The Last Waltz LIVE is a re-creation of the Band’s classic concert film featuring The Rev Tor Band as The Band (accompanied by a full horn section) and one dozen or more local, regional, and national artists as special guests.
Not a tribute show, but rather a powerful community event, each LWL concert features a local lineup of guest artists making it a unique, all-star experience.
Tickets here:
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or call (781) 646-4849
Most of the profits from the Last Waltz LIVE will be donated to Mended Little Hearts of Boston
Info on Mended Little Hearts of Boston Here:
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Did you know that about 1 in 110 babies are born with a congenital heart defect each year?
Mended Little Hearts, a nonprofit organization, works nationally and in communities to empower children with congenital heart defects and their families through support, education and awareness.
Special guest artists for this performance will be announced soon.
“I lack the language to express the simply fantastic music, the awesome spirit, the camaraderie of the musicians, the MAGIC of last night’s Last Waltz LIVE production!! Some things are felt in the heart and in the soul, and this evening was one of those moments for me! Thank you all so very much for a Night of Magic!!” – Helen S., Last Waltz LIVE audience member
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or call (781) 646-4849
Presented by Last Dance Productions
The 20th Annual Healing Garden MusicFest Concert takes place on October 15, at the Regent Theatre in Arlington, MA. Sponsored by Patio Records this benefit concert is geared towards raising funds to build healing gardens at hospital treatment centers. Musicians include: Garnet Rogers, Barbara Kessler, Rick Fines, Suzie Vinnick and many more. More information about the Healing Garden Fest here.
About Patio Records
The Mary Eagan Garden Fund was created in memory of Mary (1947-1992), who succumbed to Acute Myelogenous Leukemia. Mary, a mother of four children, requested that any monies raised in her honor be directed towards building a patio for future patients’ well-being during their times of receiving cancer treatments.
While working with local hospitals towards patio construction, a concurrent pursuit is the universalization of the concept of having such a facility be part of an overall treatment plan for those unfortunate to be so afflicted. The Waltham (MA) Hospital embraced this goal, and on April 27th, 2001, saw the opening ceremony and ribbon cuttting of the magnificent Mary Eagan Garden adjoining the Cancer Care Center; providing a setting of comfort and solace for people who our hearts go out to.
The first Mary Eagan Garden in Canada was opened within the the 4.5 acre Richard and Annette Bloch Cancer Survivors Park in Ottawa on September 24, 2008.
Annual Benefit Concerts have led the way as a fundraising vehicle. To date, Patio Records has hosted nearly 40 events in New England and Canada, featuring lineups of Canadian and U.S. virtuosos. These exceptional musicians have been enthusiastic in response to the concert series.
Peter Asher of Peter & Gordon joins forces with Jeremy Clyde of Chad & Jeremy to star together in an unforgettable evening of music and memories. This “storytellers” style evening features songs and stories from their sixties heyday as recording artists to Jeremy’s success on stage, television (Downton Abbey) and film (The Iron Lady) and Peter’s Grammy-Winning career as Producer and manager of the likes of James Taylor, Linda Ronstadt and more.
Their respective British Invasion duos were collectively responsible for 30 Billboard chart hits. From the Chad & Jeremy catalog, they bring you “Distant Shores”, “Yesterday’s Gone” “Willow Weep For Me”, “Before and After”, “A Summer Song” and more. From the Peter & Gordon songbook comes “Woman”, “I Go To Pieces”, “I Don’t Want To See You Again”, “Lady Godiva”, “A World Without Love” and more.
Don’t miss this special opportunity to hear the stories behind the lives and music of these two legendary duos from the era that wiped clean and drew again the face of popular culture.
Presented by Last Dance Productions
This will be THE folk singer/songwriter event of the year. Tickets Here
For over forty years, Dick Pleasants was a mainstay on Boston radio, as well as part of the Boston and New England music community.
Proceeds from this concert will go to “The Richard E. Pleasants Supplemental Needs Trust.”
We have some of the most respected musicians lending their talents for this show. Lori McKenna, Patty Larkin, Garnet Rogers, Cliff Eberhardt and Mark Erelli.
Lori McKenna
Lori McKenna puts a magnifying glass on un-championed lives. She doesn’t just notice the quiet and ordinary, she delights in it – effortlessly transforming the average to extraordinary. Lori is one of the most sought after songwriters in the industry with her songs recorded by top artists including Reba, Alison Krauss, Faith Hill, Tim McGraw and Keith Urban. McKenna’s songwriting credits include the 2x Platinum Billboard No. 1 hit, I Want Crazy, by Hunter Hayes. She penned the 2015 massive Little Big Town hit, Girl Crush, which reached 11 weeks on the Billboard’s Hot Country Songs and netted McKenna a CMA Award, NSAI Songwriters and her first Grammy. She wrote Tim McGraw’s hit, Humble & Kind. The song hit No. 1 on the Billboard Hot Country Songs chart marking the first time in more than four years a song written by one writer topped the chart.
Patty Larkin
Patty Larkin redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising vocals and lyrics. Acoustic Guitar hails her “soundscape experiments” while Rolling Stone praises her “evocative and sonic shading.” She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and a “drop-dead brilliant” performer (Performing Songwriter )
Cliff Eberhardt
Cliff Eberhardt knew by age seven that he was going to be a singer and songwriter. Growing up in Berwyn, Pennsylvania, he and his brothers sang together and their parents played instruments. His dad introduced him to the guitar and he quickly taught himself to play. Fortunate enough to live close to the Main Point (one of the best folk clubs on the East Coast), he cut his teeth listening to the likes of James Taylor, Joni Mitchell, Bruce Springsteen, Howlin’ Wolf, Muddy Waters, Bonnie Raitt, and Mississippi John Hurt — receiving an early and impressive tutorial in acoustic music. At the same time, he was also listening to great pop songwriters like Cole Porter, the Gershwins, and Rodgers and Hart, which explain his penchant for great melodies and clever lyrical twists.
Garnet Rogers Photo -Steve Ide
Garnet Rogers has established himself as “One of the major talents of our time”. Hailed by the Boston Globe as a “charismatic performer and singer”, Garnet is a man with a powerful physical presence – close to six and a half feet tall – with a voice to match. With his “smooth, dark baritone” (Washington Post) his incredible range, and thoughtful, dramatic phrasing, Garnet is widely considered by fans and critics alike to be one of the finest singers anywhere.
Mark Erelli
Mark Erelli has won several prestigious awards, including the Kerrville New Folk Contest and the International Song Contest, where a song he co-wrote with Catie Curtis (“People Look Around”) bested 15,000 entries to win the grand prize. He has maintained a rigorous touring schedule, appearing onstage everywhere from coffeehouses and major folk festival stages (Newport, Philadelphia) to Fenway Park, where he once sang the national anthem before a Red Sox game. In recent years, Mark has gained notoriety as a multi-instrumentalist sideman and producer, accompanying GRAMMY-winning artists such as Lori McKenna, Paula Cole and Josh Ritter everywhere from Nashville’s Grand Ole Opry to London’s Royal Albert Hall.
More information and tickets here.
Presented by Barnes Newberry of My Back Pages Radio & Brian Quinn of Last Dance Productions
The Meadows Brothers’ gut-bucket, dirt-road, twangy spirit takes hold in a new road-tested collection of original songs. When The Meadows Brothers decided it was time to start recording, they discovered a tangle of rich imagery, atmospheric states and narratives, both real and imagined – that together create a fine tapestry of listening. These songs culminate in “TRUTH,” a diverse compilation on of modern folk-rock-infused Americana. Some of you might recognize Ian Meadows, who was a finalist in our Performing Songwriter Competition in 2016.
Their distinct brand of roots music draws inspiration from a huge list of influences, combining folk, blues, country and rock ‘n’ roll genres into what The Boston Globe calls ”An engagingly twangy sibling sound all their own.” The brothers original songs, which they typically write together, have been lauded for their emotive, relatable lyrics and memorable hooks. They have performed hundreds of shows around their native New England, the Midwest, Great Lakes Regions and the Southeast, continuing to hone their craft and enjoying new audiences along the way.
The Kennedys! Two of our favorites make a return to the Garden, helping us to celebrate our 30th season! Pete and Maura Kennedy, both East Coast natives, met in Austin, Texas, joined forces with Nanci Griffith’s Blue Moon Orchestra for a couple of years, and set out on a road that, for two decades, has led them not only west but all over the US and the UK many times. This year, they celebrate their twentieth anniversary both as a band and a married couple. Rather than indulge in a nostalgic look backward, they’ve taken Dylan’s dictum “don’t look back” to heart; writing and recording forty new songs.
2015 sees a Maura solo CD, a Pete solo CD, and the release of “West,” an instant classic Kennedys duo set that seamlessly weaves their influences over the last two decades; Buddy Holly style roots, the tuneful cadences of the Everly Brothers, and the ringing 12-string jangle of the early Byrds, interspersed with darker moments that recall British folk rock a la Fairport Convention.
Ultimately, Pete and Maura knit these disparate threads into a coat of many colors that sounds like a “best of The Kennedys,” but is in reality an all-new collection of songs. The road west is central to the American mythos; it’s the search for musical roots and the fulfillment of a personal American dream that takes shape in songs. Two decades on, The Kennedys are hitting a songwriting high point, and from that point they follow the well-worn American path West.
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
33rd Lowell Folk Festival
The Lowell Folk Festival continues to provide the finest in traditional music, craft, foodways and more in downtown Lowell. This annual celebration is the best in traditional folk music, artisan crafts and ethnic foods, and will be returning to downtown Lowell with a full lineup beginning with the traditional parade of nations from Lowell’s City Hall Plaza to Boarding House Park. The free festival offers something for people of all ages all within the heart of Lowell National Historical Park.
Timmy Brown
This will be a special Fundraiser for The Council for Children. The Council is a local all-volunteer non-profit with programs benefiting nearly 2000 local children every year. The programs include Christmas is for Kids, a gift drive filling Christmas wishes of new toys and clothes to 1000 local children; Nicky O Foundation which gives scholarships to students interested in the arts; day care scholarships; 100 backpacks given to local park and rec departments each summer for children who need towels, sunscreen and water bottles; 75 back-to-school backpacks with supplies; a summer lunch food drive which collects 10,000 servings of food plus cash to help feed children on local playgrounds all summer who would otherwise go without a healthy meal.
Timmy Brown is a singer/songwriter/Nashville recording artist that grew up in Norton, Massachusetts, and in October 2018, he moved to Nashville, Tennessee to pursue his dreams full time. In 2018, Brown was voted New England Country Music’s Local Male Artist of the Year for the third consecutive year. His infectious energy and talent have made him a local favorite, around the New England and Rhode Island area. In the fall of 2017, he auditioned for “American Idol,” for Season 1 of the re-boot on their new network ABC, where he finished in the top 60!
Timmy started playing the piano at the age of five and ever since then, music became his life. Once he graduated from high school, he began playing solo shows at local events and restaurants. Throughout that time, he had auditioned for television shows such as “The Voice,” “America’s Got Talent” and “American Idol.” It was at his third audition when he was selected to be on Season 14 of American Idol. Shortly after his audition, he was approached by members of a local country band Black Diamond and was asked to become the lead singer. Since then Black Diamond has now changed to the Timmy Brown Band. His love of music is most evident when on that stage performing. Timmy’s natural ability to connect with the audience and draw them in with his enthusiasm has earned him a loyal fan base.
Martin Swinger is an atypical 60-something who can’t stop exploring music, songwriting and singing. Socially conscious, thought provoking and surprisingly entertaining, Martin is celebrated for his fluid voice and engaging delivery. He’s recorded 6 CD’s, won local and national songwriting awards, is a repeat performer at Kerrville Folk Festival and counts among his fans Pete Seeger, Peter Yarrow, Paul Stookey, Billy Jonas, Ezra Idlet, Vance Gilbert and John Waters.
Martin Swinger composes songs about Alzheimer’s, Autism, oysters, dyslexic theology and the adventures of Betty Boop and Buddha – lyrically and melodically illustrating the variety of human emotions with sensitivity, creatively thoughtful stories, a deep appreciation for a good belly laugh, and by igniting wonder in the powerful metamorphosis music inspires in the heart, mind, body and soul. Surprising, humorous, intimate, outrageous, courageous and universal – each unforgettable song is sung with delicacy, skill and the panache of a seasoned, professional performer!
His first ever solo, wrapped in a sheet and standing on a table he’s singing ‘Away In a Manger’ in Mrs. Folendore’s First Grade Christmas play, and Martin felt oddly at home. Martin Swinger continues singing, and that audience of children, mothers, teachers and janitors, administrators, school board chairs and the secretary continues to grow. Listen to Martin live and you’ll know why.
Martin performs 80+ gigs a year sharing award-winning original songs and a surprisingly eclectic mix of covers. Americana, swing & jazz, traditional, show tunes, klezmer, improvisational music… He’s known for his sterling performance and vocal range, brilliant songs delivered well with an engaging stage presence for adult and family audiences.
Mrs. Folendore was pleased with Martin’s performance. You will be, too.
Martin’s new CD, Living Things is finally available! Contact Martin directly [email protected] or visit CDBaby for hard copy or download!
