The Last Waltz LIVE is a re-creation of the Band’s classic 1978 concert film, The Last Waltz, featuring The Rev Tor Band and an all star cast of Boston-based musicians. The show includes renditions of all the hits by the Band featured in the film, such as “The Weight,” “Up On Cripple Creek,” and “The Night They Drove Old Dixie Down,” as well as songs by Bob Dylan, Neil Young, Eric Clapton and many more.
For Tickets Click Here.
The line-up of artists includes the Rev Tor Band, Gary Backstrom of Jiggle the Handle, Vance Gilbert, Chris Fitz, Jim Infantino of Jim’s Big Ego, Chris Nemitz and Charlie Carrazzo of Sun Jones, Regie Gibson, Adam Michael Rothberg, Emily Grogan, Todd Mack, Marina Evans, Vinny Serino of Boston Baked Blues, Nikki Howard, Les Sampou, Vykki Vox, and Richard Cambridge.
A diverse array of local, regional, and national artists perform the songs of the film’s original special guests, making the show a unique all-star experience showcasing the finest talent from the local music scene and beyond. All profits from the Last Waltz LIVE benefit Music in Common, a nonprofit organization whose mission is to strengthen, empower, and educate communities through the universal language of music.
The Last Waltz. On Thanksgiving Day, November 25, 1976, the legendary rock group THE BAND performed The Last Waltz, their “farewell concert appearance” at Winterland Ballroom in San Francisco CA. The concert saw The Band joined by more than a dozen all star special guests, many of whom were and are considered the living legends of their time. This historic event was captured by director Martin Scorsese and made into a concert film of the same name released in 1978. The performances captured on film that night were magical and the movie has achieved a cult classic status amongst many musicians today. It continues to be a major source of inspiration to all who see it.
The Last Waltz Live
Some of the profits from this concert benefit Music In Common, whose mission is to strengthen, empower, and educate communities through the universal language of music. The Last Waltz supplies the perfect soundtrack to bring musicians together and strengthen that common bond. The Last Waltz LIVE is a celebration of that spirit.
Produced by Last Dance Productions.
Dar Williams with Special Guest Catie Curtis
A benefit concert for Americans United for Separation of Church and State
Friday, February 5th at 7:30pm
Tickets and More Info: Click Here
“Dar Williams is a songwriter of immense talent” – Telegraph UK
Williams growth as an individual over her almost two-decade-long career has gone hand-in-hand with her evolution as an artist. Raised in Chappaqua, N.Y., and educated at Wesleyan University, Williams spent 10 years living in the thriving artistic community of Northampton, Mass., where she began to make the rounds on the coffeehouse circuit. Joan Baez, an early fan of her music, took Williams out on the road and recorded several of her songs.
Every new album from Dar Williams represents her thoughts and feelings about both her own life and larger forces in the world. But her ninth studio record, Emerald, marks a particularly dramatic confluence between her experiences and broader contemporary culture—and what it means to be a songwriter at this moment in history.
“I’m now experiencing the fruits of the alternative culture I was part of in the ‘90s,” she says. “I think I’ve made choices about how I lived my life, outside of the world that was going to fit me among the mainstream norms, and I chose to stay with my friends, to stay with my culture. That turns out to have been the sturdiest structure I could have built for myself. And that’s in my songs, it’s in my teaching. I’m a believer in what can happen when we make music together.” – Dar Williams
Special Guest Catie Curtis
Catie Curtis is a veteran on the singer/songwriter folk scene. She’s performed at the White House, two Presidential Inaugural Balls, with Lilith Fair, and at Carnegie Hall. Winner of several Boston Music Awards, she also took the Grand Prize in the 2006 International Songwriting Competition (out of 15,000 entries). The New Yorker called Catie a “folk-rock goddess.”
Americans United for Separation of Church and State is a nonpartisan organization that lobbies, educates and litigates in order to preserve the constitutional principle of church-state separation as the only way to ensure religious freedom for all Americans.
Tickets and More Info: Click Here
The Last Waltz LIVE is a re-creation of the Band’s classic concert film featuring The Rev Tor Band as The Band (accompanied by a full horn section) and one dozen or more local, regional, and national artists as special guests.
Not a tribute show, but rather a powerful community event, each LWL concert features a local lineup of guest artists making it a unique, all-star experience.
Tickets here:
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or call (781) 646-4849
Most of the profits from the Last Waltz LIVE will be donated to Mended Little Hearts of Boston
Info on Mended Little Hearts of Boston Here:
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Did you know that about 1 in 110 babies are born with a congenital heart defect each year?
Mended Little Hearts, a nonprofit organization, works nationally and in communities to empower children with congenital heart defects and their families through support, education and awareness.
Special guest artists for this performance will be announced soon.
“I lack the language to express the simply fantastic music, the awesome spirit, the camaraderie of the musicians, the MAGIC of last night’s Last Waltz LIVE production!! Some things are felt in the heart and in the soul, and this evening was one of those moments for me! Thank you all so very much for a Night of Magic!!” – Helen S., Last Waltz LIVE audience member
http://
or call (781) 646-4849
Presented by Last Dance Productions
Denny Laine celebrates the 40th anniversary of the “Wings Over America” tour with a live on stage performance of their greatest album, “Band on the Run”—complete and unabridged! Within a year of its release, “Band On the Run” had sold over six-million copies worldwide, having spawned three U.S. Top Ten hits-”Helen Wheels”, “Jet”, and the title track. The singles alone occupied the U.S. chart for forty-five (45) weeks, while the album stayed on the charts for over two (2) years. “Band On The Run” was in the Top-30 of the Billboard 200 as recently as 2010, when a remastered version of the album was released.
This special evening celebrates the 40th anniversary of the Wings Over America tour. The sold out U.S. leg of the “Wings Over the World” tour helped carry the’ “Silly Love Songs” single and “Wings at the Speed of Sound” album to number one on their respective charts. From the tour came the film “Rock Show” and the number one triple album set “Wings over America”.
By far the most successful album involving any of the Beatles following their breakup, “Band on the Run” was created by Paul McCartney, Denny Laine and Linda McCartney. The other members of Wings quit the group just prior to the departure to Lagos, Nigeria to begin sessions for the album, but out of adversity came advantage. With Paul McCartney on vocals, piano, drums, guitar, bass, and keys, and Denny Laine contributing vocals, keys, acoustic, electric and bass guitars, and Linda McCartney on keys and vocals, Band On the Run transcended the era to become an album whose deep cuts such as “Let Me Roll It”, “Picasso’s Last Words”, and “Mrs. Vanderbilt” and “Bluebird” are better remembered-and played more often on classic rock radio-than most hits of the era.
Expect other Wings hits such as “Live and Let Die”, and “Time to Hide” as well as Denny’s legendary lead vocal on the Moody Blues classic “Go Now” to round out this special anniversary show.
Tickets: Click Here
It’s the 45th Anniversary of the Greatest Album by Badfinger, 1972’s Straight Up, and the band’s legendary guitarist, songwriter, and vocalist Joey Molland—along with his dynamic band—brings the album to the stage in a bracing live show.
Featuring 5 tracks written by Joey, Q Magazine described Straight Up as ”…brimming with mature melodies and bracing verse/chorus interplay…”, while NME deemed it ”…a stone cold beauty of an album…” and advised, “Love it like your mother …”
George Harrison produced four tracks on the album, Name of the Game, Suitcase,I’d Die Babe, the latter two written by Molland, and Pete Ham’s Day After Day, which gave the group a Top 5 U.S. Single. AllMusic says, ”…there’s absolutely no filler and everybody is in top form…” The album, which also featured Baby Blue, stayed on the Billboard Top Pop Albums chart for 32 weeks.
From their legendary lineup, Joey Molland continues the unforgettable legacy of BADFINGER. One of the original signings to the Beatles’ Apple Records label, they had their first hit single with a Paul McCartney penned song, Come and Get It, which went to #7 in the U.S. charts.
Badfinger followed this with their own compositions No Matter What, Day After Day (produced by George Harrison), and Baby Blue, which went to #8, #4 and #14 respectively.
https://youtu.be/C53QAuOoSgc
Peter Asher of Peter & Gordon joins forces with Jeremy Clyde of Chad & Jeremy to star together in an unforgettable evening of music and memories. This “storytellers” style evening features songs and stories from their sixties heyday as recording artists to Jeremy’s success on stage, television (Downton Abbey) and film (The Iron Lady) and Peter’s Grammy-Winning career as Producer and manager of the likes of James Taylor, Linda Ronstadt and more.
Their respective British Invasion duos were collectively responsible for 30 Billboard chart hits. From the Chad & Jeremy catalog, they bring you “Distant Shores”, “Yesterday’s Gone” “Willow Weep For Me”, “Before and After”, “A Summer Song” and more. From the Peter & Gordon songbook comes “Woman”, “I Go To Pieces”, “I Don’t Want To See You Again”, “Lady Godiva”, “A World Without Love” and more.
Don’t miss this special opportunity to hear the stories behind the lives and music of these two legendary duos from the era that wiped clean and drew again the face of popular culture.
Presented by Last Dance Productions
This will be THE folk singer/songwriter event of the year. Tickets Here
For over forty years, Dick Pleasants was a mainstay on Boston radio, as well as part of the Boston and New England music community.
Proceeds from this concert will go to “The Richard E. Pleasants Supplemental Needs Trust.”
We have some of the most respected musicians lending their talents for this show. Lori McKenna, Patty Larkin, Garnet Rogers, Cliff Eberhardt and Mark Erelli.
Lori McKenna
Lori McKenna puts a magnifying glass on un-championed lives. She doesn’t just notice the quiet and ordinary, she delights in it – effortlessly transforming the average to extraordinary. Lori is one of the most sought after songwriters in the industry with her songs recorded by top artists including Reba, Alison Krauss, Faith Hill, Tim McGraw and Keith Urban. McKenna’s songwriting credits include the 2x Platinum Billboard No. 1 hit, I Want Crazy, by Hunter Hayes. She penned the 2015 massive Little Big Town hit, Girl Crush, which reached 11 weeks on the Billboard’s Hot Country Songs and netted McKenna a CMA Award, NSAI Songwriters and her first Grammy. She wrote Tim McGraw’s hit, Humble & Kind. The song hit No. 1 on the Billboard Hot Country Songs chart marking the first time in more than four years a song written by one writer topped the chart.
Patty Larkin
Patty Larkin redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising vocals and lyrics. Acoustic Guitar hails her “soundscape experiments” while Rolling Stone praises her “evocative and sonic shading.” She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and a “drop-dead brilliant” performer (Performing Songwriter )
Cliff Eberhardt
Cliff Eberhardt knew by age seven that he was going to be a singer and songwriter. Growing up in Berwyn, Pennsylvania, he and his brothers sang together and their parents played instruments. His dad introduced him to the guitar and he quickly taught himself to play. Fortunate enough to live close to the Main Point (one of the best folk clubs on the East Coast), he cut his teeth listening to the likes of James Taylor, Joni Mitchell, Bruce Springsteen, Howlin’ Wolf, Muddy Waters, Bonnie Raitt, and Mississippi John Hurt — receiving an early and impressive tutorial in acoustic music. At the same time, he was also listening to great pop songwriters like Cole Porter, the Gershwins, and Rodgers and Hart, which explain his penchant for great melodies and clever lyrical twists.
Garnet Rogers Photo -Steve Ide
Garnet Rogers has established himself as “One of the major talents of our time”. Hailed by the Boston Globe as a “charismatic performer and singer”, Garnet is a man with a powerful physical presence – close to six and a half feet tall – with a voice to match. With his “smooth, dark baritone” (Washington Post) his incredible range, and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere.
Mark Erelli
Mark Erelli has won several prestigious awards, including the Kerrville New Folk Contest and the International Song Contest, where a song he co-wrote with Catie Curtis (“People Look Around”) bested 15,000 entries to win the grand prize. He has maintained a rigorous touring schedule, appearing onstage everywhere from coffeehouses and major folk festival stages (Newport, Philadelphia) to Fenway Park, where he once sang the national anthem before a Red Sox game. In recent years, Mark has gained notoriety as a multi-instrumentalist sideman and producer, accompanying GRAMMY-winning artists such as Lori McKenna, Paula Cole and Josh Ritter everywhere from Nashville’s Grand Ole Opry to London’s Royal Albert Hall.
More information and tickets here.
Presented by Barnes Newberry of My Back Pages Radio & Brian Quinn of Last Dance Productions
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
A Tribute to Todd Rundgren, Gary Backstrom’s Road to Utopia, comes to the Regent Theatre, 7 Medford Street, Arlington, MA on Friday, June 7, at 8 pm. Tickets here.
Todd Rundgren
Considered by many to be the “Ultimate Rock Cult Hero” Todd Rundgren has maintained a legion of fans through four decades. Todd’s searing guitar work reached a nationwide audience in his role as lead guitarist for the blues-psychedelic band Nazz. He wrote and arranged almost all of the work that went into the three albums the group produced.
His first big solo success was in 1971 with “We Gotta Get You a Woman” and in 1973 from the double album “Something/Anything?” He scored big on the charts with “I Saw the Light” and a revision of a Nazz song, “Hello, It’s Me.”
Rundgren has scored huge as a music producer, most notably on Meat Loaf’s “Bat Out of Hell” opus. In the late 1970s and through the 1980s Todd formed the group Utopia, each member an accomplished musician and vocalist. He has also been called on by films and TV for his musical scores and sometimes tours with Ringo Starr as a member of his All-Star Band.
Gary Backstrom
Gary is the founder and frontman of the acclaimed Jam Band “Jiggle The Handle.” The Gary Backstrom Band is a Boston-based Band that mixes Soul, R&B, Funk, Rock and Latin grooves blended into a unique sound. Their sound features exciting, unpredictable improvisation that can only be heard in the best live acts on the scene today. Gary is considered “one of the most underrated, fluid, and melodic players in the Northeast.”
Some of the proceeds from this concert will go to
The project brings personalized iPods to people living with Alzheimer’s and other forms of dementia, helping them reconnect with the world through the music they love.
This will be a quite the night for a great cause.
