Only 40 tickets will be sold for this special event to benefit The New England Folk Music Archives.
Produced by Last Dance Productions

The New England Folk Music Archives is pleased to welcome Brendan Hogan and Kerri Powers to one of the great listening rooms in town, Kerri and Brendan will perform solo sets and if we’re lucky play a few tunes together.

Tickets and more info here

A Benefit for FOLK New England.

Peter Yarrow. “We all know the music of Peter, Paul and Mary—folk classics that remain the soundtrack for generations. But our patrons were thrilled to experience the relevancy of that music, and how it resonates through today’s headlines, when Peter Yarrow brought his solo show to the Tower Theatre. It was so much more than a nostalgia show. Peter connected with the sold-out audience in ways that went well beyond a normal concert: he encouraged sing-alongs and audience participation; he signed autographs at intermission; he personally greeted each and every one of our VIPs and members; he even auctioned two personalized guitars to raise money for our educational outreach programs. Peter turned our theatre into his living room. He created an inclusive atmosphere, encouraging each of us to change our part of the world. It was a memorable evening rooted in the historic milestones of his past, yet focused on the current issues that continue to call him to activism. We all know how all the songs of Peter, Paul and Mary sound; what a rare treat to hear what Peter thinks of them. “

–Ray Solley, Executive Director, Tower Theatre Foundation, Bend, Oregon
Peter Yarrow’s talents as a creative artist—both with the legendary trio Peter, Paul & Mary and as a solo performer—are frequently directed at using music to convey a message of humanity and caring. His gift for songwriting has produced some of the most moving songs from Peter, Paul & Mary, including “Puff, the Magic Dragon,” “Day is Done”, “Light One Candle” and “The Great Mandala.” As a member of the renowned musical trio, Yarrow has earned multiple gold and platinum albums, as well as numerous GRAMMYs.

Over the years, many issues have moved Peter to commit his time and talent: equal rights, peace, the environment, gender equality, homelessness, hospice care, and education. All have utilized his skills as both a performer and an organizer. Peter Yarrow’s life and work – culminating in the founding and leadership of Operation Respect with its “Don’t Laugh At Me” initiative – is based on his passionate belief that music, with its power to build community and catalyze change, can be a particularly powerful organizing tool.

“Yes, it will be nostalgic for many. But on another level, it will bring them a sense of what is still possible. Yes, they will sing ‘Leaving on a Jet Plane,’ and I will give them a sense of the current history of what this music is doing, and why it’s important. So it will be a history lesson, it will be a singalong that inspires, but it will also assert the importance of the continuation of this kind of music in people’s lives today. And where we’re going from here in those terms. It’s not necessarily a big lecture — it’s inherent in the music. They’ll get it. I know it, ’cause that’s what I do.” – Peter Yarrow

Very special guest Michaela Anne will open the show.

Information and Tickets: Click Here

Carolyn Waters…Socially Conscious Soul…

“Carolyn’s music is hypnotic, in a deeply soulful groove. You’ve heard it said that pure music seems to “flow” through a great singer? Go hear Carolyn to experience the real thing” – Pete and Maura Kennedy, The Kennedys.

Carolyn Waters is a performing singing/songwriter who fuses blues/roots/folk and other musical genres into a unique unforgettable blend of songs and sounds.

As a young girl growing up in Philadelphia, Carolyn Waters sang alone in her bedroom or out loud in the house when she was sure it was empty. It wasn’t by choice, but as the result of thoughtless teasing she got from her family. Even in her church choir, a place where many singers first get noticed and make early names for themselves, she mouthed the words to avoid embarrassment. She, however, never lost her love and passion for music and spent endless hours moving up and down the radio dial, and listening to albums from her parent’s collection.

A life changing event about a decade ago pushed Carolyn to take a voice lesson. This time she wasn’t teased. She was taken notice of, supported, and given a start in folk music, which highlights included opening for Judy Collins, Tom Rush, and Kate Campbell among others.

Oh, and have we mentioned the blues?

“Carolyn Waters is a force of nature. Some people are simply created to sing and bless those who listen, Carolyn is one of those people”. Rev. Robert Jones, Sr. Acclaimed Blues/Roots Musician/Blues Historian – September 2013

Carolyn can belt out barrelhouse and juke joint blues, or fuse them with a pinch of Gospel and roots. She has been featured in the Boston Blues Society’s Ladies Sing the Blues Events where she shared the stage with the late great Shirley Lewis “Regal Queen of the Blues”, Lydia Warren, Lisa Marie and the wonderful Diane Blue to name a few.

Recently Carolyn joined forces with Satoru Nakagawa, a Japanese-born blues singer, songwriter, guitarist and member of the Tokyo Tramps to record her first all blues ep. This powerful duo merged the Delta slide with soulful singing and produced a deep blues experience.

“Carolyn’s voice is amazing, captivating, compelling—any superlative will fit. I don’t believe I have heard such a rich, velvety, and yes—bluesy—voice locally in years” – Karen Nugent, Boston Blues Society – May 2010

Performing solo, and with various accompanying musicians ranging from an incredible single guitarist to fronting her new dynamic Carolyn Waters Band, she can and has performed at all sizes and types of venues including clubs, festivals, galas, coffeehouses, vigils, and intimate-private functions in New England, New York, Maryland and Virginia.

“Carolyn’s songs are personal and have an emotional quality that moves the soul. Her easy natural style communicates immediately with your heart. Her performance is calm but powerful, putting you at ease and making you feel that all is right with the world. I look forward to hearing Carolyn perform her wonderful creations in the future. The best is yet to come”. Charles Williams, Principal, Phillip Glass’ Einstein On The Beach (2012-13 World Tour)

A benefit for Folk New England.

Another of our favorites, April Verch, comes home.

The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.

April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.

She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.

The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.

Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.

While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.

Verch began her full time touring career in 2000 and has performed around the world.

including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.

Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.

Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”

“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”

Welcome home to Mansfield, April!

Gary Backstrom, founder, and frontman of the legendary Boston-based Jiggle The Handle, brings you Rhythm Of The Saints – an all-star tribute to Paul Simon. This seven-piece band featuring members of Jiggle The Handle, Max Creek, and The Heavy Metal Horns flawlessly navigate the musical library of Paul Simon’s solo carrier. The show features all the hits you would hope to hear, including “50 Ways To Leave Your Lover”, “Still Crazy After All These Years,” “Diamonds On The Soles Of Her Shoes,” and so many more!

PETER ASHER: A MUSICAL MEMOIR OF THE 60S AND BEYOND

Entertainment legend Peter Asher–whose voice, as one half of Peter & Gordon, “literally soared through Carnegie Hall” (Fox News)– brings his 4 piece ensemble to the event space of Plainville’s An Unlikely Story for a JUST ADDED 2 p.m. live performance in the book store’s first ever concert event.

“…as Mr. Asher regaled a delighted audience with stories… he conjured history in the making, before it was set in stone.” – Stephen Holden, New York Times

“…the exuberant Mr. Asher knew anyone who rocked and everyone who mattered.” –Wall Street Journal

“An all-around charming and delightful fellow — he reminisces about his whole career and it is highly entertaining” – Steve Martin

“Everybody should go and see it — I’ve seen it myself twice” – Linda Ronstadt

“The Man, The Myth, The Legend! …and a true friend! Great wit and music. A true storyteller! What more could you possibly want? Don’t miss this!”–Hans Zimmer

We first came to know him through the global smash “World Without Love” as one half of the British Invasion duo Peter & Gordon. He returns–now a Commander of the Most Excellent Order of the British Empire– in “Peter Asher: A Musical Memoir of the 60s and Beyond” which brings a multimedia experience to the stage of An Unlikely Story., hosted by the two-time Grammy winner for Producer of the Year. Peter Asher moved effortlessly from his role with Peter & Gordon to Music Executive with the Beatles’ Apple Records, then famously- (as in cover of Rolling Stone magazine level famous)- to Producer and Manager, handling the careers of James Taylor, Linda Ronstadt and a host of others. Books abound, documentaries with half-truths (and worse) are all too common, but, now, finally, Mr. Asher tells first hand his tales from the eye of the cultural hurricane in this intimate evening in Plainville, Massachusetts.

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The Kennedys, Songwriting duo Pete and Maura Kennedy make a strong return to the studio and stage after three years of weekly live-streamed lockdown-era concerts. They took the opportunity to explore classic songwriting in-depth, performing over a thousand songs during the pandemic. That vast overview strengthened and refined their own writing and laid the foundation for this new collection of original, socially-conscious songs.

“After such a deep dive into American roots music, we felt like we had a new set of writing tools. We were ready to create this body of work, and there’s just SO much to write about,” says Maura. “During our five-year hiatus from writing and recording, America changed in massive ways, divisive ways that have shaken our whole foundation. That has to be addressed by creative artists, those of us who have a voice to speak for others. Our love of the great things about this country, things that are under threat, is the reason we decided to make “Headwinds” the title track of the CD. Political and social headwinds are making it hard to get back “home’ to our greatness as a nation. We want to push back in a positive way against those winds.”

In addition to singing and writing, Pete and Maura are multi-instrumentalists. The thirteen songs are cast in a soundscape that draws from the classic canon of American roots, in keeping with the theme of getting back “home” as a nation. Acoustic and electric guitars, a vintage steel guitar, a gospel-inflected piano/organ mix, and even a slide ukulele all add colors to a song bag of sounds that have drawn us together during hard times. Pete and Maura believe that those sounds still have the power to pull us through again.

The Kennedys began their writing and touring life three decades ago as members of Nanci Griffith’s Blue Moon Orchestra, developing their own sound as a frequent support act on Nanci’s tours across America, Ireland, Scotland and England. Collaborations with Nanci continued, culminating in Pete and Maura producing her final album, “Intersections.” Along the way, they hosted a nationwide radio program, “The Dharma Cafe” on Sirius/XM, wrote and released sixteen CDs of original music, and have been core artists on folk radio, expanding their audience further with the inception of the AAA and Americana formats.

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Danielle Miraglia comes armed with a strong steady thumb on an old Gibson and an infectious stomp-box rhythm with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest “Bright Shining Stars” debuted at #15 on the Billboard Blues Charts. Cascade Blues Association calls it “… tough as rawhide, but smooth as blended whiskey.”  Released Oct 2020 with Vizztone Label Group, it’s a solo acoustic folk/blues record that highlights the one-woman-band live sound she’s honed over the years, featuring guest appearances by talented friends Laurence Scudder, Peter Parcek and Richard “Rosy” Rosenblatt. It includes originals as well as a collection of songs she covers at live shows, paying homage to influences like Big Bill Broonzy, Bob Dylan, Janis Joplin and more, plus the title track “Bright Shining Stars,” written by her husband, Tom Bianchi.

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