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It’s the 45th Anniversary of the Greatest Album by Badfinger, 1972’s Straight Up, and the band’s legendary guitarist, songwriter, and vocalist Joey Molland—along with his dynamic band—brings the album to the stage in a bracing live show.
Featuring 5 tracks written by Joey, Q Magazine described Straight Up as ”…brimming with mature melodies and bracing verse/chorus interplay…”, while NME deemed it ”…a stone cold beauty of an album…” and advised, “Love it like your mother …”
George Harrison produced four tracks on the album, Name of the Game, Suitcase,I’d Die Babe, the latter two written by Molland, and Pete Ham’s Day After Day, which gave the group a Top 5 U.S. Single. AllMusic says, ”…there’s absolutely no filler and everybody is in top form…” The album, which also featured Baby Blue, stayed on the Billboard Top Pop Albums chart for 32 weeks.
From their legendary lineup, Joey Molland continues the unforgettable legacy of BADFINGER. One of the original signings to the Beatles’ Apple Records label, they had their first hit single with a Paul McCartney penned song, Come and Get It, which went to #7 in the U.S. charts.
Badfinger followed this with their own compositions No Matter What, Day After Day (produced by George Harrison), and Baby Blue, which went to #8, #4 and #14 respectively.
https://youtu.be/C53QAuOoSgc
33rd Lowell Folk Festival
The Lowell Folk Festival continues to provide the finest in traditional music, craft, foodways and more in downtown Lowell. This annual celebration is the best in traditional folk music, artisan crafts and ethnic foods, and will be returning to downtown Lowell with a full lineup beginning with the traditional parade of nations from Lowell’s City Hall Plaza to Boarding House Park. The free festival offers something for people of all ages all within the heart of Lowell National Historical Park.
80’s Tribute St80um to perform at Xfinity Center, Mansfield, MA, September 27 for a special funder for the Concil for Children.
This will be a special Fundraiser for The Council for Children. The Council is a local all-volunteer non-profit with programs benefiting nearly 2000 local children every year. The programs include Christmas is for Kids, a gift drive filling Christmas wishes of new toys and clothes to 1000 local children; Nicky O Foundation which gives scholarships to students interested in the arts; day care scholarships; 100 backpacks given to local park and rec departments each summer for children who need towels, sunscreen and water bottles; 75 back-to-school backpacks with supplies; a summer lunch food drive which collects 10,000 servings of food plus cash to help feed children on local playgrounds all summer who would otherwise go without a healthy meal.
St80um
Yes… Pronounced, Stadium
An 80s Tribute band of the best stadium style, 1980’s Rock and Roll. Journey, Foreigner, Styx, Boston, Bon Jovi, etc bringing you a full concert experience show using the original instrument sounds.
Guitar – Ted Solgot
Keyboards – Nate Goulet
Bass – “Smokin” Joe Tommasiello
Drums – Greg Vartanian
Lead Vocals – Amy Hansen
St80um: Kansas- Carry On – Foxwoods- 5/31/2019…
St80um: Kansas- Carry On – Foxwoods- 5/31/2019…
Posted by St80um on Thursday, July 11, 2019
Gary Backstrom, founder, and frontman of the legendary Boston-based Jiggle The Handle, brings you Rhythm Of The Saints – an all-star tribute to Paul Simon. This seven-piece band featuring members of Jiggle The Handle, Max Creek, and The Heavy Metal Horns flawlessly navigate the musical library of Paul Simon’s solo carrier. The show features all the hits you would hope to hear, including “50 Ways To Leave Your Lover”, “Still Crazy After All These Years,” “Diamonds On The Soles Of Her Shoes,” and so many more!
PETER ASHER: A MUSICAL MEMOIR OF THE 60S AND BEYOND
Entertainment legend Peter Asher–whose voice, as one half of Peter & Gordon, “literally soared through Carnegie Hall” (Fox News)– brings his 4 piece ensemble to the event space of Plainville’s An Unlikely Story for a JUST ADDED 2 p.m. live performance in the book store’s first ever concert event.
“…as Mr. Asher regaled a delighted audience with stories… he conjured history in the making, before it was set in stone.” – Stephen Holden, New York Times
“…the exuberant Mr. Asher knew anyone who rocked and everyone who mattered.” –Wall Street Journal
“An all-around charming and delightful fellow — he reminisces about his whole career and it is highly entertaining” – Steve Martin
“Everybody should go and see it — I’ve seen it myself twice” – Linda Ronstadt
“The Man, The Myth, The Legend! …and a true friend! Great wit and music. A true storyteller! What more could you possibly want? Don’t miss this!”–Hans Zimmer
We first came to know him through the global smash “World Without Love” as one half of the British Invasion duo Peter & Gordon. He returns–now a Commander of the Most Excellent Order of the British Empire– in “Peter Asher: A Musical Memoir of the 60s and Beyond” which brings a multimedia experience to the stage of An Unlikely Story., hosted by the two-time Grammy winner for Producer of the Year. Peter Asher moved effortlessly from his role with Peter & Gordon to Music Executive with the Beatles’ Apple Records, then famously- (as in cover of Rolling Stone magazine level famous)- to Producer and Manager, handling the careers of James Taylor, Linda Ronstadt and a host of others. Books abound, documentaries with half-truths (and worse) are all too common, but, now, finally, Mr. Asher tells first hand his tales from the eye of the cultural hurricane in this intimate evening in Plainville, Massachusetts.
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Presented by Patio Records
Laurie Young (vocals, trumpet) brings the role of the goddess to the forefront and co-fronts the band
Joe Donnelly (drums) of the Del Fuegos, Swinging Steaks, and Wall of Grass
Pat Dreier (Keyboards, vocals) of the Lines and the Drive
Dave Weden (guitar/banjo) and Clayton Young (bass, vocals) of John Cate and the Van Gough Brothers
Dennis Semprebon (drums and percussion) of Craig Carter and the Hurricanes
Brad Kohl (saxophone) of Hot Acoustics and Group Therapy
The Kennedys, Songwriting duo Pete and Maura Kennedy make a strong return to the studio and stage after three years of weekly live-streamed lockdown-era concerts. They took the opportunity to explore classic songwriting in-depth, performing over a thousand songs during the pandemic. That vast overview strengthened and refined their own writing and laid the foundation for this new collection of original, socially-conscious songs.
“After such a deep dive into American roots music, we felt like we had a new set of writing tools. We were ready to create this body of work, and there’s just SO much to write about,” says Maura. “During our five-year hiatus from writing and recording, America changed in massive ways, divisive ways that have shaken our whole foundation. That has to be addressed by creative artists, those of us who have a voice to speak for others. Our love of the great things about this country, things that are under threat, is the reason we decided to make “Headwinds” the title track of the CD. Political and social headwinds are making it hard to get back “home’ to our greatness as a nation. We want to push back in a positive way against those winds.”
In addition to singing and writing, Pete and Maura are multi-instrumentalists. The thirteen songs are cast in a soundscape that draws from the classic canon of American roots, in keeping with the theme of getting back “home” as a nation. Acoustic and electric guitars, a vintage steel guitar, a gospel-inflected piano/organ mix, and even a slide ukulele all add colors to a song bag of sounds that have drawn us together during hard times. Pete and Maura believe that those sounds still have the power to pull us through again.
The Kennedys began their writing and touring life three decades ago as members of Nanci Griffith’s Blue Moon Orchestra, developing their own sound as a frequent support act on Nanci’s tours across America, Ireland, Scotland and England. Collaborations with Nanci continued, culminating in Pete and Maura producing her final album, “Intersections.” Along the way, they hosted a nationwide radio program, “The Dharma Cafe” on Sirius/XM, wrote and released sixteen CDs of original music, and have been core artists on folk radio, expanding their audience further with the inception of the AAA and Americana formats.
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Danielle Miraglia comes armed with a strong steady thumb on an old Gibson and an infectious stomp-box rhythm with tunes ranging from heart-felt to socially conscious that will move both your heart and hips. Her latest “Bright Shining Stars” debuted at #15 on the Billboard Blues Charts. Cascade Blues Association calls it “… tough as rawhide, but smooth as blended whiskey.” Released Oct 2020 with Vizztone Label Group, it’s a solo acoustic folk/blues record that highlights the one-woman-band live sound she’s honed over the years, featuring guest appearances by talented friends Laurence Scudder, Peter Parcek and Richard “Rosy” Rosenblatt. It includes originals as well as a collection of songs she covers at live shows, paying homage to influences like Big Bill Broonzy, Bob Dylan, Janis Joplin and more, plus the title track “Bright Shining Stars,” written by her husband, Tom Bianchi.
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Karla Bonoff has been described as one of the finest singer/songwriters of her generation. That description is not hyperbole. Bonoff has enjoyed critical acclaim, commercial success, enduring popularity, and the unwavering respect of her peers. Karla has seen her songs become hits for Bonnie Raitt, Wynonna Judd, and Linda Ronstadt. Many of Bonoff’s ballads are classics. Karla has continued to record and tour extensively, playing sold-out shows worldwide.
Hearing Karla’s moving vocals on her rich, expressive songs is like standing beneath a sparkling waterfall–refreshing, exhilarating, and restorative. Experiencing them live can be transformative. Fans and critics agree that Bonoff’s songs, as are her recordings, are timeless. Many prefer her versions, live with instrumentation that is clean and spare, giving Bonoff’s voice room to work its emotional magic.
“Long before Alanis and Jewel, there was a breed of singer/songwriters whose earthly anthems of soul-searching, heartache and joy touched souls in a way few can muster today. Billboard Magazine.
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