Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
Kathy Mattea and Suzy Bogguss Ticket Info Here.
Friends since their early days in Nashville, they had only found a few opportunities to collaborate musically along the way, most notably with Teach Your Children, their Grammy-nominated track from 1994’s Red, Hot + Country compilation. They have “threatened” for years, and the fans have clamored for this pairing. Now, the wait is over. Longtime friends Kathy Mattea and Suzy Bogguss have individually carved out careers in popular music with a multitude of hits spanning over two decades. Suzy’s Outbound Plane, Aces, and Someday Soon are among the many songs beloved by music fans around the world, as are Where’ve You Been?, 455 Rocket, and Eighteen Wheels and a Dozen Roses from Kathy’s deep well of material.
Kathy Mattea
Hailed by The Washington Post as “one of Nashville’s finest song interpreters,” Kathy Mattea has enjoyed much success and acclaim during her 35-year career in Country, Bluegrass and Folk music, including 2 Grammy wins, 4 CMA Awards, 4 #1 country singles, and five gold albums (plus a platinum Greatest Hits collection)
Suzy Bogguss
Suzy began her career in the 1980s as a solo singer. In the 1990s, six of her songs were Top 10 hits, three albums were certified gold, and one album received a platinum certification. She won Top New Female Vocalist from the Academy of Country Music and the Horizon Award from the Country Music Association.
THE BARGAIN of the Summer!
The New Bedford Folk Festival offers an impressive line-up of the best in contemporary, Americana, traditional, blues and Celtic folk music with more than 75 performances on seven stages over two days. At the heart of the festival are the workshops, themed jam sessions with multiple artists, many playing together for the first time, for a unique, never-to-be-seen-again show.
The highly acclaimed husband-wife duo, Aubrey Atwater and Elwood Donnelly, present delightful programs of traditional American and Celtic folk songs, a cappella pieces, old-time gospel songs, dance tunes, and original works. Elwood and Aubrey blend gorgeous and unusual harmonies and play guitar, Appalachian mountain dulcimer, mandolin, tin whistle, harmonica, banjo, bones, spoons, limberjacks, and other surprises including Appalachian clog dancing, French Canadian footwork, and Tap.
Their performance is appealing to all ages, and with humor, audience participation, and a relaxed stage presence, Aubrey and Elwood explain song origins to create a deeper understanding of the music and its cultural history. And, because they have such an extensive repertoire, special programs and workshops can be tailored for festivals, schools, colleges, libraries, women’s history, and holidays.
Aubrey and Elwood are often joined by Cathy Clasper-Torch, who adds a deeply rich third dimension with fiddle, cello, Chinese erhu and vocals. Since 2003, the Atwater~Donnelly Trio has become a driving force on the regional folk circuit.
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Carole Wise and Cold Chocolate
Our split bill features Maine singer-songwriter Carole Wise, the winner of our 2022 Rose Garden Performing Songwriter Competition, and Cold Chocolate, the Boston-based folk/bluegrass fusion duo of Ethan Robbins and Ariel Bernstein.
Carole Wise is a singer/songwriter from Brunswick Maine. Her music is sweet and soulful, drawing on a lifelong passion for education, the beauty of the natural world, and the adventures of finding truth through life’s challenges.
Carole Wise’s new album, THE LONG WAY HOME, is a compilation of lyric and melody that grew from its creative seed: a calling of the heart. Listeners will connect their own life journeys home – to a physical space, self or new beginnings – in Carole’s songs of gratitude and courage. Themes of nature, social justice, emotions and feelings infuse her songs with meaning: “The album is about our human journey and each song, a chosen path. On what journey will our paths cross?”
Cold Chocolate is a genre-bending Americana band that fuses folk, funk, and bluegrass to create a unique sound all their own. Featuring Ethan Robbins on guitar, Ariel Bernstein on percussion, and backed by some of the root’s music scene’s finest players, this group from Boston is impressing audiences throughout New England and beyond. Punctuated by tight harmonies and skillful musicianship, and with a focus on songwriting, Cold Chocolate has quickly gained recognition for their original music and high-energy shows. The band has shared bills with Leftover Salmon and David Grisman, and regularly performs at venues and music festivals up and down the East Coast.
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