Singer-Songwriter and folk icon Tom Rush will return to Symphony Hall with the next of his series of Club 47® concerts on Saturday, Dec 28th at 8:00pm. As is traditional with these shows, Tom will bring together different generations of musicians to share the music. This Holiday Season show will feature the Jim Kweskin Jug Band, with Bill Keith, Geoff Muldaur and Maria Muldaur; Massachusetts favorite Patty Larkin; and (relative) newcomers Sarah Lee Guthrie and Johnny Irion.
In 1981 Tom Rush assembled the first of a series of concerts named for the fabled Cambridge coffee house where many of the legendary artists of his generation got their start. His Club 47 shows played at venues across the country, including New York’s Carnegie Hall and the Kennedy Center in Washington D.C. Last year, Tom renewed the tradition with a sold-out show at Symphony Hall marking his 50th year on stage.
“These shows are fantastic musical events,” said Tom Rush. “Having a mix of fabulous performers from different generations, sharing the stage, collaborating , exploring each other’s music — it’s a recipe for magic. ‘Honoring the past, celebrating the future,” is the Club 47 slogan, and we try to live up to it.”
The Jim Kweskin Jug Band got their start at the Club 47 in Cambridge and were the original “Americana” band, playing everything from classic blues to hillbilly country, ragtime, jazz, and rock ‘n’ roll. Their imitators were legion, including a San Francisco jug band that became the Grateful Dead and a New York jug band that became the Lovin’ Spoonful, but their loose, exuberant style was uniquely theirs.
“Boston was the home of our Jug band, and our first gig as the Jim Kweskin Jug Band was at Club 47,” Kweskin remembered. “It is fitting that the last performance of our 50th anniversary be performed in Boston. We thank Tom Rush (who started in Boston about the same time we did) for inviting us to join him at Symphony Hall.”
The individual members of the original Jug Band also have made indelible marks on American music. Maria Muldaur is perhaps best known for her 1974 mega-hit Midnight at the Oasis, but her career can best be described as a long, adventurous odyssey through American roots music, including 40 solo albums and multiple Grammy nominations. Geoff Muldaur is one of the great voices and musical forces to emerge from the Cambridge scene. He composes scores for film and television, and his definitive recording of Brazil provided the seed for – and was featured in – Terry Gilliam’s film of the same title. Bill Keith introduced his own melodic approach to the banjo, now called the “Keith-style,” and as member of Bill Monroe’s Bluegrass Boys and later collaborations, revolutionized the way the banjo is played.
Patty Larkin redefines the boundaries of urban-folk music with her inventive guitar wizardry and uncompromising vocals and lyrics. She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and “drop dead brilliant” (Performing Songwriter). Patty has called Boston home since her studies at Berklee College of Music where she holds an Honorary Doctorate of Music and is currently an Artist in Residence. Patty and Tom’s friendship was kindled nearly 28 years ago when she was on his Maple Hill Artists’ booking roster, and occupied the “Newcomer” slot at several of Tom’s Symphony Hall Club 47 shows.
“Tom Rush has an iconic connection to the singer songwriter movement of which I am a part. His performances continue to be fresh, full of humor and heart, Larkin said. “I’m pleased to be returning to the Symphony Hall stage to join Tom and his esteemed musical guests.” Her 13th album, Still Green, has just been released.
Sarah Lee Guthrie and Johnny Irion embody the spirit of the Club 47 tradition. Guthrie— the daughter of Arlo and the granddaughter of Woody— grew up in a musical family rich in the American folk tradition. She and her husband Johnny Irion have been playing together as a musical duo for over thirteen years. They just released their fourth album, Wassaic Way, produced by Wilco’s Jeff Tweedy and Pat Sansone.
“It’s the kind of night I love,” Tom Rush concludes. “To be on stage with some of my favorite players and favorite people, mixing it up, having fun … it doesn’t get much better than that!”
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
THE BARGAIN of the Summer!
The New Bedford Folk Festival offers an impressive line-up of the best in contemporary, Americana, traditional, blues and Celtic folk music with more than 75 performances on seven stages over two days. At the heart of the festival are the workshops, themed jam sessions with multiple artists, many playing together for the first time, for a unique, never-to-be-seen-again show.
Presenting the Reunion Tour of “On A Winter’s Night” from veteran singer-songwriters that remain among the brightest stars of the singer/songwriter movement for the past three decades. In 1994 Christine Lavin gathered them together, along with folk and Americana artists to showcase music of the Winter Season on the now-classic On A Winter’s Night CD, followed by several years of touring collaborations. These artists have released dozens of recordings and toured steadily through the decades, with fond memories of their touring days together. The winter season is again celebrated by these unique and popular performers, back together by popular demand.
One of the most original songsmiths currently on tour, Eberhardt is a highly intelligent, articulate artist whose penetrating and profound lyrics are sometimes overshadowed by his extraordinary guitar playing. Upon close listening, the Philadelphia-born singer’s gift for the English language is abundantly clear. The words that tumble from his mouth are framed by a raspy yet deeply elegant voice. Like John Hammond and Richie Havens, Eberhardt continues to carry the torch for traditional and contemporary folk music through his strong live shows. Whether he’s out on tour solo or with a small band, Eberhardt’s guitar playing, singing, and original folk songs and blues make for a compelling, thought-filled, emotional roller coaster of a concert.
Hailed by Rolling Stone as “the leading singer/songwriter of the New Folk movement,” John Gorka is perhaps the quintessential singer-songwriter of the 90’s folk scene. Originally from New Jersey, John served an apprenticeship at Godfrey Daniels coffeehouse in Bethlehem, PA, then the Greenwich Village Fast Folk scene. Winning the prestigious New Folk award at the Kerrville Folk Festival, in 1984, he was then signed to Red House Records on which he released his landmark first of 17 recordings, I Know. Boston Globe penned Gorka “for the sophisticated intelligence and the provocative originality of his songs.” Recent accolades include 2016’s Indie Acoustic Project’s Best Singer/Songwriter CD of the Year for Before Beginning (Red House Records). 2018 brought his latest release, and 14th of his career, True In Time (Compass Records). True In Time (Compass Records).
On A Winter’s Night
“A truly gifted performer…full of enchanting songs” (New York Times). Blending country, folk and pop styles, Lucy has the unique ability to make every song sound fresh, whether singing her own sweet originals, covering country classics by June Carter Cash and Gram Parsons, or singing pop favorites by Lennon/McCartney and Nick Lowe. Lucy’s iconic voice has been featured in film and on television, including commercials like Chevrolet’s iconic “Heartbeat of America” jingle. A Billboard-charting singer and one of the top-selling artists on Red House Records, she has topped the folk and Americana radio charts and has been featured on shows throughout the world from NPR’s Weekend and Morning Editions to BBC Radio to CBS Sunday Morning. One of the most in-demand harmony singers, Lucy has sung on countless records, performing with Suzanne Vega, Bryan Ferry, Nanci Griffith, and Shawn Colvin.
She redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising lyrics and vocals. Acoustic Guitar Magazine hails her, “soundscape experiments” while Rolling Stone praises her, “evocative and sonic shading.” She has been described as, “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly), and a “drop-dead brilliant” performer (Performing Songwriter). Recently an Artist-in-Residence at Berklee College of Music – and now on the faculty at Fine Arts Work Center – Larkin reflects, “I have been energized by the poets, writers, and artists I have met while teaching, and find myself on a journey to break down some of the predictable pathways that songs can travel.” Bird in a Cage, her 14th CD now available, puts poems from ten notable poets to song, including US Poet Laureates William Carlos Williams, Stanley Kunitz, Kay Ryan, Robert Pinsky, and Billy Collins, for a new and haunting collection that pulses with the magic of lyricism. Poems are made to be shared aloud, and with Bird, Patty takes up that tradition and sets it aglow.
You’ll undoubtedly be warm On This Winter’s Night.
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The Jim Kweskin Extravaganza is a live concert that will honor and celebrate Jim’s legacy and his contributions to the music industry over the past 60-plus years.
Jim Kweskin is the founder of the legendary 1960s Jim Kweskin Jug Band with Fritz Richmond, Geoff Muldaur, Maria Muldaur, Mel Lyman, and Bruno Wolfe. During the five years they were together, they successfully transformed the sounds of pre-World War II rural music into a springboard for their good-humored performances. Their imitators were legion, including a San Francisco jug band that became the Grateful Dead, a Los Angeles jug band that became the Nitty Gritty Dirt Band, and a New York jug band that became the Lovin’ Spoonful. No other group attained their unique blend of youthful energy and antiquarian expertise, tight musicianship, loose camaraderie, and infectious swing.
The concert will feature songs from Jim’s soon-to-be-released recording on StorySound Records, Never Too Late: Jim Kweskin, Duets with My Friends, which will be released on Friday, January 26, 2024. The show will also feature artists and songs from Jim’s storied career, including the renowned and influential Jim Kweskin Jug Band.
Scheduled to appear along with Jim Kweskin, are Maria Muldaur, Geoff Muldaur, Samoa Wilson, Annie Raines, Paul Rishell, Juli Crockett, Suzy Thompson, and Matthew Berlin. Additional artists appearing will be announced soon.
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