Anyone not familiar with the music of Bill Staines is in for a special treat.
Last Dance Productions is pleased to welcome Bill Staines to one of the great listening rooms in town, the New England Folk Music Archives. The event takes place on on Wednesday, July 17th at 7pm. We’ll have a conversation with Bill recording his thoughts about the Folk Scene in New England over the past years that will be deposited into our growing oral history collection.
After the conversation we’ll be treated to a performance by Bill Staines.
For more than forty years, Bill Staines has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960′s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.
The Cambridge Historical Society and the New England Folk Music Archives announce an evening of conversation and music at the Cambridge Historical Society, November 21, 2013.
At 6:00pm, a lively conversation between former WUMB program director Brian Quinn and Lorraine and Bennett Hammond will discuss and explore the rich history of folk music around the greater Boston area. This conversation will be recorded and deposited into The New England Folk Music Archives’ growing oral history collection.
Following the conversation, Lorraine and Bennett will perform traditional and original compositions on guitar, dulcimer, and harp, drawing on a long folk tradition.
Suggested donation for this event is $10 at the door, however additional support would be greatly appreciated to help the Cambridge Historical Society and The New England Folk Music Archives continue their important work in the community.
Lorraine and Bennett Hammond play and sing in perfect complement: blending their instruments with consummate skill, they create a new voice for music that ranges in style from classical through Celtic, blues and contemporary. The joy they take in their music is contagious, and their flair for tailoring their selection of songs and tunes for individual audiences lends a lively freshness to each performance.
Brian Quinn spent over 20 years managing all aspects of public radio station WUMB in Boston, recognized as the nation’s premiere station for folk and acoustic music. For most of these years he served as the station’s program director. Brian also was instrumental in planning and overseeing the annual Boston Folk Festival, which annually drew thousands of participants to the University of Massachusetts. He has several years of experience producing events on The Boston Common, Copley Square, Sanders Theater and The Somerville Theater.
•The Cambridge Historical Society
Venue Address: 159 Brattle St, Cambridge, MA 02138
Venue Web Site: http://www.cambridgehistory.org/
Cambridge Historical Society Phone: (617) 547-4252
The New England Folk Music Archives
Promoter Address: 319 Hurley St. #3, Cambridge, MA 02141
Promoter Website: http://www.newenglandfolkmusic.org
Info Phone: 508-789-7611 (Brian Quinn)
Time Line
5:30 pm Doors open
6:00 Oral History with Lorraine and Bennett Hammond
7:00 Concert
Lorraine and Bennett Hammond
Carolyn Waters…Socially Conscious Soul…
“Carolyn’s music is hypnotic, in a deeply soulful groove. You’ve heard it said that pure music seems to “flow” through a great singer? Go hear Carolyn to experience the real thing” – Pete and Maura Kennedy, The Kennedys.
Carolyn Waters is a performing singing/songwriter who fuses blues/roots/folk and other musical genres into a unique unforgettable blend of songs and sounds.
As a young girl growing up in Philadelphia, Carolyn Waters sang alone in her bedroom or out loud in the house when she was sure it was empty. It wasn’t by choice, but as the result of thoughtless teasing she got from her family. Even in her church choir, a place where many singers first get noticed and make early names for themselves, she mouthed the words to avoid embarrassment. She, however, never lost her love and passion for music and spent endless hours moving up and down the radio dial, and listening to albums from her parent’s collection.
A life changing event about a decade ago pushed Carolyn to take a voice lesson. This time she wasn’t teased. She was taken notice of, supported, and given a start in folk music, which highlights included opening for Judy Collins, Tom Rush, and Kate Campbell among others.
Oh, and have we mentioned the blues?
“Carolyn Waters is a force of nature. Some people are simply created to sing and bless those who listen, Carolyn is one of those people”. Rev. Robert Jones, Sr. Acclaimed Blues/Roots Musician/Blues Historian – September 2013
Carolyn can belt out barrelhouse and juke joint blues, or fuse them with a pinch of Gospel and roots. She has been featured in the Boston Blues Society’s Ladies Sing the Blues Events where she shared the stage with the late great Shirley Lewis “Regal Queen of the Blues”, Lydia Warren, Lisa Marie and the wonderful Diane Blue to name a few.
Recently Carolyn joined forces with Satoru Nakagawa, a Japanese-born blues singer, songwriter, guitarist and member of the Tokyo Tramps to record her first all blues ep. This powerful duo merged the Delta slide with soulful singing and produced a deep blues experience.
“Carolyn’s voice is amazing, captivating, compelling—any superlative will fit. I don’t believe I have heard such a rich, velvety, and yes—bluesy—voice locally in years” – Karen Nugent, Boston Blues Society – May 2010
Performing solo, and with various accompanying musicians ranging from an incredible single guitarist to fronting her new dynamic Carolyn Waters Band, she can and has performed at all sizes and types of venues including clubs, festivals, galas, coffeehouses, vigils, and intimate-private functions in New England, New York, Maryland and Virginia.
“Carolyn’s songs are personal and have an emotional quality that moves the soul. Her easy natural style communicates immediately with your heart. Her performance is calm but powerful, putting you at ease and making you feel that all is right with the world. I look forward to hearing Carolyn perform her wonderful creations in the future. The best is yet to come”. Charles Williams, Principal, Phillip Glass’ Einstein On The Beach (2012-13 World Tour)
A benefit for Folk New England.
Gary Backstrom, founder, and frontman of the legendary Boston-based Jiggle The Handle, brings you Rhythm Of The Saints – an all-star tribute to Paul Simon. This seven-piece band featuring members of Jiggle The Handle, Max Creek, and The Heavy Metal Horns flawlessly navigate the musical library of Paul Simon’s solo carrier. The show features all the hits you would hope to hear, including “50 Ways To Leave Your Lover”, “Still Crazy After All These Years,” “Diamonds On The Soles Of Her Shoes,” and so many more!
PETER ASHER: A MUSICAL MEMOIR OF THE 60S AND BEYOND
Entertainment legend Peter Asher–whose voice, as one half of Peter & Gordon, “literally soared through Carnegie Hall” (Fox News)– brings his 4 piece ensemble to the event space of Plainville’s An Unlikely Story for a JUST ADDED 2 p.m. live performance in the book store’s first ever concert event.
“…as Mr. Asher regaled a delighted audience with stories… he conjured history in the making, before it was set in stone.” – Stephen Holden, New York Times
“…the exuberant Mr. Asher knew anyone who rocked and everyone who mattered.” –Wall Street Journal
“An all-around charming and delightful fellow — he reminisces about his whole career and it is highly entertaining” – Steve Martin
“Everybody should go and see it — I’ve seen it myself twice” – Linda Ronstadt
“The Man, The Myth, The Legend! …and a true friend! Great wit and music. A true storyteller! What more could you possibly want? Don’t miss this!”–Hans Zimmer
We first came to know him through the global smash “World Without Love” as one half of the British Invasion duo Peter & Gordon. He returns–now a Commander of the Most Excellent Order of the British Empire– in “Peter Asher: A Musical Memoir of the 60s and Beyond” which brings a multimedia experience to the stage of An Unlikely Story., hosted by the two-time Grammy winner for Producer of the Year. Peter Asher moved effortlessly from his role with Peter & Gordon to Music Executive with the Beatles’ Apple Records, then famously- (as in cover of Rolling Stone magazine level famous)- to Producer and Manager, handling the careers of James Taylor, Linda Ronstadt and a host of others. Books abound, documentaries with half-truths (and worse) are all too common, but, now, finally, Mr. Asher tells first hand his tales from the eye of the cultural hurricane in this intimate evening in Plainville, Massachusetts.
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Presented by Patio Records
Laurie Young (vocals, trumpet) brings the role of the goddess to the forefront and co-fronts the band
Joe Donnelly (drums) of the Del Fuegos, Swinging Steaks, and Wall of Grass
Pat Dreier (Keyboards, vocals) of the Lines and the Drive
Dave Weden (guitar/banjo) and Clayton Young (bass, vocals) of John Cate and the Van Gough Brothers
Dennis Semprebon (drums and percussion) of Craig Carter and the Hurricanes
Brad Kohl (saxophone) of Hot Acoustics and Group Therapy
The Kennedys, Songwriting duo Pete and Maura Kennedy make a strong return to the studio and stage after three years of weekly live-streamed lockdown-era concerts. They took the opportunity to explore classic songwriting in-depth, performing over a thousand songs during the pandemic. That vast overview strengthened and refined their own writing and laid the foundation for this new collection of original, socially-conscious songs.
“After such a deep dive into American roots music, we felt like we had a new set of writing tools. We were ready to create this body of work, and there’s just SO much to write about,” says Maura. “During our five-year hiatus from writing and recording, America changed in massive ways, divisive ways that have shaken our whole foundation. That has to be addressed by creative artists, those of us who have a voice to speak for others. Our love of the great things about this country, things that are under threat, is the reason we decided to make “Headwinds” the title track of the CD. Political and social headwinds are making it hard to get back “home’ to our greatness as a nation. We want to push back in a positive way against those winds.”
In addition to singing and writing, Pete and Maura are multi-instrumentalists. The thirteen songs are cast in a soundscape that draws from the classic canon of American roots, in keeping with the theme of getting back “home” as a nation. Acoustic and electric guitars, a vintage steel guitar, a gospel-inflected piano/organ mix, and even a slide ukulele all add colors to a song bag of sounds that have drawn us together during hard times. Pete and Maura believe that those sounds still have the power to pull us through again.
The Kennedys began their writing and touring life three decades ago as members of Nanci Griffith’s Blue Moon Orchestra, developing their own sound as a frequent support act on Nanci’s tours across America, Ireland, Scotland and England. Collaborations with Nanci continued, culminating in Pete and Maura producing her final album, “Intersections.” Along the way, they hosted a nationwide radio program, “The Dharma Cafe” on Sirius/XM, wrote and released sixteen CDs of original music, and have been core artists on folk radio, expanding their audience further with the inception of the AAA and Americana formats.
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Danielle Miraglia comes armed with a strong steady thumb on an old Gibson and an infectious stomp-box rhythm with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest “Bright Shining Stars” debuted at #15 on the Billboard Blues Charts. Cascade Blues Association calls it “… tough as rawhide, but smooth as blended whiskey.” Released Oct 2020 with Vizztone Label Group, it’s a solo acoustic folk/blues record that highlights the one-woman-band live sound she’s honed over the years, featuring guest appearances by talented friends Laurence Scudder, Peter Parcek and Richard “Rosy” Rosenblatt. It includes originals as well as a collection of songs she covers at live shows, paying homage to influences like Big Bill Broonzy, Bob Dylan, Janis Joplin and more, plus the title track “Bright Shining Stars,” written by her husband, Tom Bianchi.
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