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Hayley Reardon: A Solo Performance
Coming off two sold out performances at the legendary Club Passim this is a show not to be missed.
A portion of the proceeds from this concert will benefit the New England Folk Music Archives. Produced by Last Dance Productions.
Only 40 seats will be sold for this very intimate concert!
Since her showcase at the International Folk Alliance in February 2010, Hayley Reardon has exploded onto the stage of folk music. In addition to being featured in the recently released “For the Love of the Music” Club 47 documentary and producing her first full length LP, she has developed an in-school performance program, “Find Your Voice,” to encourage peer empowerment through self-expression. Hayley’s new release, “Where the Artists Go,” is, in her own words, the product of the “focus on what I wanted to say with my arts sense of freedom that folk empowers me to say it the way I want to.”
“Reardon is taking the folk scene by storm.” WBUR
“She is certainly a bright star on the horizon, a glorious addition to the future of acoustic music.” Performer Mag
“Reardon definitely has an old soul, and her dedication to her art shows in Where the Artists Go, an impressive debut.” Candor News
“Where the Artists Go can be cast as coming of age thoughts riding on a sea of song. There is a unique world view and an everyman way of describing the scene that makes these songs sing.” The Alternate Root
Amy Speace and The Sea The Sea will perform this special event to benefit The New England Folk Music Archives.
Produced by Last Dance Productions
The New England Folk Music Archives is pleased to welcome Amy Speace and The Sea,The Sea to one of the great listening rooms in town.
AMY SPEACE
Amy Speace has been quietly but steadily making waves in the Americana/folk world for a few years now, and in the journey, gaining support from the likes of Judy Collins, Nanci Griffith, Guy Clark and other icons in the songwriting community. A self-described ‘late bloomer’ to songwriting, Speace landed in New York City after college to pursue a life in theater. She studied acting at The National Shakespeare Conservatory, toured the US with the National Shakespeare Company, started her own theater company to direct and produce the plays she had written, and in the midst of her early 20’s, picked up a pawn shop guitar, wrote her first songs, and found herself with steady gigs at such storied venues as The Bitter End and The Living Room.
On April 16, Wind Bone Records/Tone Tree will release “How to Sleep In A Stormy Boat” an 11 song album, produced by Neilson Hubbard, with collaborations with John Fullbright, Mary Gauthier and Ben Sollee.
THE SEA, THE SEA
The Sea The Sea weave their many voices into one. Since the Fall of 2011, Chuck e. Costa and Mira Stanley have been touring the country, making new friends and evolving their sound. Now a playful mix of old and new, acoustic and electric, raw and graceful, TSTS has created an inspired trove of harmony-rich, lyric driven songs. Dynamic and sincere, simple and true, their live shows will leave you stirring.
No Depression Says:
Last night, inside a cold Dobbs Ferry church with the snow falling outside, I sat and listened to a young couple who just this week recorded their first album together. If their performance is any indication, the April release will bring a welcome relief to a cold winter. To say I was taken with Chuck E. Costa and Mira Stanley who perform as The Sea The Sea would be an understatement. On top of well-crafted songs, commanding stage presence and instrumental abilities, their voices in close harmony evoked for me a sound landing somewhere between Bowling Green and Bakersfield.
Recently naming her a 2012 “Bostonian Of The Year”, The Boston Globe characterized her as…”a confident, radiant teenage singer/songwriter who is helping to pen the next chapter of the Boston folk scene…while Reardon is rapidly making a name for herself under the stage lights, it could be said that she’s having a bigger impact on her peers across the country as a leading spokesperson for bullying prevention. By pairing her music with a message of collective responsibility, she has become an effective teen-to-teen ambassador, sought after by schools nationwide.”
“When you listen to 17-year-old folk singer Hayley Reardon, it’s hard to identify what’s more impressive: the fact that she’s already considered a seasoned folk artist or that she’s a national spokesperson for PACER’s National Bullying Prevention Center. In any event, both are laudable facts that dovetail nicely on her debut album Where The Artists Go.
In 2005 Marina Evans moved to New York City, where she taught herself guitar and began writing songs that combined her background as a jazz vocalist with traditional folk and a rock edge. Within a year, she was performing as a solo acoustic act around New York and her home state of Massachusetts. Since that time Marina has recorded three original EPs and a full length album, and has taken her music from Rockport, MA all across the United States: from Portland to Nashville, New Orleans to Los Angeles, and everywhere in between. Marina has also made her way over to Europe, performing in London and touring across Italy every spring since 2011.
In 2012 Marina released two original EPs, Dogtown and The Tuscan Sessions. Dogtown, released first, was written and recorded with Marina’s band in Gloucester, MA; The Tuscan Sessions was written and recorded while touring abroad in Italy. “The EPs are really two sides of the same coin,” Marina says. “While complementary, they reflect this sort of bi-continental, rambling life I’ve been leading with my music.” Dogtown rocks – described as “raucous” and “anthemic” in The Noise Magazine – and “swellingly beautiful” Tuscan takes a distinctly European perspective on folk americana.
In the spring of 2013, Marina launched a Kickstarter campaign to fund the recording of her debut full-length album, Unbound. Through overwhelming support from across the globe, she reached her funding goal and recorded the album abroad in Florence, Italy with producer Bernardo Baglioni. With clever lyricism and unusual melodies, Unbound deftly combines various styles, genres, and instrumentation – from sweet ballads to folk anthems to straight up rock and roll – and paints a picture of a versatile and passionate artist.
A benefit concert for Folk New England
The Richmond Folk Festival is one of Virginia’s largest events, drawing visitors from all over the country to downtown Richmond’s historic riverfront. The Festival is a FREE three-day event that got its start as the National Council for the Traditional Arts’ National Folk Festival, held in Richmond from 2005-2007. The Richmond Folk Festival features performing groups representing a diverse array of cultural traditions on seven stages.