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![Tom Rush, The Kweskin Jug Band, Patty Larkin In Concert @ Boston Symphony Hall | Boston | Massachusetts | United States](https://lastdanceproductions.com/wp-content/uploads/2013/11/tr-195x300.jpg)
Singer-Songwriter and folk icon Tom Rush will return to Symphony Hall with the next of his series of Club 47® concerts on Saturday, Dec 28th at 8:00pm. As is traditional with these shows, Tom will bring together different generations of musicians to share the music. This Holiday Season show will feature the Jim Kweskin Jug Band, with Bill Keith, Geoff Muldaur and Maria Muldaur; Massachusetts favorite Patty Larkin; and (relative) newcomers Sarah Lee Guthrie and Johnny Irion.
In 1981 Tom Rush assembled the first of a series of concerts named for the fabled Cambridge coffee house where many of the legendary artists of his generation got their start. His Club 47 shows played at venues across the country, including New York’s Carnegie Hall and the Kennedy Center in Washington D.C. Last year, Tom renewed the tradition with a sold-out show at Symphony Hall marking his 50th year on stage.
“These shows are fantastic musical events,” said Tom Rush. “Having a mix of fabulous performers from different generations, sharing the stage, collaborating , exploring each other’s music — it’s a recipe for magic. ‘Honoring the past, celebrating the future,” is the Club 47 slogan, and we try to live up to it.”
The Jim Kweskin Jug Band got their start at the Club 47 in Cambridge and were the original “Americana” band, playing everything from classic blues to hillbilly country, ragtime, jazz, and rock ‘n’ roll. Their imitators were legion, including a San Francisco jug band that became the Grateful Dead and a New York jug band that became the Lovin’ Spoonful, but their loose, exuberant style was uniquely theirs.
“Boston was the home of our Jug band, and our first gig as the Jim Kweskin Jug Band was at Club 47,” Kweskin remembered. “It is fitting that the last performance of our 50th anniversary be performed in Boston. We thank Tom Rush (who started in Boston about the same time we did) for inviting us to join him at Symphony Hall.”
The individual members of the original Jug Band also have made indelible marks on American music. Maria Muldaur is perhaps best known for her 1974 mega-hit Midnight at the Oasis, but her career can best be described as a long, adventurous odyssey through American roots music, including 40 solo albums and multiple Grammy nominations. Geoff Muldaur is one of the great voices and musical forces to emerge from the Cambridge scene. He composes scores for film and television, and his definitive recording of Brazil provided the seed for – and was featured in – Terry Gilliam’s film of the same title. Bill Keith introduced his own melodic approach to the banjo, now called the “Keith-style,” and as member of Bill Monroe’s Bluegrass Boys and later collaborations, revolutionized the way the banjo is played.
Patty Larkin redefines the boundaries of urban-folk music with her inventive guitar wizardry and uncompromising vocals and lyrics. She has been described as “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly) and “drop dead brilliant” (Performing Songwriter). Patty has called Boston home since her studies at Berklee College of Music where she holds an Honorary Doctorate of Music and is currently an Artist in Residence. Patty and Tom’s friendship was kindled nearly 28 years ago when she was on his Maple Hill Artists’ booking roster, and occupied the “Newcomer” slot at several of Tom’s Symphony Hall Club 47 shows.
“Tom Rush has an iconic connection to the singer songwriter movement of which I am a part. His performances continue to be fresh, full of humor and heart, Larkin said. “I’m pleased to be returning to the Symphony Hall stage to join Tom and his esteemed musical guests.” Her 13th album, Still Green, has just been released.
Sarah Lee Guthrie and Johnny Irion embody the spirit of the Club 47 tradition. Guthrie— the daughter of Arlo and the granddaughter of Woody— grew up in a musical family rich in the American folk tradition. She and her husband Johnny Irion have been playing together as a musical duo for over thirteen years. They just released their fourth album, Wassaic Way, produced by Wilco’s Jeff Tweedy and Pat Sansone.
“It’s the kind of night I love,” Tom Rush concludes. “To be on stage with some of my favorite players and favorite people, mixing it up, having fun … it doesn’t get much better than that!”
The Last Waltz LIVE is a re-creation of the Band’s classic 1978 concert film, The Last Waltz, featuring The Rev Tor Band and an all star cast of Boston-based musicians. The show includes renditions of all the hits by the Band featured in the film, such as “The Weight,” “Up On Cripple Creek,” and “The Night They Drove Old Dixie Down,” as well as songs by Bob Dylan, Neil Young, Eric Clapton and many more.
For Tickets Click Here.
The line-up of artists includes the Rev Tor Band, Gary Backstrom of Jiggle the Handle, Vance Gilbert, Chris Fitz, Jim Infantino of Jim’s Big Ego, Chris Nemitz and Charlie Carrazzo of Sun Jones, Regie Gibson, Adam Michael Rothberg, Emily Grogan, Todd Mack, Marina Evans, Vinny Serino of Boston Baked Blues, Nikki Howard, Les Sampou, Vykki Vox, and Richard Cambridge.
A diverse array of local, regional, and national artists perform the songs of the film’s original special guests, making the show a unique all-star experience showcasing the finest talent from the local music scene and beyond. All profits from the Last Waltz LIVE benefit Music in Common, a nonprofit organization whose mission is to strengthen, empower, and educate communities through the universal language of music.
The Last Waltz. On Thanksgiving Day, November 25, 1976, the legendary rock group THE BAND performed The Last Waltz, their “farewell concert appearance” at Winterland Ballroom in San Francisco CA. The concert saw The Band joined by more than a dozen all star special guests, many of whom were and are considered the living legends of their time. This historic event was captured by director Martin Scorsese and made into a concert film of the same name released in 1978. The performances captured on film that night were magical and the movie has achieved a cult classic status amongst many musicians today. It continues to be a major source of inspiration to all who see it.
![The Last Waltz Live DSC_4651a2](http://lastwaltzlive.org/blog/wp-content/uploads/2012/12/DSC_4651a2.jpg)
The Last Waltz Live
Some of the profits from this concert benefit Music In Common, whose mission is to strengthen, empower, and educate communities through the universal language of music. The Last Waltz supplies the perfect soundtrack to bring musicians together and strengthen that common bond. The Last Waltz LIVE is a celebration of that spirit.
Produced by Last Dance Productions.
![Antje Duvekot In Concert @ Rose Garden Coffeehouse | Mansfield | Massachusetts | United States](https://lastdanceproductions.com/wp-content/uploads/2014/08/antjetracks-199x300.jpg)
Antje Duvekot has solidified her reputation as one of Boston’s top singer songwriters with “Big Dream Boulevard” her debut studio release and “the Near Demise of the Highwire Dancer” her follow-up CD. The debut CD was produced by Seamus Egan, founder of the Irish super group, SOLAS. The project was released on acclaimed songwriter Ellis Paul’s label, Black Wolf Records and quickly attracted international attention for Antje. It was voted “#1 Folk Release of 2006” by the Boston Globe and was named to the “Top10 Releases of the Year” by National Public Radio’s, Folk Alley. Her follow up album “the Near Demise of the Highwire Dancer” was produced by Richard Shindell and along side with Richard features other “folk royalty” such as John Gorka, Lucy Kaplancky and Mark Erelli. It was voted #1 album of the year 2009 by WUMB 91.9 fm in Boston.
“What a blessing to have worked with someone as talented as Antje. With a voice like hers, and songs as good as these, a producer (especially a first-time producer!) just tries to get out of the way, to do no harm, and to let the artist speak for herself.” – Richard Shindell
“Duvekot has gotten hotter, faster than any local songwriter in recent memory. Her songs feel at once fresh faced and firmly rooted, driven by the whispery sensuality of her voice. She believes in the redemptive power of the shared secret; and is utterly unafraid to mine the darkest corners of her life for songs that turn fear into resilience and isolation into community”. The Boston Globe
Antje has won some of the top songwriting awards including the Grand Prize in the John Lennon Songwriting Competition, the prestigious, Kerrville (TX) “Best New Folk Award” and in one of the nation’s top music markets, she won the Boston Music Award for “Outstanding Folk Act”, three of the top prizes in the singer songwriter world.
![Hey Nineteen “An Evening of Steely Dan” & Don Campbell “An Evening of Dan Fogelberg” @ Regent Theatre | Arlington | Massachusetts | United States](https://lastdanceproductions.com/wp-content/uploads/2015/08/Regent-Poster-New-300x261.jpg)
Hey Nineteen and Don Campbell – Two of the best tribute bands in concert representing two of the biggest international performers in American music history.
Hey Nineteen – A Tribute to Steely Dan
Hey Nineteen is the Nation’s top Steely Dan tribute band! An 11 piece group of professional musicians with the theoretical knowledge and musicality required to master the complex music of Steely Dan. They have packed venues throughout New England and are well known for their high energy show as well as their “spot on Steely Dan sound!
Hey Nineteen will amaze you with their exacting solos (as originally recorded), vocals, harmonies, and musicality, all while keeping you moving with their high energy show.
Hey Nineteen a Tribute to Steely Dan is comprised of top professional musicians, many of whom have performed with Grammy- winning, international artists. Hey Nineteen brings the big hits and the deep cuts, from ‘Do It Again’ to ‘Your Gold Teeth II’, from ‘Reelin’ in the Years’ to “Doctor Wu” and many more.
More on Hey Nineteen here
Don Campbell: Celebrating the Music of Dan Fogelberg
Singer-songwriter and multi-instrumentalist Dan Fogelberg was a multi-platinum selling artist, with hits such as “Leader of the Band”, “Longer”, “Same Old Lang Syne” and a large and diverse catalog of over 20 albums. He passed away in 2007 after a three year battle with prostate cancer.
Dan remains a huge influence and musical hero of Don’s. On November 13, 2012, Don released a double CD, Kites To Fly: Celebrating the Music of Dan Fogelberg and in January, 2013 began presenting live performances of this music around his own busy schedule of Don Campbell Music shows.
![AFTERFAB The Beatles Solo Years @ Regent Theatre | Arlington | Massachusetts | United States](https://lastdanceproductions.com/wp-content/uploads/2015/08/dpk-AfterFabRN-300x217.jpg)
AfterFab is America’s only tribute to the solo years of all four Beatles – and their unique concept has fans buzzing. The genius of The Beatles didn’t stop with “Abbey Road,” and AfterFab brings the brilliant solo careers of Lennon, McCartney, Harrison, and Starr to life with high energy and high fidelity to the original recordings. Over 70 hit singles and numerous iconic tracks compose one of the best-loved classic-rock canons ever, from “Band on the Run” and “It Don’t Come Easy” to “Imagine,” “What Is Life” and dozens more.
AfterFab has attracted praise from noted Beatles experts and authors such as Robert Rodriguez and Ricardo Pugialli. “They did the solo stuff and *rocked* it!” declared promoter Charles Rosenay following AfterFab’s 2014 performance at his Danbury Fields Forever Fab Four Music Festival. Beatles radio show host Ken Michaels remarked, “Passion. You could see it in their faces. They’ve really studied the music. And the lead singer, he was outrageous!”
What can you expect from an AfterFab show? A high-energy, passionate tribute to the mega-classic canon of The Beatles’ solo years, the only one in America, played with high fidelity to the original studio recordings. Beatles fans are absolutely everywhere and this unique concept and focus draws them in droves. It’s something new and different for Beatles and classic-rock fans, and general audiences, thanks to 70 US Top-40 hits and 325 million records collectively sold by John, Paul, George, and Ringo, post-Beatles. The genius didn’t stop with Abbey Road. This is the classic Beatles music that fans have been missing.
AfterFab is a formidable six-member powerhouse of long-experienced Beatles-expert musicians with a dynamic, entertaining front man and a talent for getting the music right. Not impersonators, but a music-first tribute along the lines of Brit Floyd, Get The Led Out, or The Fab Faux. Based in New England, the band began in 2012, designed from the start as a concert attraction for top music clubs, performing-arts spaces, theatres, and venues that desire to present something special for guests. Misson-driven to convey the brilliance of the solo Beatles’ legacy, AfterFab adds extra dimensions of entertainment with back-stories of the songs, fascinating trivia, and video of images of solo Beatles LPs, singles, adverts, and quotations.
![The Last Waltz Live: A Special Benefit Concert for “Mended Little Hearts of Boston” @ The Regent Theatre | Arlington | Massachusetts | United States](https://lastdanceproductions.com/wp-content/uploads/2016/06/new-logo2-1024x755-300x221.jpg)
The Last Waltz LIVE is a re-creation of the Band’s classic concert film featuring The Rev Tor Band as The Band (accompanied by a full horn section) and one dozen or more local, regional, and national artists as special guests.
Not a tribute show, but rather a powerful community event, each LWL concert features a local lineup of guest artists making it a unique, all-star experience.
Tickets here:
http://
or call (781) 646-4849
Most of the profits from the Last Waltz LIVE will be donated to Mended Little Hearts of Boston
Info on Mended Little Hearts of Boston Here:
http://
Did you know that about 1 in 110 babies are born with a congenital heart defect each year?
Mended Little Hearts, a nonprofit organization, works nationally and in communities to empower children with congenital heart defects and their families through support, education and awareness.
Special guest artists for this performance will be announced soon.
“I lack the language to express the simply fantastic music, the awesome spirit, the camaraderie of the musicians, the MAGIC of last night’s Last Waltz LIVE production!! Some things are felt in the heart and in the soul, and this evening was one of those moments for me! Thank you all so very much for a Night of Magic!!” – Helen S., Last Waltz LIVE audience member
http://
or call (781) 646-4849
Presented by Last Dance Productions
![Denny Laine of Wings “Band On The Run” Live @ The Regent Theatre | Arlington | Massachusetts | United States](https://lastdanceproductions.com/wp-content/uploads/2017/01/Denny.L-300x210.jpg)
Denny Laine celebrates the 40th anniversary of the “Wings Over America” tour with a live on stage performance of their greatest album, “Band on the Run”—complete and unabridged! Within a year of its release, “Band On the Run” had sold over six-million copies worldwide, having spawned three U.S. Top Ten hits-”Helen Wheels”, “Jet”, and the title track. The singles alone occupied the U.S. chart for forty-five (45) weeks, while the album stayed on the charts for over two (2) years. “Band On The Run” was in the Top-30 of the Billboard 200 as recently as 2010, when a remastered version of the album was released.
This special evening celebrates the 40th anniversary of the Wings Over America tour. The sold out U.S. leg of the “Wings Over the World” tour helped carry the’ “Silly Love Songs” single and “Wings at the Speed of Sound” album to number one on their respective charts. From the tour came the film “Rock Show” and the number one triple album set “Wings over America”.
By far the most successful album involving any of the Beatles following their breakup, “Band on the Run” was created by Paul McCartney, Denny Laine and Linda McCartney. The other members of Wings quit the group just prior to the departure to Lagos, Nigeria to begin sessions for the album, but out of adversity came advantage. With Paul McCartney on vocals, piano, drums, guitar, bass, and keys, and Denny Laine contributing vocals, keys, acoustic, electric and bass guitars, and Linda McCartney on keys and vocals, Band On the Run transcended the era to become an album whose deep cuts such as “Let Me Roll It”, “Picasso’s Last Words”, and “Mrs. Vanderbilt” and “Bluebird” are better remembered-and played more often on classic rock radio-than most hits of the era.
Expect other Wings hits such as “Live and Let Die”, and “Time to Hide” as well as Denny’s legendary lead vocal on the Moody Blues classic “Go Now” to round out this special anniversary show.
Tickets: Click Here
![Badfinger’s “Straight Up” with Joey Molland @ Regent Theatre | Arlington | Massachusetts | United States](https://lastdanceproductions.com/wp-content/uploads/2017/10/badfinger_straight_up-300x294.jpg)
It’s the 45th Anniversary of the Greatest Album by Badfinger, 1972’s Straight Up, and the band’s legendary guitarist, songwriter, and vocalist Joey Molland—along with his dynamic band—brings the album to the stage in a bracing live show.
Featuring 5 tracks written by Joey, Q Magazine described Straight Up as ”…brimming with mature melodies and bracing verse/chorus interplay…”, while NME deemed it ”…a stone cold beauty of an album…” and advised, “Love it like your mother …”
George Harrison produced four tracks on the album, Name of the Game, Suitcase,I’d Die Babe, the latter two written by Molland, and Pete Ham’s Day After Day, which gave the group a Top 5 U.S. Single. AllMusic says, ”…there’s absolutely no filler and everybody is in top form…” The album, which also featured Baby Blue, stayed on the Billboard Top Pop Albums chart for 32 weeks.
From their legendary lineup, Joey Molland continues the unforgettable legacy of BADFINGER. One of the original signings to the Beatles’ Apple Records label, they had their first hit single with a Paul McCartney penned song, Come and Get It, which went to #7 in the U.S. charts.
Badfinger followed this with their own compositions No Matter What, Day After Day (produced by George Harrison), and Baby Blue, which went to #8, #4 and #14 respectively.
https://youtu.be/C53QAuOoSgc
![April Verch In Concert @ The Rose Garden Coffeehouse](https://lastdanceproductions.com/wp-content/uploads/2019/03/April-Verch-2-300x259.jpg)
Another of our favorites, April Verch, comes home.
The Ottawa Valley (Canada) fiddler, step-dancer, singer and all-around wonderful performer is back as part of a new dynamic trio. An unassuming delight in person, April’s talents are many, and she has gained worldwide renown. You might have seen her performing at 2010 the opening ceremonies of the Winter Olympics in Vancouveras part of a segment called “Fiddle Nation.” We are thrilled to have her back to conclude our 30th season and be the featured act after our 27th annual Performing Songwriter Competition.
April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician.
She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. In 2017 she released The April Verch Anthology (Slab Town Records), an 18-track collection celebrating her life’s work. Hand-picked by Verch, the songs on this compilation offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.
The April Verch Anthology is a testament to the many chapters in Verch’s musical journey.
Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller. The compilation is an excursion through Verch’s 1998-2015 recordings, featuring tunes and songs dear to Verch as well as a healthy dose of fan favorites and two newly recorded tracks. “Through this anthology, I am reminded of the inspirations with which I began and of the hopes I hold for the future. I take a moment to reflect and to celebrate,” says Verch.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond.Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Verch began her full time touring career in 2000 and has performed around the world.
including festival, theatre and performing arts centre appearances in Canada, USA, China, Australia, United Kingdom, Belgium, Sweden, Denmark, Finland, Norway, Germany, Switzerland, Austria, France, Spain, Czech Republic and the United Arab Emirates. She also presents workshops, master classes, and lectures as part of her tours and at selected music camps.
Verch won’t be the one to tell you about her championship titles, nominations, and awards, or the fact that she was one of 6 fiddlers who represented the Canadian fiddle tradition to the world at the 2010 Olympic Winter Games in Vancouver, as part of a segment called “Fiddle Nation.” Instead, in speaking with her, you’ll hear about how passionate she is about sharing her music; in small gatherings in remote communities in Iqaluit, to large prestigious concert halls like Mozartsal in Vienna.
Even as she plays with the tradition she inherited, Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. It’s why Rolling Stone cited her “One of the 12 best things we saw at MerleFest in 2016.”
“Just as contemporary bluegrass has Alison Krauss as an ambassador, the Ottawa Valley has April Verch,” said NPR’s Marco Werman on “The World.” And Verch never forgets the roots of her music, that connection to the people out there in the audience, on the dance floor, to the community sparked by a good song. “It’s about joining together to celebrate everyday life, through music. We’re all in this together.”
Welcome home to Mansfield, April!
![New Bedford Folk Festival @ New Bedford](https://lastdanceproductions.com/wp-content/uploads/2022/07/62bf5da650406e6d3351e79b_NBFF22_Web_Home_Hero_Logo-300x193.png)
THE BARGAIN of the Summer!
The New Bedford Folk Festival offers an impressive line-up of the best in contemporary, Americana, traditional, blues and Celtic folk music with more than 75 performances on seven stages over two days. At the heart of the festival are the workshops, themed jam sessions with multiple artists, many playing together for the first time, for a unique, never-to-be-seen-again show.