Marina Evans performs at part of the Cape Ann Museum’s Music in the Courtyard series! A beautiful, outdoor venue surrounded by works of art from local and international artists. Come on our for a summer evening of original music!

The Cambridge Historical Society and the New England Folk Music Archives announce an evening of conversation and music at the Cambridge Historical Society, November 21, 2013.

At 6:00pm, a lively conversation between former WUMB program director Brian Quinn and Lorraine and Bennett Hammond will discuss and explore the rich history of folk music around the greater Boston area. This conversation will be recorded and deposited into The New England Folk Music Archives’ growing oral history collection.

Following the conversation, Lorraine and Bennett will perform traditional and original compositions on guitar, dulcimer, and harp, drawing on a long folk tradition.

Suggested donation for this event is $10 at the door, however additional support would be greatly appreciated to help the Cambridge Historical Society and The New England Folk Music Archives continue their important work in the community.

Lorraine and Bennett Hammond play and sing in perfect complement: blending their instruments with consummate skill, they create a new voice for music that ranges in style from classical through Celtic, blues and contemporary. The joy they take in their music is contagious, and their flair for tailoring their selection of songs and tunes for individual audiences lends a lively freshness to each performance.

Brian Quinn spent over 20 years managing all aspects of public radio station WUMB in Boston, recognized as the nation’s premiere station for folk and acoustic music.  For most of these years he served as the station’s program director. Brian also was instrumental in planning and overseeing the annual Boston Folk Festival, which annually drew thousands of participants to the University of Massachusetts. He has several years of experience producing events on The Boston Common, Copley Square, Sanders Theater and The Somerville Theater.

•The Cambridge Historical Society

Venue Address:  159 Brattle St, Cambridge, MA 02138

Venue Web Site: http://www.cambridgehistory.org/

Cambridge Historical Society Phone: (617) 547-4252

The New England Folk Music Archives

Promoter Address:  319 Hurley St. #3, Cambridge, MA 02141

Promoter Website:  http://www.newenglandfolkmusic.org

Info Phone: 508-789-7611 (Brian Quinn)

Time Line

5:30 pm          Doors open

6:00                Oral History with Lorraine and Bennett Hammond

7:00                Concert

Lorraine and Bennett Hammond

http://www.greatacoustics.org/

“Powerfully expressive, Les Sampou has been tested in the trenches of life and survived brilliantly. Her new album, “Lonesomeville,” is a personal Top Ten favorite of the year. She invests many songs with the emotional honesty of Lucinda Williams, probing love in all of its complexity while belting the heck out of the music. She has a passionate, rockabilly-blues edge that lifts your spirits high, followed by ballads that dig into your soul like few artists can.”

STEVE MORSE Boston Globe Correspondent & Contributor to Billboard and Rolling Stone

Antje Duvekot has solidified her reputation as one of Boston’s top singer songwriters with “Big Dream Boulevard” her debut studio release and “the Near Demise of the Highwire Dancer” her follow-up CD. The debut CD was produced by Seamus Egan, founder of the Irish super group, SOLAS. The project was released on acclaimed songwriter Ellis Paul’s label, Black Wolf Records and quickly attracted international attention for Antje. It was voted “#1 Folk Release of 2006” by the Boston Globe and was named to the “Top10 Releases of the Year” by National Public Radio’s, Folk Alley. Her follow up album “the Near Demise of the Highwire Dancer” was produced by Richard Shindell and along side with Richard features other “folk royalty” such as John Gorka, Lucy Kaplancky and Mark Erelli. It was voted #1 album of the year 2009 by WUMB 91.9 fm in Boston.

“What a blessing to have worked with someone as talented as Antje. With a voice like hers, and songs as good as these, a producer (especially a first-time producer!) just tries to get out of the way, to do no harm, and to let the artist speak for herself.” – Richard Shindell

“Duvekot has gotten hotter, faster than any local songwriter in recent memory. Her songs feel at once fresh faced and firmly rooted, driven by the whispery sensuality of her voice. She believes in the redemptive power of the shared secret; and is utterly unafraid to mine the darkest corners of her life for songs that turn fear into resilience and isolation into community”. The Boston Globe

Antje has won some of the top songwriting awards including the Grand Prize in the John Lennon Songwriting Competition, the prestigious, Kerrville (TX) “Best New Folk Award” and in one of the nation’s top music markets, she won the Boston Music Award for “Outstanding Folk Act”, three of the top prizes in the singer songwriter world.

A Benefit for FOLK New England.

Peter Yarrow. “We all know the music of Peter, Paul and Mary—folk classics that remain the soundtrack for generations. But our patrons were thrilled to experience the relevancy of that music, and how it resonates through today’s headlines, when Peter Yarrow brought his solo show to the Tower Theatre. It was so much more than a nostalgia show. Peter connected with the sold-out audience in ways that went well beyond a normal concert: he encouraged sing-alongs and audience participation; he signed autographs at intermission; he personally greeted each and every one of our VIPs and members; he even auctioned two personalized guitars to raise money for our educational outreach programs. Peter turned our theatre into his living room. He created an inclusive atmosphere, encouraging each of us to change our part of the world. It was a memorable evening rooted in the historic milestones of his past, yet focused on the current issues that continue to call him to activism. We all know how all the songs of Peter, Paul and Mary sound; what a rare treat to hear what Peter thinks of them. “

–Ray Solley, Executive Director, Tower Theatre Foundation, Bend, Oregon
Peter Yarrow’s talents as a creative artist—both with the legendary trio Peter, Paul & Mary and as a solo performer—are frequently directed at using music to convey a message of humanity and caring. His gift for songwriting has produced some of the most moving songs from Peter, Paul & Mary, including “Puff, the Magic Dragon,” “Day is Done”, “Light One Candle” and “The Great Mandala.” As a member of the renowned musical trio, Yarrow has earned multiple gold and platinum albums, as well as numerous GRAMMYs.

Over the years, many issues have moved Peter to commit his time and talent: equal rights, peace, the environment, gender equality, homelessness, hospice care, and education. All have utilized his skills as both a performer and an organizer. Peter Yarrow’s life and work – culminating in the founding and leadership of Operation Respect with its “Don’t Laugh At Me” initiative – is based on his passionate belief that music, with its power to build community and catalyze change, can be a particularly powerful organizing tool.

“Yes, it will be nostalgic for many. But on another level, it will bring them a sense of what is still possible. Yes, they will sing ‘Leaving on a Jet Plane,’ and I will give them a sense of the current history of what this music is doing, and why it’s important. So it will be a history lesson, it will be a singalong that inspires, but it will also assert the importance of the continuation of this kind of music in people’s lives today. And where we’re going from here in those terms. It’s not necessarily a big lecture — it’s inherent in the music. They’ll get it. I know it, ’cause that’s what I do.” – Peter Yarrow

Very special guest Michaela Anne will open the show.

Information and Tickets: Click Here

In 2005 Marina Evans moved to New York City, where she taught herself guitar and began writing songs that combined her background as a jazz vocalist with traditional folk and a rock edge. Within a year, she was performing as a solo acoustic act around New York and her home state of Massachusetts. Since that time Marina has recorded three original EPs and a full length album, and has taken her music from Rockport, MA all across the United States: from Portland to Nashville, New Orleans to Los Angeles, and everywhere in between. Marina has also made her way over to Europe, performing in London and touring across Italy every spring since 2011.

In 2012 Marina released two original EPs, Dogtown and The Tuscan Sessions. Dogtown, released first, was written and recorded with Marina’s band in Gloucester, MA; The Tuscan Sessions was written and recorded while touring abroad in Italy. “The EPs are really two sides of the same coin,” Marina says. “While complementary, they reflect this sort of bi-continental, rambling life I’ve been leading with my music.” Dogtown rocks – described as “raucous” and “anthemic” in The Noise Magazine – and “swellingly beautiful” Tuscan takes a distinctly European perspective on folk americana.

In the spring of 2013, Marina launched a Kickstarter campaign to fund the recording of her debut full-length album, Unbound. Through overwhelming support from across the globe, she reached her funding goal and recorded the album abroad in Florence, Italy with producer Bernardo Baglioni. With clever lyricism and unusual melodies, Unbound deftly combines various styles, genres, and instrumentation – from sweet ballads to folk anthems to straight up rock and roll – and paints a picture of a versatile and passionate artist.

A benefit concert for Folk New England

Carolyn Waters…Socially Conscious Soul…

“Carolyn’s music is hypnotic, in a deeply soulful groove. You’ve heard it said that pure music seems to “flow” through a great singer? Go hear Carolyn to experience the real thing” – Pete and Maura Kennedy, The Kennedys.

Carolyn Waters is a performing singing/songwriter who fuses blues/roots/folk and other musical genres into a unique unforgettable blend of songs and sounds.

As a young girl growing up in Philadelphia, Carolyn Waters sang alone in her bedroom or out loud in the house when she was sure it was empty. It wasn’t by choice, but as the result of thoughtless teasing she got from her family. Even in her church choir, a place where many singers first get noticed and make early names for themselves, she mouthed the words to avoid embarrassment. She, however, never lost her love and passion for music and spent endless hours moving up and down the radio dial, and listening to albums from her parent’s collection.

A life changing event about a decade ago pushed Carolyn to take a voice lesson. This time she wasn’t teased. She was taken notice of, supported, and given a start in folk music, which highlights included opening for Judy Collins, Tom Rush, and Kate Campbell among others.

Oh, and have we mentioned the blues?

“Carolyn Waters is a force of nature. Some people are simply created to sing and bless those who listen, Carolyn is one of those people”. Rev. Robert Jones, Sr. Acclaimed Blues/Roots Musician/Blues Historian – September 2013

Carolyn can belt out barrelhouse and juke joint blues, or fuse them with a pinch of Gospel and roots. She has been featured in the Boston Blues Society’s Ladies Sing the Blues Events where she shared the stage with the late great Shirley Lewis “Regal Queen of the Blues”, Lydia Warren, Lisa Marie and the wonderful Diane Blue to name a few.

Recently Carolyn joined forces with Satoru Nakagawa, a Japanese-born blues singer, songwriter, guitarist and member of the Tokyo Tramps to record her first all blues ep. This powerful duo merged the Delta slide with soulful singing and produced a deep blues experience.

“Carolyn’s voice is amazing, captivating, compelling—any superlative will fit. I don’t believe I have heard such a rich, velvety, and yes—bluesy—voice locally in years” – Karen Nugent, Boston Blues Society – May 2010

Performing solo, and with various accompanying musicians ranging from an incredible single guitarist to fronting her new dynamic Carolyn Waters Band, she can and has performed at all sizes and types of venues including clubs, festivals, galas, coffeehouses, vigils, and intimate-private functions in New England, New York, Maryland and Virginia.

“Carolyn’s songs are personal and have an emotional quality that moves the soul. Her easy natural style communicates immediately with your heart. Her performance is calm but powerful, putting you at ease and making you feel that all is right with the world. I look forward to hearing Carolyn perform her wonderful creations in the future. The best is yet to come”. Charles Williams, Principal, Phillip Glass’ Einstein On The Beach (2012-13 World Tour)

A benefit for Folk New England.