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This year’s event will feature of the best of voices and musicians from Canada and the US.
The Music
The Lucky Sisters (Allison Lupton, Rosemary Phelan, and Tannis Slimmon) have brought their individual talents (from their own solo careers) to comprise this exquisite and ethereal vocal harmony group. From Cambridge, Toronto, and Guelph, Ontario, they’ll be making their first U.S. appearance.
We’re tremendously lucky to have Paul Mills, who has produced many hundreds of masterful recordings, and is a folk icon in Canada, make the trip southwards for the night. Paul, who is producing The Lucky Sisters upcoming album, will accompany the gals as well as others through the night.
Healing Garden stalwart and fave Kelli Trottier will bring her singing, fiddling, and stepdancing self down from Kingston, Ontario for her fifth Waltham appearance.
Rebecca Hosking, hailing from Nashville, Tennessee, will be unveiling her latest CD at our special event. Scott Neubert, another Nashville resident (and Healing Garden staple) will accompany Rebeca and others in the show.
We’re also delighted to present local artist Angela Simonneli for her first Healing Garden special Guest appearance. You may be familiar with Angela from her Red Line Radio rock group. It wouldn’t be a HG fest without Mr. Versatility and Dependability, Matt Leavenworth to provide his accompaniment. We’ll be enjoying the night of festive music at the French Club in Waltham.
Event Sponsor Patio Records
Patio Records of Waltham, MA is dedicated to the mission of building healing gardens at Hospital treatment centers. These gardens are designed to aid patients’ well-being during their times of receiving cancer treatments. While working with local hospitals towards patio construction, a concurrent pursuit is the universalization of the concept of having such a facility be part of an overall treatment plan for those unfortunate to be so afflicted.
Patty Larkin redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising vocals and lyrics. Acoustic Guitar hails her “soundscape experiments” while Rolling Stone praises her “evocative and sonic shading.” She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and a “drop-dead brilliant” performer (Performing Songwriter).
“Larkin’s shows are celebrations of song, guitar and voice coming together in perfect unison with a perfect blend of skill and humility. Patty Larkin would never tell you that she’s a great guitarist, but she’ll show you all night long.”_CityBeat
Sarah Lee Guthrie & Johnny Irion
“Moves seamlessly from Beck-meets-Beatles rock to soundscapes, folk-roots and Beach Boys summertime rock… [with] a sincerity that is undeniable.” (RELIX) “baroque folk with a quietist edge” (Nashville Scene)
Tumbling Bones
Tumbling Bones is a trio of young men inspired by old music. They play a mix of original compositions and traditional material drawing on bluegrass, pre-war folk, and a bit of the contemporary rock ‘n’ roll the guys were reared on.
“Take one listen to Loving a Fool and you’ll feel like you’re front and center at the Grand Ole Opry. Yes, they’re that good.”
– Kathy Sands-Boehmer, (No Depression)
FOLK New England
Founded by Betsy Siggins in 2009, FOLK New England’s mission is to document, preserve, interpret and present the ongoing cultural legacy of folk music in all its forms, with emphasis on New England’s contribution to the enrichment of North American life.
FOLK New England creates a dialogue between the history of folk music and the future of folk, through robust collections development, multi-disciplinary education, and engaging entertainment programs for the public.
Produced by Last Dance Productions.
Peter Asher of Peter & Gordon joins forces with Jeremy Clyde of Chad & Jeremy to star together in an unforgettable evening of music and memories. This “storytellers” style evening features songs and stories from their sixties heyday as recording artists to Jeremy’s success on stage, television (Downton Abbey) and film (The Iron Lady) and Peter’s Grammy-Winning career as Producer and manager of the likes of James Taylor, Linda Ronstadt and more.
Their respective British Invasion duos were collectively responsible for 30 Billboard chart hits. From the Chad & Jeremy catalog, they bring you “Distant Shores”, “Yesterday’s Gone” “Willow Weep For Me”, “Before and After”, “A Summer Song” and more. From the Peter & Gordon songbook comes “Woman”, “I Go To Pieces”, “I Don’t Want To See You Again”, “Lady Godiva”, “A World Without Love” and more.
Don’t miss this special opportunity to hear the stories behind the lives and music of these two legendary duos from the era that wiped clean and drew again the face of popular culture.
Presented by Last Dance Productions
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
A Tribute to Todd Rundgren, Gary Backstrom’s Road to Utopia, comes to the Regent Theatre, 7 Medford Street, Arlington, MA on Friday, June 7, at 8 pm. Tickets here.
Todd Rundgren
Considered by many to be the “Ultimate Rock Cult Hero” Todd Rundgren has maintained a legion of fans through four decades. Todd’s searing guitar work reached a nationwide audience in his role as lead guitarist for the blues-psychedelic band Nazz. He wrote and arranged almost all of the work that went into the three albums the group produced.
His first big solo success was in 1971 with “We Gotta Get You a Woman” and in 1973 from the double album “Something/Anything?” He scored big on the charts with “I Saw the Light” and a revision of a Nazz song, “Hello, It’s Me.”
Rundgren has scored huge as a music producer, most notably on Meat Loaf’s “Bat Out of Hell” opus. In the late 1970s and through the 1980s Todd formed the group Utopia, each member an accomplished musician and vocalist. He has also been called on by films and TV for his musical scores and sometimes tours with Ringo Starr as a member of his All-Star Band.
Gary Backstrom
Gary is the founder and frontman of the acclaimed Jam Band “Jiggle The Handle.” The Gary Backstrom Band is a Boston-based Band that mixes Soul, R&B, Funk, Rock and Latin grooves blended into a unique sound. Their sound features exciting, unpredictable improvisation that can only be heard in the best live acts on the scene today. Gary is considered “one of the most underrated, fluid, and melodic players in the Northeast.”
Some of the proceeds from this concert will go to
The project brings personalized iPods to people living with Alzheimer’s and other forms of dementia, helping them reconnect with the world through the music they love.
This will be a quite the night for a great cause.
Patio Records presents The Healing Garden Concert, a live celebration to raise funds for the creation of a magnificent Healing Garden at Mount Auburn Hospital in Cambridge, MA. Featuring Mile Twelve, J.P. Cormier w/ Bill Elliott and introducing Kelly Hill w/ Scott Neubert.
Mile Twelve
Although their sound is rooted in traditional bluegrass, Mile Twelve surveys a broader landscape on their newest album, City on a Hill. All five band members bring their own influences and observations into the music, resulting in a project that feels contemporary, thoughtfully crafted, and relevant. Produced by Bryan Sutton and engineered by Ben Surratt, City on a Hill follows significant recognition from the bluegrass community, including three IBMA Momentum Awards. With members based in Boston and Nashville, the lineup includes David Benedict (mandolin), Catherine “BB” Bowness (banjo), Bronwyn Keith-Hynes (fiddle), Evan Murphy (acoustic guitar, lead vocals), and Nate Sabat (bass, lead vocals).
J.P. Cormier
At the age of 5, JP began teaching himself to play the guitar. At 9, he won his first guitar competition against 30 other players 4 times his age. By his mid teens, he was playing a variety of stringed instruments, including the fiddle, mandolin and banjo. He recorded his first album of bluegrass instrumentals at 16, which led to 10 years of living and performing in the US. His time there included many memorable nights at the Grand Ole Opry with artists such as Waylon Jennings, Marty Stuart, Earl Scruggs, Bill Monroe, Charlie Louvin and Vince Gill.
Since returning to Canada, JP has released over a dozen award-winning albums. His impressive body of work has earned him a loyal fan base and multiple award nominations and wins. He continues to dazzle and delight audiences while performing 250 shows a year
Kelly Hill
Kelly Hill was born and raised in Waltham, Massachusetts. She began performing at an early age and continued to hone her acting skill throughout her high school and college years graduating from Brandeis University with a degree in Theater Arts.
After taking a break from performing for a number of years and raising two amazing boys, Kelly began thinking about the next chapter in her life. Her good friend Terry Eagan suggested they do an album together. Terry introduced her to Scott Neubert and the three of them embarked on her first album.
Find out about more great shows here.
The Richmond Folk Festival is one of Virginia’s largest events, drawing visitors from all over the country to downtown Richmond’s historic riverfront. The Festival is a FREE three-day event that got its start as the National Council for the Traditional Arts’ National Folk Festival, held in Richmond from 2005-2007. The Richmond Folk Festival features performing groups representing a diverse array of cultural traditions on seven stages.
“Piano Men – The Music of Elton and Billy” is a tribute featuring the amazing songs of Billy Joel and Elton John. This concert experience features Joe Boucher on piano and vocals, combined with a four-piece band and a stringed quartet section. With spectacular arrangements by Chris Eastburn, these songs have rarely been performed live in this way!
The music of “Piano Men” concentrates heavily on recordings by Elton and Billy during their 70s heyday when their many hit albums featured lush orchestrations. The concert works its way through #1 hits including Tiny Dancer, Scenes From an Italian Restaurant, Your Song, Goodbye Yellow Brick Road, Piano Man, and MANY more!
About Joe Boucher
Joe grew up in the quaint seaside village of Biddeford Maine on the New England coast. He is a singer and songwriter who, for eight years, fronted the power pop band Frotus Caper. They recorded and released four critically acclaimed albums while performing constantly. Throughout that time he worked regularly as a studio session musician, playing piano and arranging pop, rock and folk songs for many artists. For fifteen seasons Joe has acted as the Concert Manager for The Portland Symphony Orchestra.
What They Are Saying:
“This show masterfully blends the hits of Billy Joel and Elton John with the sophistication and energy of a full orchestra. You must not miss the opportunity to experience Piano Men!!!!”
Suzanne Nance, WFMT – Chicago
“Piano Men is a wonderful, surefire hit. Joe Boucher’s first rate singing and playing of these classic and ever-popular songs is brilliant. Backed up by Chris Eastburn’s masterful lush orchestrations, Billy and Elton’s classic songs sounded better than ever. This show really connects and resonates with the audience.”
Robert Lehmann, Conductor, North Shore Philharmonic Orchestra
For More Last Dance Productions events, click here.
Presented by Patio Records
Laurie Young (vocals, trumpet) brings the role of the goddess to the forefront and co-fronts the band
Joe Donnelly (drums) of the Del Fuegos, Swinging Steaks, and Wall of Grass
Pat Dreier (Keyboards, vocals) of the Lines and the Drive
Dave Weden (guitar/banjo) and Clayton Young (bass, vocals) of John Cate and the Van Gough Brothers
Dennis Semprebon (drums and percussion) of Craig Carter and the Hurricanes
Brad Kohl (saxophone) of Hot Acoustics and Group Therapy
Singer/songwriter Robin Lane will open the show. She began her musical career singing with Neil Young on the Everybody Knows This is Nowhere album. In 1979, she formed the renowned band Robin Lane & The Chartbusters, whose hit single “When Things Go Wrong” was the eleventh video broadcast on MTV’s debut day.