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Recently naming her a 2012 “Bostonian Of The Year”, The Boston Globe characterized her as…”a confident, radiant teenage singer/songwriter who is helping to pen the next chapter of the Boston folk scene…while Reardon is rapidly making a name for herself under the stage lights, it could be said that she’s having a bigger impact on her peers across the country as a leading spokesperson for bullying prevention. By pairing her music with a message of collective responsibility, she has become an effective teen-to-teen ambassador, sought after by schools nationwide.”
The Cambridge Historical Society and the New England Folk Music Archives announce an evening of conversation and music at the Cambridge Historical Society, November 21, 2013.
At 6:00pm, a lively conversation between former WUMB program director Brian Quinn and Lorraine and Bennett Hammond will discuss and explore the rich history of folk music around the greater Boston area. This conversation will be recorded and deposited into The New England Folk Music Archives’ growing oral history collection.
Following the conversation, Lorraine and Bennett will perform traditional and original compositions on guitar, dulcimer, and harp, drawing on a long folk tradition.
Suggested donation for this event is $10 at the door, however additional support would be greatly appreciated to help the Cambridge Historical Society and The New England Folk Music Archives continue their important work in the community.
Lorraine and Bennett Hammond play and sing in perfect complement: blending their instruments with consummate skill, they create a new voice for music that ranges in style from classical through Celtic, blues and contemporary. The joy they take in their music is contagious, and their flair for tailoring their selection of songs and tunes for individual audiences lends a lively freshness to each performance.
Brian Quinn spent over 20 years managing all aspects of public radio station WUMB in Boston, recognized as the nation’s premiere station for folk and acoustic music. For most of these years he served as the station’s program director. Brian also was instrumental in planning and overseeing the annual Boston Folk Festival, which annually drew thousands of participants to the University of Massachusetts. He has several years of experience producing events on The Boston Common, Copley Square, Sanders Theater and The Somerville Theater.
•The Cambridge Historical Society
Venue Address: 159 Brattle St, Cambridge, MA 02138
Venue Web Site: http://www.cambridgehistory.org/
Cambridge Historical Society Phone: (617) 547-4252
The New England Folk Music Archives
Promoter Address: 319 Hurley St. #3, Cambridge, MA 02141
Promoter Website: http://www.newenglandfolkmusic.org
Info Phone: 508-789-7611 (Brian Quinn)
Time Line
5:30 pm Doors open
6:00 Oral History with Lorraine and Bennett Hammond
7:00 Concert
Lorraine and Bennett Hammond
“When you listen to 17-year-old folk singer Hayley Reardon, it’s hard to identify what’s more impressive: the fact that she’s already considered a seasoned folk artist or that she’s a national spokesperson for PACER’s National Bullying Prevention Center. In any event, both are laudable facts that dovetail nicely on her debut album Where The Artists Go.
Antje Duvekot has solidified her reputation as one of Boston’s top singer songwriters with “Big Dream Boulevard” her debut studio release and “the Near Demise of the Highwire Dancer” her follow-up CD. The debut CD was produced by Seamus Egan, founder of the Irish super group, SOLAS. The project was released on acclaimed songwriter Ellis Paul’s label, Black Wolf Records and quickly attracted international attention for Antje. It was voted “#1 Folk Release of 2006” by the Boston Globe and was named to the “Top10 Releases of the Year” by National Public Radio’s, Folk Alley. Her follow up album “the Near Demise of the Highwire Dancer” was produced by Richard Shindell and along side with Richard features other “folk royalty” such as John Gorka, Lucy Kaplancky and Mark Erelli. It was voted #1 album of the year 2009 by WUMB 91.9 fm in Boston.
“What a blessing to have worked with someone as talented as Antje. With a voice like hers, and songs as good as these, a producer (especially a first-time producer!) just tries to get out of the way, to do no harm, and to let the artist speak for herself.” – Richard Shindell
“Duvekot has gotten hotter, faster than any local songwriter in recent memory. Her songs feel at once fresh faced and firmly rooted, driven by the whispery sensuality of her voice. She believes in the redemptive power of the shared secret; and is utterly unafraid to mine the darkest corners of her life for songs that turn fear into resilience and isolation into community”. The Boston Globe
Antje has won some of the top songwriting awards including the Grand Prize in the John Lennon Songwriting Competition, the prestigious, Kerrville (TX) “Best New Folk Award” and in one of the nation’s top music markets, she won the Boston Music Award for “Outstanding Folk Act”, three of the top prizes in the singer songwriter world.
In 2005 Marina Evans moved to New York City, where she taught herself guitar and began writing songs that combined her background as a jazz vocalist with traditional folk and a rock edge. Within a year, she was performing as a solo acoustic act around New York and her home state of Massachusetts. Since that time Marina has recorded three original EPs and a full length album, and has taken her music from Rockport, MA all across the United States: from Portland to Nashville, New Orleans to Los Angeles, and everywhere in between. Marina has also made her way over to Europe, performing in London and touring across Italy every spring since 2011.
In 2012 Marina released two original EPs, Dogtown and The Tuscan Sessions. Dogtown, released first, was written and recorded with Marina’s band in Gloucester, MA; The Tuscan Sessions was written and recorded while touring abroad in Italy. “The EPs are really two sides of the same coin,” Marina says. “While complementary, they reflect this sort of bi-continental, rambling life I’ve been leading with my music.” Dogtown rocks – described as “raucous” and “anthemic” in The Noise Magazine – and “swellingly beautiful” Tuscan takes a distinctly European perspective on folk americana.
In the spring of 2013, Marina launched a Kickstarter campaign to fund the recording of her debut full-length album, Unbound. Through overwhelming support from across the globe, she reached her funding goal and recorded the album abroad in Florence, Italy with producer Bernardo Baglioni. With clever lyricism and unusual melodies, Unbound deftly combines various styles, genres, and instrumentation – from sweet ballads to folk anthems to straight up rock and roll – and paints a picture of a versatile and passionate artist.
A benefit concert for Folk New England
More on Hayley here:
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The Working Waterfront Festival presents performances of music, dance and poetry. Experience demonstrations and contests of industry skills; tours of workboats; documentary films and footage at sea. There will be cooking demonstrations; author readings; children’s activities; tug boat muster; whaleboat races, and more!
The largest fishing port in the US!
Join us in New Bedford, America’s largest commercial fishing port, to learn about the men and women who harvest the North Atlantic. Walk the decks of a fishing vessel, dine on fresh seafood, see fishermen’s contests, and watch a cooking demonstrations. Experience the workings of the industry which brings seafood from the ocean to your plate.
Peter Asher of Peter & Gordon joins forces with Jeremy Clyde of Chad & Jeremy to star together in an unforgettable evening of music and memories. This “storytellers” style evening features songs and stories from their sixties heyday as recording artists to Jeremy’s success on stage, television (Downton Abbey) and film (The Iron Lady) and Peter’s Grammy-Winning career as Producer and manager of the likes of James Taylor, Linda Ronstadt and more.
Their respective British Invasion duos were collectively responsible for 30 Billboard chart hits. From the Chad & Jeremy catalog, they bring you “Distant Shores”, “Yesterday’s Gone” “Willow Weep For Me”, “Before and After”, “A Summer Song” and more. From the Peter & Gordon songbook comes “Woman”, “I Go To Pieces”, “I Don’t Want To See You Again”, “Lady Godiva”, “A World Without Love” and more.
Don’t miss this special opportunity to hear the stories behind the lives and music of these two legendary duos from the era that wiped clean and drew again the face of popular culture.
Presented by Last Dance Productions