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Christine Lavin started her professional life as a waitress/bread baker at the Caffe Lena in Saratoga Springs, NY in 1975 where she met Dave Van Ronk who encouraged her to study guitar with him in NYC. She took his advice and is now a singer/songwriter/guitarist/recording artist/author/videographer based in New York City. Her latest solo album, her 25th, ON MY WAY TO HOOTERVILLE, includes 10 new songs and one re-worked song, “Ramblin’ Waltz,” a re-telling of her time in 1975 when she was an entourage driver for the first week of Bob Dylan‘s iconic “Rolling Thunder Revue” tour.
In 2023 Christine released “The Seasons Project,” an 80-song seasonal compilation that features the work of 63 American, Canadian, British and Irish singer/songwriters. Christine assembled this compilation to help guide future historians and folklorists to authentic music being written in the last two decades of the 20th Century and the first two of the 21st Century.
In 2024 she is completing her 26th solo album, DRUM SCHOOL DROPOUT, hoping to have it completed in 2025.
In October 2024 there were 11 performances of “InunDATEd,” a 90 minute theatrical production that showcased nine of Christine’s songs by the York Theatre in NYC. There will be one more workshop production before the show is released world-wide. The most recent production starred two thrilling Broadway veterans, Kate Rockwell and Taylor Crousore
HONORS AND AWARDS: In May 2021 Christine received an Honorary Doctorate in Fine Arts from her alma mater, the State University of New York at Brockport. In an odd twist, she has a younger brother also named Chris (born on Columbus Day) who also in May 2021 was awarded an Honorary Doctorate in Humane Letters from his alma mater, Hobart/William Smith Colleges in Geneva, NY.

Barry Goudreau, formerly of Boston, recently announced the release of his new CD, “The Road” from his band Barry Goudreau’s Engine Room. Barry’s blues/rock ensemble includes his former RTZ bandmates Brian Maes on lead vocals and keyboards, as well as Tim Archibald on bass. Both Maes and Archibald were members of Peter Wolf’s House Party Five, playing on two of his records and touring the world extensively. The band is rounded out with “Old” Tony DePietro on drums and Mary Beth Maes, Terri O’Soro and Joanie Cicatelli on background vocals. Expect some favorites like “Smokin” and “Long Time” in their live set, alongside songs from the new CD as well as tracks from “Full Steam Ahead”, the 2017 release from Barry Goudreau’s Engine Room.
The name ‘Johnny A.’ might not be so mainstream, but there’s no doubt that it’s synonymous with guitar.
His passion began at the age of thirteen, when he first saw the Beatles in Boston, followed two years later by an in-person witnessing of Jimi Hendrix. From there, he was hooked, getting a cheap beginner guitar to try and play along with his early heroes — which also included Yardbirds icons Eric Clapton, Jeff Beck, and Jimmy Page.
Soon enough, Johnny A. got it.
By the 1970’s, he was forming bands in the New England area, drawing attention from several established musicians, like Derek and the Dominos’ keyboardist Bobby Whitlock and Doug Clifford of Creedence Clearwater Revival. Johnny A. became Music Director of J. Geils Band singer Peter Wolf’s outfit, coordinating the onstage arrangements, playing on several tours and co-producing Wolf’s 1996 album, *Long Line.* What’s more, he was even asked to join The Yardbirds as their lead guitarist in 2015.

Karla Bonoff, born and raised in Southern California, was a songwriter by the age of fifteen. She and her sister Lisa were writing songs and playing as a duo titled “The Daughters of Chester P” named after their father, Dr. Chester Paul Bonoff. She had already fallen in love with the guitar and studied with Frank Hamilton of the famous folk group, The Weavers. By 16, Karla and her sister Lisa auditioned for Elektra Records. An 11-song demo [recorded by Doors’ engineer Bruce Botnick] was recorded but no deal came of this first effort.
Karla’s legacy as a writer and perseverance as a performer are spoken best in a Billboard Magazine review of Karla’s “All My Life” recording. “Long before Alanis and Jewel, there was a breed of singer/songwriters whose earthly anthems of soul-searching, heartache and joy touched souls in a way few can muster today.”
“The evening’s real star… Nina Gerber usually says little and lets her guitar do the talking. She is a not-so-underground legend. Her wide-ranging folk-country-jazz-blues stylings have backed dozens of performers on stage and record.”
.:. Oakland Tribune .:.
