Anyone not familiar with the music of Bill Staines is in for a special treat.
Last Dance Productions is pleased to welcome Bill Staines to one of the great listening rooms in town, the New England Folk Music Archives. The event takes place on on Wednesday, July 17th at 7pm. We’ll have a conversation with Bill recording his thoughts about the Folk Scene in New England over the past years that will be deposited into our growing oral history collection.
After the conversation we’ll be treated to a performance by Bill Staines.
For more than forty years, Bill Staines has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960′s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.
The New England Folk Music Archives is thrilled to have Deborah Holland and Cidny Bullens perform this special benefit concert.
Produced by Last Dance Productions, only 40 tickets will be sold for this performance.
DEBORAH HOLLAND was introduced to the world as the lead singer and songwriter of Animal Logic, (with Stewart Copeland of The Police and jazz bassist Stanley Clarke). She went on to record 4 solo albums, 2 with the folk-Americana “super-group” The Refugees, scored 5 films, and wrote and performed dozens of songs for film and TV. Her new solo album, VANCOUVER, was released on June 4th, 2013 and is already getting airplay on over 75 US and Canadian radio stations.
CIDNY BULLENS began a music career touring with Elton John and in the studio with mega-hit songwriter/producer Bob Crewe. A 30+ career includes the breakthrough hit “Survivor”, (Grammy nomination for Best Rock Vocal Performance), three lead vocals as part of the Grease movie soundtrack album (also Grammy-nominated), and 6 critically acclaimed albums featuring a who’s who of Americana artists including Bonnie Raitt, Lucinda Williams, Rodney Crowell, Bryan Adams, Beth Nielsen Chapman, John Hiatt, Steve Earle, and Emmylou Harris, and Delbert McClinton. In 2007, Cidny formed the super-trio The Refugees.
Patty Larkin redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising vocals and lyrics. Acoustic Guitar hails her “soundscape experiments” while Rolling Stone praises her “evocative and sonic shading.” She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and a “drop-dead brilliant” performer (Performing Songwriter).
“Larkin’s shows are celebrations of song, guitar and voice coming together in perfect unison with a perfect blend of skill and humility. Patty Larkin would never tell you that she’s a great guitarist, but she’ll show you all night long.”_CityBeat
Sarah Lee Guthrie & Johnny Irion
“Moves seamlessly from Beck-meets-Beatles rock to soundscapes, folk-roots and Beach Boys summertime rock… [with] a sincerity that is undeniable.” (RELIX) “baroque folk with a quietist edge” (Nashville Scene)
Tumbling Bones
Tumbling Bones is a trio of young men inspired by old music. They play a mix of original compositions and traditional material drawing on bluegrass, pre-war folk, and a bit of the contemporary rock ‘n’ roll the guys were reared on.
“Take one listen to Loving a Fool and you’ll feel like you’re front and center at the Grand Ole Opry. Yes, they’re that good.”
– Kathy Sands-Boehmer, (No Depression)
FOLK New England
Founded by Betsy Siggins in 2009, FOLK New England’s mission is to document, preserve, interpret and present the ongoing cultural legacy of folk music in all its forms, with emphasis on New England’s contribution to the enrichment of North American life.
FOLK New England creates a dialogue between the history of folk music and the future of folk, through robust collections development, multi-disciplinary education, and engaging entertainment programs for the public.
Produced by Last Dance Productions.
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
