized her as…”a confident, radiant teenage singer/songwriter who is helping to pen the next chapter of the Boston folk scene…while Reardon is rapidly making a name for herself under the stage lights, it could be said that she’s having a bigger impact on her peers across the country as a leading spokesperson for bullying prevention. By pairing her music with a message of collective responsibility, she has become an effective teen-to-teen ambassador, sought after by schools nationwide.”
The Cambridge Historical Society and the New England Folk Music Archives announce an evening of conversation and music at the Cambridge Historical Society, November 21, 2013.
At 6:00pm, a lively conversation between former WUMB program director Brian Quinn and Lorraine and Bennett Hammond will discuss and explore the rich history of folk music around the greater Boston area. This conversation will be recorded and deposited into The New England Folk Music Archives’ growing oral history collection.
Following the conversation, Lorraine and Bennett will perform traditional and original compositions on guitar, dulcimer, and harp, drawing on a long folk tradition.
Suggested donation for this event is $10 at the door, however additional support would be greatly appreciated to help the Cambridge Historical Society and The New England Folk Music Archives continue their important work in the community.
Lorraine and Bennett Hammond play and sing in perfect complement: blending their instruments with consummate skill, they create a new voice for music that ranges in style from classical through Celtic, blues and contemporary. The joy they take in their music is contagious, and their flair for tailoring their selection of songs and tunes for individual audiences lends a lively freshness to each performance.
Brian Quinn spent over 20 years managing all aspects of public radio station WUMB in Boston, recognized as the nation’s premiere station for folk and acoustic music. For most of these years he served as the station’s program director. Brian also was instrumental in planning and overseeing the annual Boston Folk Festival, which annually drew thousands of participants to the University of Massachusetts. He has several years of experience producing events on The Boston Common, Copley Square, Sanders Theater and The Somerville Theater.
•The Cambridge Historical Society
Venue Address: 159 Brattle St, Cambridge, MA 02138
Venue Web Site: http://www.cambridgehistory.org/
Cambridge Historical Society Phone: (617) 547-4252
The New England Folk Music Archives
Promoter Address: 319 Hurley St. #3, Cambridge, MA 02141
Promoter Website: http://www.newenglandfolkmusic.org
Info Phone: 508-789-7611 (Brian Quinn)
Time Line
5:30 pm Doors open
6:00 Oral History with Lorraine and Bennett Hammond
7:00 Concert
Lorraine and Bennett Hammond
“When you listen to 17-year-old folk singer Hayley Reardon, it’s hard to identify what’s more impressive: the fact that she’s already considered a seasoned folk artist or that she’s a national spokesperson for PACER’s National Bullying Prevention Center. In any event, both are laudable facts that dovetail nicely on her debut album Where The Artists Go.
Les Sampou is a blues/rock musician, who got her start n the Boston folk scene and now has moved on to national prominence and acclaim. She has just released her new record “Lonesomeville”.
ur previous efforts.
In 2005 Marina Evans moved to New York City, where she taught herself guitar and began writing songs that combined her background as a jazz vocalist with traditional folk and a rock edge. Within a year, she was performing as a solo acoustic act around New York and her home state of Massachusetts. Since that time Marina has recorded three original EPs and a full length album, and has taken her music from Rockport, MA all across the United States: from Portland to Nashville, New Orleans to Los Angeles, and everywhere in between. Marina has also made her way over to Europe, performing in London and touring across Italy every spring since 2011.
In 2012 Marina released two original EPs, Dogtown and The Tuscan Sessions. Dogtown, released first, was written and recorded with Marina’s band in Gloucester, MA; The Tuscan Sessions was written and recorded while touring abroad in Italy. “The EPs are really two sides of the same coin,” Marina says. “While complementary, they reflect this sort of bi-continental, rambling life I’ve been leading with my music.” Dogtown rocks – described as “raucous” and “anthemic” in The Noise Magazine – and “swellingly beautiful” Tuscan takes a distinctly European perspective on folk americana.
In the spring of 2013, Marina launched a Kickstarter campaign to fund the recording of her debut full-length album, Unbound. Through overwhelming support from across the globe, she reached her funding goal and recorded the album abroad in Florence, Italy with producer Bernardo Baglioni. With clever lyricism and unusual melodies, Unbound deftly combines various styles, genres, and instrumentation – from sweet ballads to folk anthems to straight up rock and roll – and paints a picture of a versatile and passionate artist.
A benefit concert for Folk New England
A Tribute to Todd Rundgren, Gary Backstrom’s Road to Utopia, comes to the Regent Theatre, 7 Medford Street, Arlington, MA on Friday, June 7, at 8 pm. Tickets here.
Todd Rundgren
Considered by many to be the “Ultimate Rock Cult Hero” Todd Rundgren has maintained a legion of fans through four decades. Todd’s searing guitar work reached a nationwide audience in his role as lead guitarist for the blues-psychedelic band Nazz. He wrote and arranged almost all of the work that went into the three albums the group produced.
His first big solo success was in 1971 with “We Gotta Get You a Woman” and in 1973 from the double album “Something/Anything?” He scored big on the charts with “I Saw the Light” and a revision of a Nazz song, “Hello, It’s Me.”
Rundgren has scored huge as a music producer, most notably on Meat Loaf’s “Bat Out of Hell” opus. In the late 1970s and through the 1980s Todd formed the group Utopia, each member an accomplished musician and vocalist. He has also been called on by films and TV for his musical scores and sometimes tours with Ringo Starr as a member of his All-Star Band.
Gary Backstrom
Gary is the founder and frontman of the acclaimed Jam Band “Jiggle The Handle.” The Gary Backstrom Band is a Boston-based Band that mixes Soul, R&B, Funk, Rock and Latin grooves blended into a unique sound. Their sound features exciting, unpredictable improvisation that can only be heard in the best live acts on the scene today. Gary is considered “one of the most underrated, fluid, and melodic players in the Northeast.”
Some of the proceeds from this concert will go to
The project brings personalized iPods to people living with Alzheimer’s and other forms of dementia, helping them reconnect with the world through the music they love.
This will be a quite the night for a great cause.
Patio Records presents The Healing Garden Concert, a live celebration to raise funds for the creation of a magnificent Healing Garden at Mount Auburn Hospital in Cambridge, MA. Featuring Mile Twelve, J.P. Cormier w/ Bill Elliott and introducing Kelly Hill w/ Scott Neubert.
Mile Twelve
Although their sound is rooted in traditional bluegrass, Mile Twelve surveys a broader landscape on their newest album, City on a Hill. All five band members bring their own influences and observations into the music, resulting in a project that feels contemporary, thoughtfully crafted, and relevant. Produced by Bryan Sutton and engineered by Ben Surratt, City on a Hill follows significant recognition from the bluegrass community, including three IBMA Momentum Awards. With members based in Boston and Nashville, the lineup includes David Benedict (mandolin), Catherine “BB” Bowness (banjo), Bronwyn Keith-Hynes (fiddle), Evan Murphy (acoustic guitar, lead vocals), and Nate Sabat (bass, lead vocals).
J.P. Cormier
At the age of 5, JP began teaching himself to play the guitar. At 9, he won his first guitar competition against 30 other players 4 times his age. By his mid teens, he was playing a variety of stringed instruments, including the fiddle, mandolin and banjo. He recorded his first album of bluegrass instrumentals at 16, which led to 10 years of living and performing in the US. His time there included many memorable nights at the Grand Ole Opry with artists such as Waylon Jennings, Marty Stuart, Earl Scruggs, Bill Monroe, Charlie Louvin and Vince Gill.
Since returning to Canada, JP has released over a dozen award-winning albums. His impressive body of work has earned him a loyal fan base and multiple award nominations and wins. He continues to dazzle and delight audiences while performing 250 shows a year
Kelly Hill
Kelly Hill was born and raised in Waltham, Massachusetts. She began performing at an early age and continued to hone her acting skill throughout her high school and college years graduating from Brandeis University with a degree in Theater Arts.
After taking a break from performing for a number of years and raising two amazing boys, Kelly began thinking about the next chapter in her life. Her good friend Terry Eagan suggested they do an album together. Terry introduced her to Scott Neubert and the three of them embarked on her first album.
Find out about more great shows here.